Crazy Over Daisy

1950
Crazy Over Daisy
6.7| 0h6m| NR| en| More Info
Released: 24 March 1950 Released
Producted By: Walt Disney Productions
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

It's the 1890's, and Donald is riding his penny-farthing bicycle to see Daisy when Chip 'n Dale make fun of him. It quickly escalates into a full-fledged war between Donald and the chipmunks.

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Hitchcoc One person criticized Donald's appearance, but his look is that of a man from that era. The world's most famous duck is just riding his old fashioned bicycle, going to see Daisy. Because he looks a bit foppish, Chip and Dale decide to bring him down a peg. They actually harass him. Yes, he retaliates, but they could have backed off at any point, Of course, the antagonists here seem to be given the upper hand, despite their evil deeds. It's a very colorful cartoon with really nice images of early America.
JohnHowardReid CAST: "Donald Duck" (voiced by Clarence Nash), "Chip Chipmunk", "Dale Chipmunk", "Daisy Duck", "Goofy", "Mickey Mouse", "Minnie Mouse".Director: JACK HANNAH. Story: Roy Williams, Milt Banta. Animation: Volus Jones, Judge Whitaker, Bill Justice, Bob Carlson. Music: Oliver Wallace. Song, "Crazy Over Daisy Mae" (chorus). Color by Technicolor. RCA Sound System. Producer: Walt Disney.Copyright 18 March 1949 by Walt Disney Productions. A Walt Disney "Donald Duck" cartoon, released through RKO Radio Pictures. 1 reel.COMMENT: Delightfully set in period, this is certainly an amusing variant on the duck-chipmunk encounters. By Disney standards, the pace is remarkably fast, and there are even some bright visual gags. Although he is needlessly allowed one touch of gratuitous cruelty, Donald emerges with a fair degree of audience sympathy. It's hard not to relate to a character who tries to outrun a cannonball on a penny farthing bike!
TheLittleSongbird This is yet another Donald Duck/Chip 'n' Dale cartoon that I love. Not my favourite by all means, but one that amuses me every time I see it. Crazy Over Donald I remember for chiefly its wonderful music and irresistibly catchy title song. But that's not the only outstanding asset. The animation is typically beautiful, with the colour palette especially sumptuous. The story is crisply paced, sometimes cute and always fun and engaging, and the gags especially in the middle of the cartoon are very funny. Chip 'n' Dale may have a sweet and harmless look to them, but some of their actions show that they can be anything but. Donald takes the laughs well, he is funny and cantankerous and looks very dapper here, but I couldn't help feeling sorry for him at the end. Daisy is beautiful but one not to mess with. Overall, for the music and title song, Crazy Over Daisy is great. 10/10 Bethany Cox
Ron Oliver A Walt Disney DONALD DUCK Cartoon.Donald is certainly CRAZY OVER DAISY, but Chip 'n' Dale may drive him loony if they don't stop pestering him.The opening sequence of this film, with Donald pedaling about town on his ordinary while whistling the catchy title tune, has an amiable Gay Nineties ambiance (look fast for cameos from Goofy as an iceman and Mickey & Minnie in an ancient jalopy). Once the little rodents arrive on the scene, however, it becomes just another Chipmunk cartoon. Clarence "Ducky" Nash provides Donald with his unique voice.Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.