sergepesic Ah, the magic and confusing explosive mixture of machismo and sexuality!!! There is no other institution with such discomfort at the mention of homosexuality, than the military. It certainly makes a lot of sense. If your purpose is spilling of the blood, what do you do with arousal and men loving ? Well, the skinheads are based on the same false patriotic and quasi-military principals. Shaved heads, extremely tight pants, loud music, cheap beer, and almost exclusively male company.No surprise than, that Lars and Jimmy hit it off so well nor that it ended so badly. Nothing filthier than moronic notions of purity, racial or sexual. The nature of humankind is exactly the lack of purity and aching imperfection of us all. Whenever you try to take that away, you destroy the essence of our existence.where do you go after that?

lasttimeisaw A gay romance happening inside a Danish Neo-Nazi clique, what a crack idea! The film intriguingly narrates a compassionate experience of a former Danish serviceman Lars (Thure Lindhardt, the winsome blond from ANGELS & DEMONS 2009), whose passionate courtship with Jimmy (superbly played by David Dencik from A SOAP 2006, another 8/10 film from Denmark, a frenzy macho role sheerly contrasts with his transsexual image in the latter film), who is the fervent skinhead among a gay-bashing Neo-Nazi group. (Speaking of Nazism, my downright ignorance thwart me from the knowledge of how exact the film tackles with the thorny issue, judging by the film, it is basically understated I suppose). There are abundant cinematic conflicts in the plot, although predictable, but applied deftly (by a poignant performance from the two leads and a fine-tuned hand-held camera movement, it never cease trembling). An exemplary northern Europe topography and scenario imbues an obscure hue of cruelty and restlessness.The performances are solid (Morten Holst, who plays Jimmy's younger brother, might be a tad histrionic), both the chemistry between two lead actors and the impending tragedy are brewed perfectly on time and the sex scenes are aesthetically beguiling. More encouraging, the film doesn't take either stand to beautify or disparage the Neo-Nazi image, while love happens everywhere, so does gay love. An ambiguous deus ex machina aptly averts any cliché in the over-exploited gay-theme melodrama sub-genre although melodramatic might not be a meritorious adjective for a film under the background of a sternly violent context, but also demystifies the remotely tangible target to a humane understanding and transmits a positive message to the preconception-ridden society.

iza8868 I never wrote a review before,but this movie demands it.This is one of those rare movies that had a truly stunning effect on me and i couldn't get it out of my head for days.What makes this movie an excellent one is the brilliant performance of the two lead actors, and the ability of the director to depict such a sensitive subject with true artistry, without making it seem exaggerated in any way. The director manages to illustrate the highly unusual love story that makes the central theme of the movie with much tenderness, although we are talking about the relationship of two men coming from a violent and cruel environment. The two protagonists, Jimmy and Lars meet when the latter joins a neo-nazi group,of which Jimmy has been and old member,pretty high in the hierarchy. When Jimmy unwillingly becomes Lars' tutor, the two begin to form a bond that slowly develops into love and eventually turns into a passionate love affair.The chemistry of the two actors is amazing, making their scenes, especially the intimate ones, look very natural and believable. Added to this is their subtle body language, which in many cases becomes a substitute for dialog, managing to express much more than words. Despite the numerous tender moments, this is far from being an idyllic romance. The whole atmosphere of the movie is quite tensioned, which I actually liked, because it was obvious that their illicit relationship sooner or later will be discovered, and the members of the "Arian Brotherhood" won't be exactly thrilled about it.Although basically a love story, this movie is about so much more. The exceptional directing skills of Nicolo Donato managed to make it also into a story about hypocrisy, betrayal,revenge, and also a meditation over the multiple meaning of the term "brotherhood": we have the brotherhood between the members of the neo-nazi group, who betrayed one of them without hesitation when he broke the rules,also betraying them in his own way;we also have the literal brotherhood of Patrick and Jimmy: while Jimmy hesitates between his "brotherly" obligations as a member of the neo-nazi group and sibling of Patrick, and his lover, Patrick also has his own little drama, being torn between the option of betraying his brother for the sake of the group, or keeping his mouth shut for the sake of his brother. We can also consider a sexual "brotherhood" between the two protagonists, who eventually has given up on everything for each other. As we expect, their romance ends with tragedy, but not all hope is crushed, as we are being left with a somehow optimistic view,given by Patrick's last words.

smsandersen1974 The strength of this movie definitely lies with the brilliant actors in it and the director's ability to let them shine.I didn't expect the story and the plot to be perfect and it wasn't. The main character Lars' decision to get involved with the Nazi community is a tiny bit contrived but no more than you would expect when it is told with a few short scenes before the movie is allowed to focus on the human aspects of the story and dwell on the consequences of the character's action without being judgmental or painting any of the characters solely in black or white. Something that is rather a bit of an achievement with this particular subject matter. Enough good cannot be said of the amazingly honest and heart-wrenching performances of the two lead actors. They are both incredibly talented and the director obviously appreciated this. The result is a chilling but also a very intimate and at times tender film. Well worth seeing.