OJT This is a amateur splatter film not unlike Braindead in filming style, with a bad taste touch of the early John Waters and early Monty Python, made on a meager budget. There's no point in telling the plot, because it's not really there.There is feces, blood, gutter and a lot of silly walks and running in this film which is some kind which displays some kind of talent, but still is by far a good film. Watchable and laughable it is, with quite effective gory details, which is really the best part, well, really the only good part of the film.To the tones of classic music and some folkloric Norwegain music, we see gory details of a hunt which is really not anything but ridiculous. It is really not funny. It is too amateurish to be funny, though it tries.Watch only if you like splatter, and like watching underground movies. The film will be valued greatly by those looking for obscure films with what you might call good ideas. Still be warned. This is a really bad movie, but with quite some cult potential.

EVOL666 BREAD AND CIRCUS isn't a great film. Hell, it's really not even a good film - but this is another case where the film as a whole is stronger than the sum of it's parts. The film is an amalgamation of many different elements - German influenced splatter, surreal social-commentary, shoot-'em-up actioner, all laced with a dose of Monty Pythonesque humor and done on a relatively miniscule budget. The plot surrounds a society where anyone who isn't completely "average" is cast-out to fend for themselves in the woods. One guy bucks the system and leaves his mark for future generations to follow. A young couple finds the original anarchists writings a few years later, and take up the struggle against non-conformity...Sounds like pretty "heady" stuff, right? Well, in concept it kinda is - in execution, the film takes the idea and turns it into a splat-stick style gore-filled comedy, which works for what it is. Despite obvious budget restraints, the many splattery FX and camera-work really look quite decent - far more competent than many other recent SOV Euro-splatter-fest's that I've seen in recent years. Recommended to low-budget splatter fans that want something out of the ordinary...7/10

frodo_unplugged "Bread and Circus" is a rare treat, a splatter movie that is brainy and yet still blows your brains out. A true Independent, in every aspect of the word, this sleeper from Norway isn't as well known as it should be. While generic output like "Undead" or even worse "House of the Dead" is peddled all over the world, movies with a heart (popping out) often remain forgotten silver. Fortunately, "Bread and Circus" still has cult potential, even more so because it stays true to the spirit of guerrilla film making and it dares to go where no man has ever gone before: quite literally into the anus of mother earth.The story is simple, it's about a fascist regime that censors every form of life outside the ordinary. All the weak and strong, all the dumb and intelligent are cast out and left alone in the nearby woods to die. Until one day when a man rebels against the system, breaks out and with his story inspires a young couple to overthrow the fascist government for good.The movie abounds with symbolism and social criticism as well as fart jokes and gross splatter effects. In the end, this crude mix is what makes the whole thing work. Disgusted by what has become of our world, a place of comfort and conformity, the director expresses his anger and frustration by using images of intense barbarism, almost as barbaric and wretched as the society he sets out to criticize. It's metaphors and blood, a mixture that isn't too appealing to a lot of viewers, the intellectual will be disgusted, the splatter freak might be alienated by the philosophical undertones, everybody else might feel uncomfortably normal, but one thing's for sure, "Bread and Circus" is uncompromising in it's vision, a piece of art that belongs equally in the s**t house as in the art house.Beside that there are countless references to movies and movie history: slapstick humor from the silent era, black humor from the works of Monty Python, a sense of adventure from "Indiana Jones", martial arts sequences in homage to Jackie Chan, powerful use of music as in "Clockwork Orange", splatter effects right out of the trash masterpieces by Peter Jackson, a surreal ending that will remind you of Takashi Miike, actors that seem to come right out of comic books and direction as unyielding as Francis Ford Coppola's in "Apocalypse Now" (BaC was shot over 5 years, on an ever growing budget and a faulty camera that ruined 1/4th of all takes). All in all this is a movie lover's dream come true, a true source of inspiration for every aspiring filmmaker and a rewarding experience for everyone who dares to look beyond the surface.It's a little film with high goals, my recommendation: dream a little dream and have great fun!

Elvis- This film is as surreal as it can get!! It is sometimes hard to keep up with the symbolics and the storyline. I had to watch it a couple of times extra to really grasp the full meaning of it. You are the fish as the bate gets ripped out of the water in a way. It's a very big bite for such a small and independent picture. But it has elements of brilliance and intelligence that keeps it floating.In a few words, i got raped,i liked it and then enjoyed it! ELVIS LIVES