Kirpianuscus it is not only a good film. but support for reflection. about a war and about Balkans. about hate and about the small details. about feelings and about memories. about justice. and about the essential answers. the music, the image, the acting are only steps to a large circle of questions with not precise answers but with important role to define for yourself. it reminds few great European films but it remains different. for the salt taste, for the bitter atmosphere, for the traits of a lost world, for the beauty of few words and images, for the high talent of a remarkable team.a group portrait in the frame of ash circles. few amazing scenes. and the questions who does it a new form of documentary about an inside geography.Aleksander Bercek's silence. Nikola Rakocevic's character nuances.the admirable art of Srdan Glubovic. a film like a large question. and useful exercise of honesty for each viewer.

Reno Rangan This is the movie, like, just waiting for me and I used the opportunity very well to enjoy it all the way. Serbian submission for the 86th Academy Awards in the category of best foreign language movie. I feel this movie deserves to be on the short list, unfortunately it was not.Superb story telling. It was sliced into multiple pieces according to the characters. Whole story happens behind the incident that takes place at the very beginning of the movie. So the characters who are involved in it takes the different form of emotions to the next 12 years where the most of the movie happens.As usual like any movie the opening incident was preserved for the end portion to explain. It was not the first time, but it worked fine with the movie. The movie characters were amazing, each of them had their own affairs to deal it. But how all these people are connected to one another is the crucial segment of the story narration.This movie was actually based on the real event about a Serbian soldier that occurred in the year 1993 during the ethnic war between two religious people. It was very well filmed, capturing the facts in realistic structure including the places. I don't know what made the Oscar people to discard it. It was one of the best movie of the year 2013 but was not noticed largely.

elzaholt If this film were a state of mind, it would be that sense of comprehension before inhaling your last breath. If this film were an emotion, it would be the weeping of an abandoned child. If this film were a person, it would be one reeling due to great loss. Still, it is all of these, and more – it is about liberation. The camera-work takes us around in circles - the clear Hercegovan sky, the clinical void of a Belgrade hospital, the barrenness of western capitalism. We are reminded that life gives no more than what is put in. But also, this film is about balance, about loss of son and gain of father, about deliverance through goodness and imprisonment through evil, and about setting things right in order to be able to take in air again. Could it be that this work of art is finally (after 20 years, from 1993-2013) giving us a chance to atone for endorsing fratricide, if by nothing but by conceding to it? Serbs must exonerate themselves to be able to resume living in the homeland. As for us Yugoslavs, perhaps can finally exit the circle of remorse for the demise of our land and find some redemption and peace of mind.

Trentflix Circles, aka Krugovi, is based on the true story of a Serbian soldier who was killed defending a Muslim civilian from other soldiers while he was off-duty. The results of this event are fictional but that kernel of truth grounds this film in a firm realty. The majority of this film takes place a decade after the Serbian-Bonsian conflict is over but its effects are present throughout.What makes this film great and sets it apart from a straight-forward narrative is the way it skillfully withholds information and only reveals small details of what happened and the history that has ensued. This keeps the audiences rapt attention and makes it much more tense than it should be because we don't know how the characters are going to react because we don't fully know what happened. The characters don't go off on a lengthy moralistic speech or expository dialogue. The communication is much more realistic in that they don't say what they are thinking and they hide information from each other – much like real life. The cinematography is great, from the millennia old desert and old way of life to the inside of the BMW plant which looks futuristic; this is a film with skillful hands behind the camera. Really, this film should not be as great as it is, but the constant intrigue and slow unraveling of the mystery make this an entertaining and emotional ride. The actors too are compelling and well casted in their roles; this film would not work on any level without their excellent performances. The actor who plays the mobster-father (the IMDb credits are incomplete), even though his role is fairly small in comparison, should be the villain in every movie, he just exudes fury and hate. (He looks like an evil Michael Sheen – which is actually Andy Sirkis so maybe he looks like an evil Andy Sirkis?)From the title of this film, I assumed this would be about the circular nature of violence but in fact this can be taken two ways, it's more about the circular nature of kindness and good, and a more-accurate title would be "ripple" or the ripple-effects of a singular kind-act.