Prismark10 What Spinal Tap did to heavy rock, CB4 does to rap in the 1990s and it was about time.Chris Rock is Albert, a decent guy who along with his friends want to hit the big time as rappers. They try every gimmick to break into showbiz. Albert inadvertently gets mixed up with a local hoodlum, Gusto getting arrested and decides to adopt his hard core gangster identity, MC Gusto and the group becomes CB4. They eventually raise the ire of conservative politicians but the record buying public love them but Gusto breaks out of prison and wants to get even.The film succeeds because it makes pointed and prescient digs at gangsta rap and some of the songs they parody are actually very good and reflective of the music of the early 1990s.The story is not the strongest, the satire always not sharp or even hits the target but the Rock and the rest of the cast seem to be enjoying the ride and real rappers turn up as to be in on the joke.

FlashCallahan Albert Brown and his buddies Rip and Otis are aspiring rappers who have tried every gimmick to break into the music business. Eventually, Albert and the boys decide to go into gangster rap, with Albert assuming the identity of M.C. Gusto, who is really a local crime lord who is serving time in prison. Eventually, Gusto finds out about the boys scheme and seeks revenge as well as a share of the profits......When this film was released back in the day, I was just turning sixteen, and music and movies were a huge part of my life. Hip Hop and Gangster Rap were just really becoming big in the UK, thanks to NWA, Cypress Hill, and Ice Cube, saw I saw this movie a lot differently than I did over twenty years ago.Seeing it now, there are flashes of genius, and Rock has never been better, but some of the sight gags really, really detract you away from the story and the narrative.The music is still wonderful, and although the makers are poking fun at some of the artists who claim to be from South Central or wherever is cool at the time, but really middle class citizens with comfortable upbringings, it never forgets the fundamental reason that Gangster Rap is so successful.Its funny, Murphy proves that only one sibling should work, but it's not as genius as I remember.

bob the moo Cell Block 4 (or CB4 as they are known) are the hottest new gangsta rap crew and have had a documentary commissioned on their violent past. However the camera crew are with MC Gusto (aka Albert Brown) when he is shot at by someone whom Albert confesses is the real Gusto. Stuck in traffic, Albert tells the camera the truth behind CB4's middle-class background and how he and his friends formed the marketing image of gangsta's ho's and guns. However with so much faking behind them, how will the group react when Gusto gets out of jail and threatens to make their play become reality.Even though rap music has moved into the mainstream to a great extent than it had in 1993, and many of the clichés lampooned in this film have changed slightly (from grimy to bling to the style of Fonzworth Bentley etc) this film still manages to be funny and on the nose enough times to be worth seeing. The plot doesn't really matter because the aim is to spoof the rap scene and it does this pretty well; of course the threads around Gusto and Virgil are pretty loose as a result and this took away from the film but it does other things better. The humour is pretty broad – so don't expect anything as clever as Spinal Tap here, but it produced enough laughs in me from the basic rather crude stuff while also hitting hip hop quite a few times nice and hard!Hip hop was an easy target then and it is an easier target now since it is influencing western culture more than ever – to its own detriment it must be said. The gags are funny but could have been a lot sharper since it only apes the industry but never really seems comfortable to rip it down or make it look as totally silly as it sometimes can in reality. Fans of the genre will like the film because it does this – it spoofs but never in a malicious or harmful way, if anything it is more affectionate. The cast are pretty good even if the lack of any real names (at the time) meant that it had a rather low rent feel to it. Rock is pretty funny but never allowed to be as funny as he could have been due to the very general and basic material – likewise Payne and D are both OK but only as good as the material allows. Elliott is weedy and rather annoying, while the always welcome presence of Hartman is wasted as the film sort of just doesn't know what to do with his side of the film. Murphy is OK although I found the resemblance to his brother to be a bit distracting. The support cast throws up a few well-known faces from stardom as well as people like Randle etc but really the material is too basic for any of them to shine.Fans of the music scene will enjoy it because it pokes good natured fun at the clichés within the genre but the casual viewer will find these to be easy targets without the sharpness they deserve and without a good narrative to really make it that engaging. An enjoyable film but hardly an insightful one although it has enough basic laughs to it to make it worth watching.

scobbah I've heard various stories about CB4, so finally I had the conclusion that I just have to see this piece. CB4 covers all my funny prejudices about the gangsterrap culture, and starts out with a small crew who wants to end up like rap stars - it's all about the beat and the attitude! Chris Rock just plays his role like a mad man, so good and so real! I just laughed the whole time this piece rolled in the VCR, and these scenes who are shooting parody of the gangsterculture just takes home the first prize award - it's too much of the good stuff! It has a good point after all, and when the ending credits roll I felt that this was a true piece of acting - funny and creative as it does not follow any other film formula I've yet seen so far. 7/10!