Benedito Dias Rodrigues Unusual spaguetti western made by Robert Hossein in a beautiful Almeria landscape in Spain,a sort of a homage to Sergio Leone who actually directed a single dinner scene only,Hossein playing a quiet guy who wear a black glove every time he needs use a gun, a wise trademark for a gunman,and Michele Mercier as black widow for first time didn't use your sex appeal,on a serious acting,well made french-Italian production,finally something new for this genre!!!This movie just come out in box-set with four movie in spaguetti kind all them remastered with original audio!!those movie already available in brazilian maket on single has a bad image on dubbed version,mostly has a fake english audio!!Resume:First watch: 2018 /How many: 1 / Source: DVD / Rating: 7.25

dbdumonteil I'm certainly the first one not to join the incredible chorus of praises.But seriously folks !Robert Hossein's forte has always been the thriller,the film noir, and several of his efforts are really worthwhile ,particularly " Toi Le Venin" "Le Jeu De La Vérité" and "La Mort D'Un Tueur";westerns are a different matter.Just before this spaghetti-western (it's rather a French fries western ,by the way) ,he and his star Michèle Mercier hit the big time with the five "Angélique Marquise Des Anges" movies ."Une Corde Un Colt" is a bad idea gone wrong;in France it got unanimous thumbs down .The cast is essentially French and (for a French),it's impossible to believe in their "characters" .The production is the poorest of all Hossein movies ,being thin and lacking any real positive (or negative) energy.A "visual " western it may be (with a dozen of lines),and they even hire "Angélique"'s cameraman ,Henri Persin,but there's nothing really visually beautiful to film.André Hossein,Robert's brother ,provides the score,as usual,and it's rather nice,although a bit anachronistic ,sounding late fifties/early sixties

FightingWesterner Robert Hossein (who also co-wrote and directed) is a brooding, ghost town dwelling sharpshooter who, for either love or money, seeks vengeance against the family who apparently stole stole an ex-friend's livestock (or were they already stolen?) and hung him for trying to get them back.One of the most cynical and grim of the Euro-westerns, this is fairly stylish, told with a minimum of dialog. It has the look and feel of a spaghetti western. However, the film owes a bit more in terms of storytelling to it's French half.As far as the movie goes, Cemetery Without Crosses was offbeat and definitely worth watching, though I didn't find it as brilliant as others make it out to be.Really puzzling is the writing credit issued to Dario Argento. If he didn't co-write the film, then why is his name on it? Does anyone else say otherwise?

spider89119 This is a very good eurowestern that will have you in its grip from start to finish.It is beautifully filmed with lots of desolate wide open desert, and impressive mountain scenery. The film has a feeling of loneliness as much of it takes place in a deserted ghost town which has apparently become the home of the protagonist.The movie is populated with bitter characters that are primarily motivated by revenge. There are no happy endings here. This definitely wasn't "the feel good movie of the year," which is a good thing. The female lead is a beautiful woman in black with little left to live for other than seeing her husband's killers pay for his death. Her relationship with Manuel, the man she goes to for help with her plan, is a very intriguing one. This is because we are left to wonder what their history is until close to the end of the film when it is finally revealed.The music score is excellent. The opening/closing theme is a great spaghetti western ballad with vocals. The music during the film is mostly guitar designed to create feelings of suspense and sadness. There's also a touch of organ thrown in for good measure. It all works wonderfully with the film.This is a high-quality spaghetti western that is riveting and entertaining. I highly recommend this one. If you get the chance to see it, don't pass it up.