SnoopyStyle Molly Singer (Tina Majorino) lost the will to speak after the death of her mother. Her father Manny (Ray Liotta) is helpless. He hires sassy nanny Corrina Washington (Whoopi Goldberg). She's educated and aspires to write for magazines. The interview doesn't go well but Molly seems to interact with her. Molly slowly opens up to Corrina. Manny is an atheist and so was his wife. Corrina comforts Molly by telling her that her mom is in heaven. His co-workers set him with Jenny Davis (Wendy Crewson) with her own two boys. Molly is being bullied at school and she doesn't want to go to school. It's the last 50s. Manny and Corrina develop a relationship and many people aren't happy about it.I do have a problem with Liotta and Goldberg pairing. Goldberg has never been the romantic type and I don't see her with any sexual chemistry. That makes the relationship problematic for a mainstream movie. There seems to be a few other general problems in this movie. Writer/director Jessie Nelson sets up a lot of stuff but they all seem to be left unresolved. She sets up the religious angle and nothing really happens. There is the racial angle but it never heats up to a point of danger. That doesn't accentuate the drama. It's almost as if the movie is more scared of the material than the audience. Tina Majorino is adorable. She keeps the heart in this story. This could have been a much better movie.

Riatha-1 This is one of the few movies (in my opinion) that 'gets' what she can do...Most of her work is comedic, and her comedy chops are definitely evident, but the connection she makes with this family shows the love of a child and a man (who just happen to be white) during a time when it was (even potentially hazardous if not) unorthodox to have an interracial relationship.I have to admit that I've only seen this movie on cable, and when they show it on (I think TBS) they cut out the "N" word at a time that makes the scene make no sense. But I stop dead in my tracks to watch...The daughter is confronted as a "N" lover. She reailzes that the word means a black person, but she does not realize that the word is a racial slur. As far as she is concerned, she is with the people who love her, and she loves them, in the pure way that it seems only children can love, in return.These omissions are an example to me of how some networks, and more broadly a Black actress(I've heard her say that she doesn't like the term "African American"-"we're ALL Americans" I seem to remember...) is missplaced even in this decade. The Oscar win is not a fluke. Hollywood has yet to face or offer an opportunity that truly shows off her full potential.I feel that her peer is Robin Williams in terms of a comedian that Hollywood still has yet to see their potential.

Cordelia Carey I came across this movie on TV late at night when I felt like zoning out and not watching anything that was heavy or depressing and found that I really enjoyed this movie! It's heartwarming, funny, and witty. It's a good, clean movie that you can watch with your family--kids, parents, grandparents, etc. and not get embarrassed by any scenes in it. It's not a sappy movie either though it does bring up some serious issues, such as death, racism, classism, etc. but does so in a comic way that is not depressing. The acting in it is excellent. The only thing that bothered me about it slightly was the vague ending, but it was nevertheless a positive ending. So, if you'd like to watch something light and uplifting that's well-done, I recommend this movie!

Amy Adler Manny Singer (Ray Liotta) is a single parent to daughter Molly (Tina Majorino). Needing a housekeeper and a babysitter, he hires Corrina Washington (Whoopi Goldberg) to help run his household and take care of Molly. Molly is withdrawn and doesn't speak, a result of her mother's untimely death. Slowly, Corrina, cheerful and outspoken, wins the hearts of both Molly and her father. Unfortunately, it is 1950's America and a permanent relationship between Corrina and Manny seems remote. Can they make it work?This heartwarming story provides a humorous and poignant look at a bygone era. Goldberg shines in her portrayal of the no-nonsense housekeeper and Majorino is one of the cutest and most expressive child stars ever. The depiction of the fifties decade is beautifully realized through the costumes, interior design, and more. Although the story is somewhat slow-moving and reflective, there is enough humor and feel-good messages to win over the viewer. Recommended as a good alternative to the usual television fare for a peaceful Saturday night of enjoyment.