Scott LeBrun Screen veterans Arthur Kennedy ("The Living Dead at Manchester Morgue") and Teresa Wright ("Shadow of a Doubt") play Albert and Alice Graves, a childless middle-aged couple living outside a small town, on the edge of the woods. They discover that Richard Roy Atlee (Tom Happer), a young man who's recently left his job, is now squatting in a crawlspace underneath their kitchen. Initially disturbed, they come to welcome his presence, and although somewhat sullen and withdrawn, he does appreciate the kindness that they show towards him. He never does, however, take them up on their offer to move into one of their actual rooms; he prefers the crawlspace.There is a feeling of grim inevitability to this engaging made for TV combination of character study and psychological horror. Unfortunately, it comes as no surprise when Richard displays a dark side to his personality. Yet, one can't really hate him; you do feel some sympathy towards him, and realize that he is mentally imbalanced and needs family ties & a sense of belonging.Of course, this being a TV movie, it's disturbing without being graphic in any way, even when people are felled by bullets or an axe. It's all directed with efficiency by John Newland, who went on to make 'Don't Be Afraid of the Dark', one of the most famous TV horror movies of the 1970s. It gets by largely due to convincing performances by the main trio of actors, and capable work by character actors Eugene Roche ("Slaughterhouse-Five"), as the concerned local police chief, and Matthew Cowles ('All My Children') as a young troublemaker. Kudos, also, to Jerry Goldsmith for his affecting music score and the filmmakers for creating a sombre atmosphere.Good, if not great, material was scripted by Ernest Kinoy, a TV veteran who worked on things such as 'The Defenders' and 'Roots', from the novel by Herbert Lieberman. It doesn't conclude as strongly as it starts, but it keeps its grip for a decently paced 75 minutes.Seven out of 10.

Coventry I had nearly given up all hope to ever see this particular "Crawlspace"! When you're actively searching for this title, you can encounter a couple of interesting cult movies, but not easily this 1972 made-for-TV movie. Now that I did finally get my eager little hands on a decent copy, I can safely state that it's another delightfully curious and out-of-the-ordinary TV-gem! On one hand it's a typical 70s TV-thriller, meaning that it is short and low- budgeted and not featuring any special effects, but on the other hand this also means that the plot is uniquely bizarre and that the atmosphere is moody and unsettling throughout. Additionally, it also means that it stars several adequate actors and actresses and that the story, although highly implausible and far-fetched, remains stuck in your mind and keeps you contemplating. Albert and Alice form a lovable elderly couple living in a remote countryside mansion. One day, they discover that the 20-something homeless and extremely introvert Richard has moved into the crawlspace underneath their house uninvited. So Albert and Alice react like any normally functioning person would react… They feed him milk & cookies, knit winter sweaters for him and invite him over to the family Christmas diner! They adopt and welcome Richard like the son they always wanted but never had, in fact. Problems arise when Richard turns out to be a bit of an aggressive sociopath and runs into a dispute with the local grocery boy. Based on a novel that I haven't read, the intriguing basic concept and character developments are undoubtedly the strongest points of this film. These, along with the excellent performances of Arthur Kennedy and Theresa Wright, make "Crawlspace" one of the finest TV-thrillers I have seen in my life. The pacing is slow but intense, the music and ambiance are continuously eerie and the inevitable climax is almost emotional. Matthew Coles also gives a good performance as the arrogant small-town bully, while Tom Happer (as the crawlspace resident) hits the exact right tone being simultaneously pathetic and menacing. Believe you me, this thriller is way better than director John Newland's widely acclaimed but vastly overrated "Don't Be Afraid of the Dark".

Rapeman Albert and Alice Graves are a retired elderly couple who discover a wild-looking homeless man named Richard living in the crawlspace of their basement. At first they are a little worried and ponder ways to get rid of him but eventually their sympathetic side gets the better of them (as well as Alice's motherly tendencies) and they take him in. First they begin leaving food outside his hole and then Alice even knits him a wee jumper for Xmas. In return Richard helps around the house, mainly chopping wood (he seems have a thing for axes).Everything is going along swimmingly until the jock at the grocery store rips off Richard $20 and he goes back that night and trashes the store with an axe. Albert and Alice cover up for Richard as they are beginning to think of him as the son they never had, but one night after returning home from the orchestra, the couple discover Richard has smashed Alice's loom (he has abandonment issues) and they begin to get a little worried. As time goes on Richard's behaviour becomes more and more psychotic & violent and the old couple basically become prisoners in their own home as Richard refuses to leave & won't let them leave either. This all culminates into a pretty bleak finale involving drunken jocks, the police and an axe (surprise, surprise).Based on a novel by Herbert Lieberman and directed by John Newland (Don't be Afraid of the Dark), Crawlspace is a decent little low-budget 70s thriller. Arthur Kennedy's (Let Sleeping Corpses Lie, Emmanuelle on Taboo Island) performance as Albert and Tom Happer's as Richard are both brilliant and Jerry Goldsmith's eerie score adds loads to the already tense & claustrophobic atmosphere. 4/10

Woodyanders Albert Graves (splendidly played by Arthur Kennedy) and his wife Alice (a top-drawer performance by Teresa Wright) are a nice middle-aged couple who discover young, homeless, troubled Richard Atley (a frightfully edgy portrayal by Tom Happer) residing in a crawlspace in the basement of their house. They adopt Richard as if he was the son they never had. Things work out for a spell, but eventually turn sour when Richard's volatile nature asserts itself with tragic results. Director John Newland (who also gave us the terrifically freaky "Don't Be Afraid of the Dark"), working from an intriguing script by Ernest Kinoy, does an able and effective job of creating and maintaining an absorbingly mysterious tone. Jerry Goldsmith's beautifully classy and eerie score adds substantially to the tension. Urs Furrer's slick, pretty cinematography likewise hits the spot. Kennedy and Wright do sterling work in the leads; they receive bang-up support from Happer, Eugene Roche as folksy, responsible sheriff Emil Birge, Dan Morgan as doddery old shopkeeper Harlow, and Matthew Cowles as local troublemaker Dave Freeman. This offbeat and enjoyable little winner would make a perfect double bill with the similarly solid and unnerving "Bad Ronald."