gavin6942 A magician in a carnival -- who actually can read minds and levitate people and objects -- works with a super-intelligent chimp named Alex, who can also talk.Whether this is a bad movie or a so-bad-it-is-good movie will be up to the viewer to decide. I mean, either way we have to all agree it is pretty bad, right? But it does have a certain charm.The "talking" ape is bizarre, because he basically just grunts and says nothing of value. There is a creepy 40-year old man who sexually assaults a teenage girl... and the next day she announces to her father that they are getting married. What? There is a mad scientist with s poorly dubbed German accent. Why? And a dead wife who is never fully explained.

John Gaines One of the most horrendous "kids" movies ever made, Al Adamson's Carnival Magic takes place in a grimy carnival in the dying days of the American circus, when theme parks were beginning to take over. "Markov the Magnificent", a traveling mesmerist who's kind of a mix of Dr. Strange, the Beastmaster, and Jesus, is very near getting kicked out of the carnival, when it's discovered he has something special in his trailer...Alex, the talking chimp! (Played by Trudi, an elderly female chimp). Can Alex save Markov's employment? Will Alex get involved in poorly filmed Hal Needham knockoff antics? Will the EEEEEEVVVIIILLLL lion tamer try to do something bad to Alex out of jealousy? All these questions and a bunch more you never wanted to ask will be answered over the course of Carnival Magic. Once you get in, be sure to stay tuned so you can see one of the most idiotic "inspirational" endings ever filmed. Grungy, robotically acted, and paced at the speed of a brontosaurus going uphill in January, Carnival Magic has something for everyone to hate.

cshep Al Adamson noted/notorious for making less than average films, outdoes himself with this creation "Carnival Magic !"Take several aging would-be actors, place them in a sub-standard setting(Carnival), add a chimpanzee with an incredible ability, stir the pot and voilà', a hysterical look at the American culture, albeit a limited slice of the pie but still a slice. Don Stewart as Markov the Magician has amazing powers , yet one of them is not having the ability to stay employed, unless , enter Alexander the Great(the chimp), who has the power to talk..wow...Nice gimmick, except like the rest of the film, it is poorly executed.Even Alex looks aged.Spoiler Alert, Alex is or was Trudi the Chimp in real life. Not since "The Crying Game" has the gender bender been played so royally...except this time they used an animal, like "Lassie."So, the jealous animal trainer doesn't like being second banana and arranges for the abduction of our talking hero, to the confines of a medical laboratory for a closer look, if you know what I mean.So obviously the story has to resolve getting Alex back, but not before a chimp/police chase, hilarious or could have been under better supervision. The closing credits roll over the carnival parade in Gaffeny, South Carolina, which has been a host to no less than 7 other films, what a hoot ! Watching Don tongue an underage girl in her teens is Classic, I guess his powers include perversion and statutory rape. Nice.Oh, look for the Shriners, it wouldn't be a parade without them ! BTW, the joke I referred to in the summary title, is that you can build a TV Show/Film and/or Video Vehicle around a chimp, i.e."The Monkees", "BJ and the Bear","The Hathaways", it is done over and over because they try to reinvent the wheel or at least disguise it for a buck. Al Adamson was no different, he just failed to use demographics and threw this film against the wall, to see if it would stick. 3 stars out of 10, but filled with unintentional laughs, once you know the joke. Chimps are funny, people are too, but that is a different show.

Michael_Elliott Carnival Magic (1981) 1/2 (out of 4) Adamson, best known for drive-in stuff like Dracula VS. FRANKENSTEIN and BLOOD OF GHASTLY HORROR, ended his career making a couple kiddie flicks. This one was made in 1981 and LOST would follow a couple years later. Neither one was originally released to theaters and rumor has it that no one knew this film existed until police searched the director's home after his disappearance and found the film prints (before finding the director's dead body). In the film, Markov the Magician (Don Stewart) is fired from his carnival gig because the boss is under pressure from the lion keeper. Soon the boss' daughter discovers that Markov has a secret chimp who can actually speak. She convinces Marvok to tell the boss so that they can add the chimp to the act, which brings in a lot of money but soon the tiger trainer gets jealous and decides to steal the chimp. Yes, that's the story to this thing. Watching any Adamson picture can feel like an 70-year prison sentence but sometimes he would give us stuff so wild and over the top that you couldn't help but be entertained. Dracula VS. FRANKENSTEIN is the best example of this but CARNIVAL MAGIC is just a downright mystery. Who on Earth was Adamson making this for? Adults are going to be bored out of their minds and I think even kids would hate this thing. The film is certainly meant to be cute but it comes off more scary than anything else as you really can't help but feel uncomfortable with Markov and the teenage girl's friendship coming off a little weird. It also doesn't help that the chimp's voice makes him sound like a gargoyle or some type of freak with a smoker's voice who sounds like he's gasping for his last breathe. Another problem is that the screenplay is just downright bad as none of the character stories are of any interest and you can't help but feel as if the film should have ran no longer than 9-minutes at the most. Stewart seems bored out of his mind and wishing he could be somewhere else while the director's real-life wife Regina Carrol sleepwalks through things. You get the typical Adamson slowness and there are countless scenes that could have been left out as they add nothing to the film and in the end you're pretty much left with the type of film you expect from the director. There's no question that Adamson deserves his cult following because he certainly made some very unique films. Most were downright bad, a few are cult favorites and then there are others that make very little sense. CARNIVAL MAGIC is certainly the strangest film I've seen from the man and that's saying quite a bit.