Chariots of Fire

1981 "This is the story of two men who run, not to run, but to prove something to the world. They will sacrifice anything to achieve their goals... except their honor."
7.1| 2h4m| PG| en| More Info
Released: 25 September 1981 Released
Producted By: 20th Century Fox
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

In the class-obsessed and religiously divided UK of the early 1920s, two determined young runners train for the 1924 Paris Olympics. Eric Liddell, a devout Christian born to Scottish missionaries in China, sees running as part of his worship of God's glory and refuses to train or compete on the Sabbath. Harold Abrahams overcomes anti-Semitism and class bias, but neglects his beloved sweetheart in his single-minded quest.

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Phillip Charles What an incredible film.Chariots of Fire tells the true story of two British Olympians who strove for gold in the 1924 Paris Olympics. The two, however, begin as rivals and each of their ambitions act as counterpoint to the other. Eric Lidell (Ian Charleson) is a devout Christian missionary but so naturally gifted as a runner and driven by his belief in God he is able to succeed. Harold Abrahams (Ben Cross) runs because he has something to prove; as a Jewish man in England in the 1920s, he is an outcast. He runs out of a sense of indignation and to prove his worth to others and to himself.This is where the film becomes exceptional. It focuses on the characters. The races are not seen as events of celebration and are not focused on by the director Hugh Hudson. Running is shown in the runners' perspectives; gritty and real, a struggle and a journey. Their focus is shown in the quiet, muted background noise, and the firm thuds of their feet as they run. Their self-fulfilment is evoked by Vangelis' soundtrack, which truly deserves all the praise it is given.Cross acts very well as a confused, brooding but determined young man. We feel his anger at loss, sympathise with his situation and are inspired by his hard work. Charleson plays the quintessential honourable Christian, a trope made interesting by the conflict the character has reconciling his faith and his running.It's very easy to say this film is dated and represents bygone British patriotism and class distinction unpalatable with today's norms. But films like this find their relevance in the examination of human nature and everything else in the film is merely the stage for these ideas to be realised.Chariots of Fire hearkens back to the idea of being able to succeed no matter your background, beliefs or challenges.
gavin6942 Two British track athletes, one a determined Jew and the other a devout Christian, compete in the 1924 Olympics.So, yeah, this is a movie that is probably better known for its soundtrack than its actual plot. That Vangelis theme? Can you even count all the times it was used and parodied? No, because no one can count that high. And yet, how many of us can name the runners in the 1924 Olympics, some of whom are featured prominently here? Almost none of us.How this film rocked the Academy Awards is a bit of a mystery, though the 1980s were a strange time, especially for movies. This is a really good film, but the best one of 1981? Doubtful. (Then again, even today the Academy does seem to pick the right choice... that is a rather rare event.)
brchthethird Continuing my streak of past Best Picture winners, I took the opportunity to watch (for the first time) CHARIOTS OF FIRE. While it's about as unchallenging and "white bread" as you can get for this type of fare, it still remains an inspirational sports drama and character study that explores the reasons behind wanting to achieve greatness. The two points of comparison are Harold Abrahams (Ben Cross) and Eric Liddell (Ian Charleson), the former a British Jew and the latter a Scottish Christian. Both have intensely personal reasons for wanting to win the gold in the 1924 Olympics. Harold is in it for personal achievement as a way to transcend the anti-Semitism he experiences, while Eric runs for God. Although the film sets them up as rivals, they only ever compete against each other once, and not in the Olympics (they are in separate events). This actually works in the film's favor, though, as this allows the audience to root for the success of both. It goes without saying that the acting is all top-notch, and the cast contains a who's-who of famous British actors. Aside from the two leads, you have John Gielgud and Ian Holm in supporting roles as the Master of Trinity and Harold's coach, respectively. Then there's the iconic theme by Vangelis which is certain to inspire you. Even if this film isn't too well remembered, the theme music is, and it's one of the most stirring ever composed. There is also the excellent use of slow motion during the racing scenes. Although it's been parodied and spoofed dozens of times since, here it remains free of irony and is a brilliant way to showcase the physical form of the competitors. The only thing I can think of that really dampens the experience is how simplistic and "safe" the film is. It's not really a surprise that the Academy chose it as the Best Picture for its year, but it could have explored its themes of patriotism and spirituality with a little more depth. The story itself was also very predictable (as sports dramas often are) and its resolution a foregone conclusion. Still, what really makes the film worth watching is what happens in between, the journey to the Olympics that its two leads embark upon. Overall, it's not necessarily the best sports movie I've ever seen (nor the most memorable), but it's a wholesome and endearing film that should appeal to all ages.
SnoopyStyle In 1924, a Jew Harold Abrahams (Ben Cross) and devoted Christian Eric Liddell (Ian Charleson) are training to go to the Olympics in Paris. Back in 1919, Abrahams faces prejudice from the Anglo Saxon establishment in the University of Cambridge. He falls for Gilbert and Sullivan actress Sybil Gordon (Alice Krige). Meanwhile Liddell runs in the Scotland highlands despite misgivings from his devout sister Jennie (Cheryl Campbell). He's born from missionaries in China. After Abrahams loses to Liddell, he is devastated and gets coaching help from Sam Mussabini (Ian Holm). At the Olympics, Liddell's 100 meter race heat is schedule for Sunday but he refuses to race on the Sabbath.These are pretty stuffy true life stories. It's not quite as compelling probably because the attention is split between two characters. Both are compelling historical figures and both deserve the attention. Director Hugh Hudson's style is rather conventionally competent. This is Oscar bait. It's a well made biopic of uplifting historical stories. The most interesting aspect of the movie to me is the music from Vangelis. It is synth heaven. The problem is that the movie can't narrow its focus only on Abrahams because of what happened in the Olympics. However Liddell isn't a very compelling story until the Olympics.