Bring Me the Head of Mavis Davis

1997 "Marty's about to make a killing in the music business"
Bring Me the Head of Mavis Davis
5.2| 1h40m| en| More Info
Released: 16 January 1997 Released
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Synopsis

Marla Darland is blessed with the voice of an angel, a singing legend. But when her agent, Marty Starr, finds his agency in trouble, he concocts a sinister plot to bring up her record sales. Amazed at the posthumous record sales of Elvis and Jimi Hendrix, Marty becomes determined to arrange a similar fate for Marla, staging the perfect tragic demise. But he didn't count on Marla not being quite ready to go.

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sneakermusic i really like rick mayall, drop dead Fred was great and when he's not doing his bottom and young ones style he can be charming/sly and a surprisingly good straight actor.....so all this is just me setting up an apology to him.rick 'im sorry'... this film suffers from the worst failing a film can have. it is so crushingly slow moving....no, sorry. its just plain boring. funny moments are negated by the whole thing being so drawn out. it has appalling pacing.There is also a weirdly misplaced 'accidental' outing that is just plain not funny, succeeds in just padding the film out. padding it really doesn't need. its fitting that in a film that deals with murder, the viewer is constantly losing the will to live.
kefka-2 I, too, fail to understand why this flick has been trashed so completely. There seems to be an ever-increasing trend toward eschewing black humor because it 'isn't nice'. Well, so what! this movie is VERY dark and in several places absolutely hilarious. I admit that I did not know who Rik Mayall is, but I'll be looking for him in the future. Jane Horrocks is every bit as good as she was in "Little Voice", and the guy who played the contract killer is hysterical. Please don't pay any attention to the nay-sayers and catch this movie if you can.
stephen niz I didn't plan to review BRING ME THE HEAD OF MAVIS DAVIS, much like I didn't plan to watch it. It was a Sunday night thing, you see. It is a sad consequence of the day of rest: you fill in time however you can, even watching awful films like this.The film tells the story of a scheming manager who plots to kill his faded pop star, and in doing so increase her album sales. Years ago, in a rush to complete a first-year Screenwriting assignment I hatched a similar, lazy plot.I never thought it was particularly astute, because everybody knows that the legends of rock stars are built on their deaths. The makers of this film think it IS astute, even if their execution is excruciatingly sloppy. Worse still, where I made the point in ten minutes, this film runs to ninety.Ninety minutes. Ninety horrible minutes. Ninety minutes, no jokes.I could hardly feel angry that I watched this film: it was on television and it was my own fault. I felt no malice or ill-will towards the cast and crew. I foresaw the inevitable lameness of their poorly-made product and yet I watched it anyway.In the end I just felt like a bit of a loser. Ninety minutes I could have spent stimulating my brain or collecting for the worlds poor, but no. I watched a bad film.Don't make the same mistake I did. But then again, Sundays make people do strange things.
jrb1802 It's true the Critics (both UK and US) hated this movie.Why? I dont know. I agree with another user's comments, that you have to be a Mayall fan to have enjoyed this film. Jane Horrocks once again proves what an all-round entertainer she is. Not only does she sing, but she also plays a convincing Bitch, and (in the flashbacks of the film) the Shy Mavis Davis before Stardom hits in. But I feel I have to mention Clint. Clint the hitman is hilarious in the movie. He comes highly recommended to Mayall, but its later discovered this is his first ever hit. Danny Aiello is also at his best in the movie. The film is full of visual humour too. Very good film.