Smoreni Zmaj This film is just an excuse for several beautiful women to show their breasts. Its stupid trashy script, unconvincing and dull acting, boring direction, poor editing and cheap production made it probably the worst and sleaziest Dracula movie to date. If you decide to watch it because of boobs, I'll spare you the agony of watching whole damn thing. Just watch from 0.50.30 to 0.51.40. to see two female vampires sucking blood from the tits of the third and skip everything else.2/10

MARIO GAUCI Spanish horror icon Paul Naschy's take on another traditional monster (making for the blood-sucking Count's beefiest incarnation since Lon Chaney Jr.'s turn in SON OF Dracula [1943]) results in one of his more enjoyable efforts, albeit given the "Euro-Cult" style's trademark languid approach and with a few weird touches all its own. This begins with the shot illustrating a man falling down the cellar steps of Dracula's castle after having his head split open with an axe being repeated ad nauseam all through the credit sequence! As the film opens, Dracula is hiding under the guise of a Dr. Kargos (presumably a play on the meshing of Karloff and Lugosi a' la our very own Joe Karlosi ) at an abandoned nearby sanatorium while also assuming the duties of butler at his own castle! Soon, his quest for peace and solitude is interrupted with a vengeance by the arrival of no less than five strangers – one man and four(!) women; the latter ostensibly serve the function of duplicating the count's three brides featured in Bram Stoker's original novel (and a handful of its myriad screen incarnations), with the remaining girl filling in the requirements of the title. Anyway, following some bed-hopping antics (the nudity being crudely inserted since the Spanish censor's repressive hand would only allow such fare to be released in "clothed" versions!), the cast of characters rapidly starts joining the ranks of the undead – leaving only the heroine (gorgeous, doe-eyed Haydee' Politoff whom I was recently impressed by in the obscure but fairly good erotic giallo INTERRABANG [1969]). Also in the cast are Rosanna Yanni (from Jess Franco's two "Red Lips" films from 1967) and others bearing such dubious names as Vic Winner and Ingrid Garbo (her character is named Marlene to boot)!; on a personal note, it was nice to see character actor Jose' Manuel Martin (who had been one of the beggars in Luis Bunuel's VIRIDIANA [1961]) as Dracula' first victim – subsequently 'residing' in his house, he notches up victims of his own and is even killed by the master (oddly enough, all vampires here contrive to dispose of one another) for daring to attack his beloved! Other unusual ideas, then, include: the fact that Dracula's prowlings occur on full-moon nights (as if he expects to turn into a werewolf?!); his having a dead daughter, which he intends to revive by mixing the blood of a virgin (Politoff, who rather than being vampirized has a knife driven through her throat in the manner of a conjuror's act) and an innocent (a village girl his brides abduct and present before him to be whipped)!; and, perhaps most baffling of all, Politoff's rejection of Dracula's offer to live eternally by his side throws him into such a dejected state (apparently, he has fallen hard for her) that not only is he willing to give up on his daughter's revitalization but actually commits suicide by piercing his own heart with a wooden stake! As I said, the film is certainly among the better of the star's vehicles that I have come across (though still not adding up to a completely successful work) and, in fact, this viewing inspired me to acquire another Spanish variant on the theme i.e. THE Dracula SAGA (1972), directed by frequent Naschy collaborator Leon Klimovsky but not involving the redoubtable Jacinto Molina himself

MartinHafer This is a very low budget Spanish version of Dracula that is chock full of breasts--sort of like a nudie version of a horror film. Plus, while I didn't think it looked very realistic, there was tons of fake blood as well. This surprised me, as it was marketed as a horror film presented by Elvira--and usually these are more family-friendly films. So beware when you get this--this is a soft-core horror film with more groaning and moaning than I thought was possible! Oh, and speaking of Elvira, I should point out that if you do get this version, you also get Elvira interrupting the film periodically to make comments. Fortunately, on the DVD you can chose not to see these--this is strongly recommended as they interrupt the flow of the film and really add nothing to the experience.As for the quality of the film overall, this isn't a particularly bad film for the first half and it does have an interesting plot twist (Dracula finding love). However, oddly, after he and his lady love profess their love, the film continues for some time and seems to drag. However, to make things worse, the original style of the narrative vanishes. No longer do people talk or act, but there is an annoying voice-over during the last half of the film--as if they ran out of money for translating the dialog! Plus, instead of story, the film is full of rather disjointed sadism and blood-letting. In hindsight, it probably would have been best to end the film shortly after he finds love, as up until then it was a rather decent (if "boobified") film.My final verdict is that this film is too hard-core for most people and the story itself is too convoluted and poor to merit it as a "must see" for people wanting a porno horror film--as a result, it probably won't appeal to many out there.

Aaron C. Schepler DRACULA'S GREAT LOVE (1972) ** ½ Paul Naschy, Haydée Politoff, Rosanna Yanni, Ingrid Garbo. Four women and a man wreck their stagecoach and must take refuge in a nearby castle. Unfortunately for the travelers, the castle's owner, Dr. Wendell Marlow (Paul Naschy), turns out to be none other than Count Dracula. After Dracula falls in love with one of the women, she must decide whether to live eternally as Dracula's bride or reject him and continue to live as a mortal. Her not-so-surprising choice leads to a strange and surprising ending. Like a lot of '70s European horror movies, the film suffers from slow pacing and a somewhat muddled plot. But there's lots of gothic atmosphere and a few creepy moments here and there to keep things interesting. Worth a look.