Cat-Women of the Moon

1953 "Love-starved moon maidens on the prowl!"
3.9| 1h4m| en| More Info
Released: 03 September 1953 Released
Producted By: Z-M Productions
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Budget: 0
Revenue: 0
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Synopsis

Astronauts travel to the moon where they discover it is inhabited by attractive young women in black tights.

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bensonmum2 Talk about déjà vu. I feel like I've seen this movie several times recently. It may be older than either Missile to the Moon, Queen of Outer Space, or Fire Maidens from Outer Space, but I saw those first. So for me, watching Cat-Women of the Moon is like watching what is essentially the same movie for the fourth time. And despite the familiarity and a whole slew of other weaknesses, I found myself enjoying it. The 2.5 IMDb rating seems a bit harsh – especially when you consider the rating for Missile to the Moon. Not only does Missile to the Moon follow almost the exact same plot, but it appears to even reuse some of the props (giant puppet spiders) from Cat-Women of the Moon.The story – five astronauts blast off for the moon only to meet a race of women whose world is slowly being destroyed. The women (known for some inexplicable reason as Cat-Women in this movie) want to use the astronaut's spaceship to take them to Earth to find a new world to conquer.Maybe I'm just weird, but I get a kick out of some of the same things that a lot of other comments bang on. Weak set design (metal rolling office chairs with a seat belts used in the "spaceship"), poor special effects (once again, the giant puppet spiders), bad acting (could Sonny Tufts be any worse), and bad science (just watch as a cigarette burns on the moon!) – you'll find them all in Cat-Women of the Moon. But it's this naiveté to the whole thing that I can't help but enjoy. It might not be for everyone, but I'll give it a 6/10 even with all its flaws.
yourdeadmeat69 First, I'll swear that it is Charles Bronson doing an uncredited narration in the beginning of this movie, right down to the rolling S's, or Phipps with a nose cold.Well. Such shlock as this became a haven for a bunch of actors now relegated to C movie productions, some of whom didn't deserve that kind of fate. Fowley and Jory were the Western villains you loved to hate, Tufts was a pretty boy up and comer of the forties, you get the drift.Moving right along, don't view this as a movie as much as a time capsule of the fifties, when all girls were either good or bad femme fetales, and male dominance was, well, the macho joke it now shows itself to be.As such, it is right up there with Plan 9 of Outer Space and way below Destination Moon. It is not a bad place to be. Even the bad parts are fun, so, don't take this one to heart. Just kick back with a Bag of M and M's plain, and enjoy.For the record, it didn't even get to the mainstream showplaces of the late fifties, like Zacherley or Shock Theatre.
skallisjr I picked up a copy of this because of its alleged stereoscopic content. Much of the tape had such poor registration that the stereo effect was lost. A couple of scenes were close enough so that one could see a little depth, but not most of them.In the copy of the Rhino videotape, there was the tape and two sets of anaglyph glasses. For standard color anaglyph presentations, the left filter is red; the right, blue or cyan (or sometimes green). This one has it reversed, and on the glasses it says to use them in the red-right orientation to see this film, and the standard way to see Robot Monster or The Mask. Well, it's cheaper than redoing the film recording, but if they'd done that, they might have avoided the misalignment.The film story is pretty weak, and rather silly. In the opening scene, the rocket, which looks similar to a radiator hood ornament, is blasting along, and someone at White Sands is trying to contact the ship. The crew starts to recover from ... what? ... the strain of takeoff? ... without responding for the longest time. Eventually, the commander responds with the equivalent of, "We're okay, now shut up." The rest of the crew objects so strongly that he lets each one of them report his or her conditions, but advises them to keep it short.As has been observed, the command area of the ship employs office furniture. Each crewmember has a locker, like those found at high schools.When they go to explore the lunar landscape, it's interesting to see that the space suits are of two different designs. How hot the lunar surface is can be seen by dropping a cigarette onto the surface, where it bursts into flame. Pretty good trick for a part of the moon that ostensibly had no atmosphere.The technical gaffes ... no, make them howlers ... are so great that it propels the film immediately from science fiction into pure fantasy. Children's fantasy at that.This is not a film to be taken seriously. If you like honest camp, though, you might find it fun.
Scott_Mercer Bwah Hah Hah! If you want to see one of the direct inspirations for the 50's sci-fi parody in AMAZON WOMEN ON THE MOON, then this film is for you.All the hallmarks of low-budget 50's sci-fi cheeze are here: hilariously unconvincing rubber puppet monsters, aliens who speak English with American accents, the least convincing spaceship set EVER (using metal office chairs, just like the ship in AWOTM), matte paintings that look like they were done by a somewhat talented child, spacesuits that are probably beekeepers' outfits, and hilariously dated misogynistic dialog directed at the one female astronaut (seen in many other z-grade flicks, including THE DOOMSDAY MACHINE and SPACE PROBE TAURUS).I did like the look of the sexy female aliens, a sort of a Beatnik meets Goth cocktail waitress in space look. Some of the acting here is hilariously bad, but others are a little better. These are professional actors, but the acting here never rises above the level of barely acceptable.How to rate a film whose only entertainment power comes from laughing at its incompetence? This, friends, is the eternal dilemma of the Badfilm reviewer. What I usually do is split the difference between a 10 (CITIZEN KANE) and a 1 rating (MANOS: THE HANDS OF FATE), which heralds a movie so bad that it also manages to be boring, the one sin which cannot be forgiven. Cat Women on the Moon is boring in spots, but I loved the concept, silly spider puppets and and hilarious dialog so much. I'm going to go with the default rating of 5. Just bad enough it gives some entertainment, but not SO bad you'll be jumping out a window. Fans of 50's sci-fi cheeze should check it out, but more than once? I don't think so. For a much funnier movie with a similar plot, check out QUEEN OF OUTER SPACE with ZsaZsa Gabor. Or, for a movie that DIRECTLY RIPS OFF almost every plot element in this film, only comes up with an even funnier and more incompetent result, check out Richard Cunha's MISSLE TO THE MOON from 1958. That's a real howler, that one.