Bright Leaf

1950 "He had to fight for everything he owned ... except this woman's lips !"
Bright Leaf
6.7| 1h50m| NR| en| More Info
Released: 16 June 1950 Released
Producted By: Warner Bros. Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Two tobacco growers battle for control of the cigarette market.

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thejcowboy22 A turn of the Century twist with another Cooper, O'Neal romance. NOT!!! Don't let that stop you at the Gates of the Singleton Plantation. Gary Cooper,(Brandt Royle) the last of his families line,a wannabee businessman meets Northerner Mr. Barton with a cigarette rolling machine that could make them millions. Enter Bordello owner Sonia, (Lauren Bacall) who has feelings for Mr. Royle. Royle needs money to start up his cigarette business but Sonia knows all to well that she's being used as his love interest. This movie is not about the money or the success that it brings. This movie shows how old fashioned ways, traditions and family hatred get in the way of just about everything. Cooper does a fine job of transforming from a humble upstart to a drunken self absorbed entrepreneur. In my opinion Lauren Bacall could have played Patricia Neal's role but the casting dept had other ideas. The supporting cast does a fine job of holding the story together. Donald Crisp as the irascible old school Tobacco King and Jack Carson who starts out a down on his luck charlatan running a medicine show at the beginning of the story into a well polished boardroom businessman at movie's end. Does this movie teach us to love our superficial business world or should we search for our true passions instead? This question haunts the masses for centuries and this movie may or may not give us the answers but you will be entertained by an all star cast.
Victoria Bergesen I was excited when I saw this film advertised on TCM. It has an incredible cast including Gary Cooper, Lauren Bacall, Patricia Neal, Phyllis George, Donald Crisp, Jack Carson. With Michael Curtiz as director this should be a stunner. The story and script are just awful. Neither Neal nor Bacall succeed as 19th-century southern heroines. They try to cover for Bacall's tough girl accent by saying she is from Pittsburgh. Even Gary Cooper, who often did period pieces struggles here.Obviously the adoration of tobacco and the quest for the cheap cigarette date this film, but many dated films have merit. The glorification of cigarettes here is so extreme that today it is humorous, but not enough to redeem this dismal production.
blanche-2 "Bright Leaf" is a 1950 Warner Brothers southern extravaganza starring Gary Cooper, Lauren Bacall, Patricia Neal, and Jack Carson.Gary Cooper is Brant Royle, who in 1894 returns to his southern town of Kingsmont, where his family was driven out of the tobacco market by Major Singleton (Donald Crisp). Royle has returned to get his revenge and reinstate the family name in the area. There are two women in his life: a madam, Sonia (Lauren Bacall) and Singleton's beautiful daughter Margaret (Patricia Neal).With the help of Sonia, Royle buys into a machine that actually rolls cigarettes, which drives down the cost of producing them. He eventually takes over nearly the entire tobacco industry. But Royle won't be happy until he has brought Major Singleton to his knees and marries Margaret. But in his determination to get what he wants, he loses even more.The moral of "Bright Leaf" is two-fold: Beware of what you want; and big talent won't really help a mediocre movie. The novel was probably inspired by "Gone with the Wind," but the quality of the story - in the film, at least - doesn't come close. There are two likable characters - Sonia and Carson's role of Chris. The rest of the main characters are odious.Patricia Neal and Gary Cooper were in the midst of their passionate affair, but the relationship between the characters they play is pretty frosty. Given their romance, perhaps the Bacall role would have been better for Neal. Bacall took this job to finish off her contract with Warners. She's good, but her character isn't really fleshed out. Cooper is a great presence, but he has a difficult job because the character is not sympathetic. Also, I suspect that at age 50, the character was supposed to be younger. Neal is beautiful, and her performance has some real bite.All in all, not up to the talents on screen.
guilfisher-1 This 1950 film starred Gary Cooper, Lauren Bacall and Patricia Neal in the leading roles and brought drama within the tobacco industry, although in the 50s it was okay to smoke. Doubt this film could make it this day and age.Interesting to see real-life lovers Cooper and Neal tear up the scenery with their love scenes. Cooper seemed a bit on the reserved side even though he was out for revenge. But, that's Coop. He's a master of do nothing on the screen and manages to hold his own. Spencer Tracy is another one of those dynamic actors. Here he plots to take over the tobacco industry from a man (splendidly played by that veteran character actor of distinction, Donald Crisp) who in the past had run him out of town for kissing his daughter (yes, just kissing) played by the lovely Patricia Neal.In the meantime Coop courts long time girl friend, Lauren Bacall, somewhat miscast in this, for money to start up a cigarette making factory invented by Jeff Corey, another great actor. Lauren doesn't look her best in this. How can we forget all those marvelous Bogart/Bacall films with her slinky hair and sultry body. In this her hair is up and curled and her gowns of the period don't look good on her. Bring Baby back. She doesn't have the chemistry with Cooper as she did with Bogart. And obviously the chemistry was flying with Neal and Cooper instead.Also in the cast are Jack Carson, in a small and not so well written role that wasted this fine actor. Gladys George (remember her in MADAME X) was also wasted in a thankless role.However, it's fine drama of the time and good to see the stars playing out their roles.I prefer to remember Coop in such films as SERGEANT YORK, FOR WHOM THE BELL TOLLS, SARATOGA TRUNK, FOUNTAINHEAD, HIGH NOON and ALONG CAME JONES.