Nelson Shreve Bridget Fonda has disappointed me several times over the years, but she had my attention in BREAK UP. It's true the story is missing critical details in several places, but I just kept scrutinizing Fonda for clues about what was meaningful in the story and she didn't let me down. The look in her eyes in the last scene, as she musters up courage to, literally, put one foot in front of the other toward her uncertain future is one of the most dramatic and significant examples of face acting ever. I believed her completely, possibly because I've known and admired several "tough broads" who survived similar abusive situations. And they did this without becoming man-haters, but that's my own hopeful projection of Fonda's character at the BREAK UP.

George Parker "The Break Up" is not a thriller or a mystery or an action flick. It's a somewhat disjointed and flawed drama with Fonda at the center delivering a solid performance. There is just enough meat on the bones of this flick to give the viewer something to chew on as long as expectations aren't too high. An okay journeyman flick recommended for Fonda or Sutherland fans.

lvictory Fonda proves to be amazingly subtle and focused in her role as an abused deaf wife. The mood and tone of this film was compelling and unique, and though the story itself was unoriginal and at times contrived, I found myself totally drawn into the characters and style of the picture as a whole.

mynerva Low-rent version of Ashley Judd's Double Jeopardy. Sutherland is too professional to be bad, but what was Brigit Fonda thinking?!? The Penelope Ann Miller curse continues (Think about it--when has she EVER been in a good movie other than Other People's Money? And I'm not saying she's bad, but all of her movies fail in some way).