tfmiltz I kept waiting.And waiting.Will Smith never showed up in a scene.I was just so sure the concussion that happened at the beginning of the movie was going to emerge later as some subarachnoid hemorrhage, and Will Smith would step in and explain how concussions can be silent sleepers.There is only one silent sleeper though in this movie, and it's not the person that is always worried about being selfish but on the other hand is only interested in self gratification, likely just mandating some prostitute 'witness' it with her so it actually seems real.I'd give this movie proper care but unfortunately I used up my role of 1250 (get the extra 250, it lasts a few days longer)."Hey honey, instead of dinner and a movie tonight, how about you eat alone, I lie to you eat out and order a prostitute - hold the pepperoni and cheese - I'll just take it with red sauce.Ugh - I can't WAIT until Japan's robot industry makes it around that final corner, because movies like this won't have to exist.After all- if it's just a helping hand you need, I'm sure Japan could just build 'The Arm' and at $14,995.00 it's probably a pretty good arm- extra 6th finger upgrade is only $3995.00 ?I gave it a 2 instead of a 1 - reasons withheld.

Taylor95 I watched this movie a few days ago, and I thought it was OK, but something happened. In the days that followed, it stayed with me. I actually found myself thinking about it at work, at home, at night. It was a great character study and a compelling drama of a woman who had lost herself, as often does, within a marriage. Doesn't matter whether the union is straight or gay, it often happens. After a couple years in a relationship, there is a tempering of passions and real life takes over; the house, the kids, car payments, jobs and everyday life is rather boring and what do you do when one partner decides there is no room in her life for passion? The performances were excellent, Robin Weigert was exceptionally good in the lead role of Abby and the writing was very good. I just wish Maggie Siff's character would have had a few more scenes. :) What I loved most is that even though this is a movie with "lesbians"...it's not really about lesbians...it's just about people and relationships and the primary character could have been straight, I don't think the movie would have been any different. I was impressed with the handling of homosexuality, finally in a movie, that didn't discuss it or analyze it...it just was.

ikeybabe After watching this movie, I am feeling really unsatisfied. OK, so the movie was good. The acting excellent and the script was interesting and while some may think the pacing was slow, I thought it was well-done. A lesbian housewife is bored *SPOILER ALERT* because her busy wife seems to have forgotten sex exists. So, bored lesbian housewife seeks a little satisfaction with a prostitute. Then, gets hip to turning tricks herself. She's "breathing" finally (as the script makes very clear). She's finding herself. And after this exploration is complete the whole ending is a complete and utter let down. There's the reveal, but the expected explosion (pun actually intended) or confrontation just never comes (again, pun intended). There's no resolution - just that life goes on. So, it was interesting, entertaining and saying something somewhat meaningful up until the very end of the flick when the story just fizzles.

Sindre Kaspersen American screenwriter, producer and director Stacie Passon's feature film debut which she wrote, premiered in the U.S. Dramatic section at the 29th Sundance Film Festival in 2013, was screened in the Panorama section at the 63rd Berlin International Film Festival in 2013, was shot on locations in USA and is an American production which was produced by American producer and director Rose Troche. It tells the story about a dutiful 42-year-old American mother named Abby Ableman whom after an incident begins fixing an apartment with a friend named Justin. Distinctly and subtly directed by American filmmaker Stacie Passon, this finely paced fictional tale which is narrated mostly from the main character's point of view, draws a rarely straightforward, normative and understanding portrayal of a woman whom after having experienced a head injury makes a decision which could prevent her from dying internally of boredom or end her marriage. While notable for its naturalistic and atmospheric milieu depictions, reverent cinematography by cinematographer David Kruta, production design by production designer Lisa Mayers, distant and far from stereotypical depiction of partnership, trendy choice of themes which serves the representation of the protagonist and use of light, this character-driven and narrative-driven story about a cinematic universe of women where men are neither excluded or significantly prioritized, where labeling, voyeurism and crowd-pleasing narrative choices are commendably surpassed by consideration of character and where a person in a mid-life situation whom has become so alienated from herself that she has to do something to regain what she has drifted so far away from, depicts a dense and in-depth study of character and contains a good score by composer Barb Morrison.This freshly humorous, unconventionally conversational and non-moralizing though liable indie which is set in the U.S. in the 21st century, and where a wife agrees to a suggestion which becomes an escape from her down-to-earth life with her son, stepdaughter and spouse, is impelled and reinforced by its cogent narrative structure, substantial character development, subtle continuity, distinct film editing, variegated characters and perspectives and the assured and authentic acting performances by American television and film actresses Robin Weigert and Maggie Siff. A psychologically involving, reflective and communicative narrative feature.