Karl Self This is an unduly ignored comedic masterpiece. In his last movie, Billy Wilder went all out and showed that he still had it in him. Not that I'd had any doubts beforehand. I usually don't obsess about the cast, but in this case I'll make an exception: Walter Matthau, Jack Lemmon, Paula Prentiss and Klaus Kinski make a memorable (and unlikely) lineup of some of my favourite actors (with the comedic couple Lemmon-Matthau adding up to much more than the sum of its parts). I wonder how Wilder and Kinski got along on the set.This is the English-language adaptation of French comedy L'emmerdeur (The Bullshitter), which I'm now really looking forward to see.The only thing I didn't like about this movie was the title.

bkoganbing For what turned out to be his final film, Billy Wilder decided to adapt the French black comedy L'Emmerdeur to America and he and his writing partner I.A.L. Diamond came up with Buddy Buddy. As it turned out I saw this film back to back with Wilder's Kiss Me Stupid. In that one, a whole lot of talented actors couldn't raise it above mediocrity. But in watching Buddy Buddy I failed to see why this one was slammed as bad as it was. It's not anything close to what Jack Lemmon and Walter Matthau did in The Fortune Cookie or even in the remake of The Front Page. Still Buddy Buddy does have its moments.Of course the film does hinge on the incomparable chemistry between Lemmon and Matthau and they save the film essentially for Wilder. They are two total strangers whom chance throws together at a most inopportune moment.Matthau is a professional hit-man who's been given the job of killing three stoolies who are to testify at a mob trial. He's got the first two and has a plan set for number three.Then of course he meets Lemmon who is despondent over his wife leaving him for a fake sex therapist. He checks into the same hotel in the room next to Matthau who is readying his hit and tries to commit suicide. For the rest of the film Matthau is forced to take an interest in this schnook's marital problems to keep from committing suicide and bringing a swarm of police to the hotel. Matthau and Lemmon get into some pretty funny situation as there seems to be no end in sight to what can go wrong with a well thought out plan. Lemmon's wife is played by Paula Prentiss and their marriage seems very much modeled on the one Lemmon had in The Fortune Cookie. Things work out just about the same way for the unhappy couple.Things kind of work out for Matthau too in a rather unbelievable way for which you will have to see Buddy Buddy. And while it's not like some of the great Wilder classics of the Fifties when Billy was at his creative best, it's far from the worst film he could have gone out on.

arildness Although "Buddy Buddy" is yet to be regarded as a modern movie classic, no other films have made me realize the art of comedy such as this one. Walther Matthau is hillarious in his portrayal of Trabucco the assassin who is constantly being interrupted from doing his dirty deeds, by an even more astonishing and suicidal! Jack Lemmon. Director Billy Wilder has captured moments on tape that we all seem to relate to one way or another. Together with german actor Klaus Kinski, who more often played deeper roles than this, Lemmon and Matthau gives a performance one would normally find on a broadway theatre.

gridoon A dreary comedy with some isolated amusing moments. The ingredients for a potentially funny film are here, but most of the laughs just never materialize. The actors try their best (although Jack Lemmon is often somewhat one-note), but it's the flat, uninspired direction that keeps this from taking off. (**)