David Beadle I feared this film highlighting one the most dramatic events in modern history would be hampered by bare stage sets and other shortcomings resulting from short funding in Hungary, or the portrayal of events would be marred by national self-pity. It turned out to be nothing short of a well-balanced, historically correct film that arouses great curiosity about what went on in the streets of Budapest (and elsewhere in Hungary) in October and November 1956, and in my mind provokes enormous sympathy for the Hungarian civilians at the time, and the country in general.Director Kata Dobo has had every good reason to use certain elements familiar to commercial "western" films. It is an important story that should reach a wider audience. Far too many probably know little or nothing about these events. The Olympic games and the need for love are parallel stories in the film which we all understand, and yet are not melodramatic. This leaves us to grasp just what the turmoil of revolution, secret police reprisals and finally the deaf ear of "the West" was about. I can imagine the Hungarians involved in making this film have put their souls into it. The least we can do is to listen this time to what they have to say. The film once over, I can't imagine anyone not getting the message.It is inevitable that a film portraying a revolution without the massive (and often excessive) funding of "western" films, can only show examples of key ingredients - the Molotov cocktails, conviction and doubt, Russian brutality, divided loyalties, chaotic emergency services, daredevil teenagers, family divisions, honesty and deception. These true aspects come across not only sufficiently, but well, especially one of the most noteworthy of them: the women at the forefront of the fighting. The modest colouring is in tact with the time, and the mood. The observer is carried from one realistic scene to the another as quickly as the bewildering swiftness of the revolution must have unfolded at the time.At the time, in fear of making the cold war colder, the leaders of the West, with President Eisenhower at the top of the list, support for the Hungarian cry for freedom was shamefully guarded, but as the scenes from the Melbourne Olympics demonstrated, public opinion was not unguarded. This film presents an excellent opportunity for some to recall what really happened in Hungary in 1956, for others a first insight. Luckily the jury of the Berlin international film festival seized the opportunity.

Balazs Csaszar Children of Glory is supposed to render not just an utterly important event in Hungarian history but also how life tasted in an era of exasperation and unrest. Krisztina Goda's shameful piece succeeds in either of them. While watching the movie my feeling was that this could have been the feeble attempt of a low-rated American director to make a low-cost historical/action flick to be given away as extra DVD supplement of a cheap magazine. An attempt to make something he (or in this case she) has only read a few interesting columns about into a 120-minute feature film. It is also a shame on producer Andy Vajna to have discredited the suicidal courage of the revolutionists by applying his „how-to-make-a-stupid-action-packed-blockbuster" kit while putting Children of Glory together. Sets are inexplicably false, lighting perversely attitudinizing and unrealistic. But what makes me want to cry out loud is that dailogs are entirely out of place, crammed with American common places and hip-hop age jargon that sound more ridiculous than a herd of hippos singing psalms to Billie Jane's melody. And they are cheesy. I am indignant. My only relief is Sandor Csanyi's reliable acting. Not much.

Gordon-11 This film is about the uprising of the citizens in Budapest against the Russians in 1956, and the subsequent symbolic water polo match in the 1956 Olympics.This movie is powerful and words can hardly describe it. From the beginning, the tension between Hungary and USSR is already very visible in the film. Patriotism build up quickly, leading to the uprising of the Hungarians. The initial optimism is portrayed in an effective manner, and the viewers certainly connect wit the characters with their sense of pride and achievement. Though the romance between the leading characters seem to have a weak foundation, the subsequent portrayal is strong. They are willing to risk their own life to protect another.The plot is told in a precise and direct manner. The shooting scenes are highly graphic, possibly to remind the world what terror they have gone through. The persistence of Viki is remarkable. Her efforts in resisting the Russians is brilliantly portrayed, and viewers get to connect with the uprising through her. On one hand, the promise of a free Hungary drives them forward; but on the other hand, the well equipped USSR army showers them with bullets and grenades that obliterates all hope for a brighter future.The final water polo match has such a symbolic meaning. Even though the Hungarians are losing the war, they can beat the enemy in other ways. Hope and glory are invested in the water polo team. Through tight editing, the match is so powerful and breathtaking that my heart pumped with every one of their moves.I particularly find the ending very well done. With the same national anthem, we see the transition from despair in prison to glory in the sports hall. It is such an emotional scene, so intense and so moving.I completely lost count on how many explosions this film has. In fact I think it must be the film with the most explosion scenes I have ever seen. The budget for this film must have been astronomical.From my Hungarian friend, the movie is historically accurate. Is it right to die for a glorious cause? As this film points out at one juncture, "He didn't die for the country. He died because he was killed by a machine gun". This film is thought provoking. Are freedom fighters pursuing an impossible dream? Have they given up their lives for nothing? This is an exceptionally powerful film. It is compelling, touching and the most importantly, crystallises the spirit of the humankind's desire for freedom. It easily becomes one of my favourite films in recent years.

hakapes Right after I sat down and the initial title came up, flashes from a water polo match attracted my attention, and the story started immediately. Throughout the movie, somehow I never felt that I'm actually in a cinema, and all the two hours went by just like a single moment.Sometimes, I don't like historical movies, because I know what comes next, but here, I never knew what can come in the following spot. The movie is not a history film, not a documentary, it's the story of Viki (Kata Dobo) and Karcsi (Ivan Fenyo) who fall in love in this fast moving always changing setting. We love the smooth lines of Kata Dobo's face, and we are a fan of her not because of her talent - so no complaints here... however, Ivan Fenyo excels throughout the movie and I'm looking forward a lot seeing his next title. Sandor Csanyi brings his usual very good form.The movie is very authentic, all spots filmed at the proper real-life original scenes (buildings, streets), with real-life original guns, tanks, costumes. I guess, this movie must reveal a lot of emotions for people who were part of the revolution of Budapest 1956. (Hungarians raised againt the communist dictatorship, but the Red Army occupied the country and steyed in Hungary until 1990.)As for water-polo scenes, you can expect the best, as all pictures were filmed with the national league of Hungarian water-polo players, a World #1 team!This is a must see for water-polo fans, for people in Central-European studies and all those who have a Hungarian relative. Or see it just for the beautiful surroundings of Budapest. :-)