Cria!

1976
Cria!
7.9| 1h45m| en| More Info
Released: 20 December 1976 Released
Producted By: Elías Querejeta P. C.
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Budget: 0
Revenue: 0
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Synopsis

Ana, an eight-year-old girl living in Madrid with her grandmother and two sisters, mourns the death of her mother.

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Director

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Elías Querejeta P. C.

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yougotitdude-32583 Now I found this movie completely in accidnet. I was originally looking for a song from How I Met Your Mother and I found the song in a video with clips from this movie. After watching the video I knew I had to watch it. I did some research first to see if it was worth my time. And it was. From what I found many had said it was just a drama movie and what not. Until I watched the movie and realized how deep it actually is. While watching it I realized the little girl was curious about death. Another thing I didn't know was that the entire movie was a flashback which makes it much better too. The way she stands there and looks at everything going on in the world she didn't acknowledge any of it until she was older and retelling of that summer. Now the movie is in Spanish but there is an English version on YouTube if you look up the English title "Raise Ravens" you can find it. Just a warning that the English voice over isn't completely correctly translated and the voices don't match the characters well at all but there isn't that much dialogue in the movie anyways so it's easy to get over. But if you get the chance I say watch this movie. It will stick with you like it has with me.
ma-cortes Sensational film that dispenses a brooding plot and considered to be one of the best Spanish films , in fact was voted one of the best Spaniard film by professionals and critics in 1996 Spanish cinema centenary . Well directed film by Carlos Saura , including his own story and screenplay , who tried to create an enjoyable flick plenty of symbolism and metaphor by tackling a description about a particular family formed by three little girls , their stiff aunt and grandmother . This slow-moving and intelligent picture is well set in Spain of the 70s , in Madrid, the orphan sisters Ana , Irene, and Maite (Ana Torrent ,Conchita Perez , Maite Blasco) are raised by their spinster aunt (Monica Randall), after dieing their mother by a painful illness , and living together their silent and wheelchair-bounded grandmother . Melancholic Ana is traumatized after viewing death of her daddy (Hector Alterio ) in bed and painful disappearance her mum (Geraldine Chaplin who married Carlos Saura) , and she drifts into her own fantasy world . The fragile , single little Anna dreams of meeting her mom and she is obsessed by death . Sensitive film full of feeling , haunting mood-pieces , wonderful images and sense of wonder . However , it turns out to be some claustrophobic , being mostly filmed at a Madrid mansion and brief outdoor scenes in Quintanar, Segovia, Castilla y León . This extraordinary flick spells through intricate patterns of frames , sets , sound and color . The title in Spanish stems from the phrase "Raise ravens and they'll pluck out your eyes" , the equivalent phrase in English would be "you reap what you sow". This film was notorious in the years of the Franco's downfall dictatorship including provoking and polemic issues and played by known and prestigious actors as Geraldine Chaplin , Monica Randall and Hector Alterio . In addition , a magnificent support cast such as German Cobos , Mirta Miller and special mention to Florinda Chico as a likable servant . His style is pretty much dry in the atmosphere as in the fresh dialog , as well as realistic , and including fantastic elements as when appears the ghost mother . ¨Cria Cuervos¨ is one of Saura's undisputed masterpieces and fundamental in his filmography where shows efficiently some peculiar characters and shot at the height of his creativity, in a period cultural difficult, where the enormous censorship of the political regime exacerbated the ingenuity and imagination of the scriptwriters . Splendid , luxurious photography with juicy atmosphere by Teo Escamilla who along with Luis Cuadrado are considered to be two of the best Spanish cameramen , both of whom worked for Saura . Interesting screenplay by the same director based on a original story . Moving and emotive musical score by Federico Mompou and of course the unforgettable theme song "Porque Te Vas" sung by Jeanette that was an enormous European hit , and appealed even to people who didn't understand Spanish language . This touching picture will appeal to Spanish films buffs ; being deservedly nominated for Golden Globe , and another 8 wins & 3 nominations . Rating : Top-notch and outstanding movie , worthwhile seeing .The motion picture perfectly produced by magnificent producer Elias Querejeta was stunningly directed by Carlos Saura , a good Spanish movies director. He began working in cinema in 1959 when he filmed ¨Los Golfos ¨(1962) dealing with juvenile delinquency from a sociological point of view . He subsequently made LLanto por Un Bandido (1964) starred by an European all-star-cast . Saura is a well recognized filmmaker both nationally and internationally, and in proof of it he won many prizes among which there are the following ones: Silver Bear in Festival of Berlin for Peppermint Frappé (1967) and the successful La Caza (1966) that also won numerous prizes in International Festivals and in which four characters facing each other and terminating into a jarring burst of violence . Saura achieved Special Jury Awards in Cannes for La Prima Angélica (1974), in 1973, and for Cría Cuervos (1976), in 1975. Also, the film Mamá Cumple Cien Años (1979) got an Oscar nomination in 1979 as the best foreign film, and it also won the Special Jury Award at the San Sebastian Festival. He subsequently made ¨Deprisa , Deprisa¨ based on facts about juvenile delinquency in Spain since the 80s , as he tried to take a position in favour of outcast people and he got to make a both lyric and documentary-style cinema . In 1990, he won two Goya , The Spanish Oscar , as best adapted screenplay writer and best director . Saura became an expert on Iberian musical adaptations as ¨Carmen , Amor Brujo , Bodas De Sangre , Sevillanas , Iberia , Salome , Fado, Flamenco ¨ and even recently Opera as ¨Io , Don Giovanni¨
francois chevallier Theme song "Porque te vas" was a huge hit in Europe in 1976, and appealed even to people who didn't understand a word of Spanish. Actually, many people went to see this movie because of the song. As a film, I found it rather austere, and difficult to understand if you are not familiar with Spain's recent history, so I am amazed by the generally good reaction of the public to it.1976 was the year after Franco died, ending a 40-year period of civil war and dictatorship, which makes "Cria Cuervos" a historical marker in Spanish cinema. Actually, Spanish cinema had until that date been rather poor, very far surpassed by the Italian one, but this situation has lastingly reversed since that date. In 1976, the political future of Spain was still unclear, and this is maybe why Saura remains so allusive.Action is taking place in the early seventies when Franco was still around. It is centered around 10 year old girl Ana, the second of three daughters. Her father is is a military, which is no innocuous detail in the context of the Franco regime. Her mother is dead, but keeps appearing to her as a ghost, and talks to her, while Ana remains silent. What is going on is a bit unclear, because, very much like in Bunuel movies, reality and dream are hard to tell apart. We don't know if Ana poisons her father, who has affairs with mistresses, but what is certain is that she imagines that, and that he dies too. A symbol for Franco's death?After their father's death, the girls are fostered by a rigid aunt, who tries to get their affection, but fails. Ana is a silent child, obsessed by death. She plays with poison, spends a lot of time playing with a doll in an empty swimming pool. She also talks to her mute grandmother in a wheel chair, and asks her at one point if she would like to die. As the grandma nods positively, Ana offers to help her dying but the grandma recoils. There is always a grandmother character in every film by Carlos Saura.Like in many Saura movies, each character seems to incarnate an aspect of Spanish society. The father most likely represents the Franco regime, the mother would be the murdered Republic, the grandmother is probably a reminder of old Spain before the Civil War, and the children, Ana especially, seem to be the symbol of Spanish youth, uncertain about its place and future.The title refers to a Spanish proverb : "Feed the ravens, and they will tear your eyes up". Does it mean that the Spanish dictatorship did not trust its own children? Possibly, why would there be a dictatorship otherwise?The ending scene is powerful, as the girls go back to school after the holiday. We see a crowd of children in white blouses walking up the stairs of a high building towering over Madrid, while the theme song plays out loud "Because you are leaving". A vision of future? Looks like it. And who is leaving? Franco? Tempting guess, but the movie lets many questions unanswered.Geraldine Chaplin, who plays Ana's mother, was by then the wife of Carlos Saura, and as she learned speaking perfect Spanish, she played in several of his movies. As for Ana Torrent, she was at the start of an important career, as she has remained a major actress in Spain as an adult.
Efzed Like almost everyone i found this movie extraordinary touching and beautiful when i first saw it. I watched it several times and i realized something, it's really about Spain under Franco's dictatorship. Every character is a metaphor of Spain , the beautiful mother killed, cheated on by her military husband, the collaborating auntie who tries to educate the children, the old mute grand mother, who only wants to remember the old days (the republic) etc... every line in the movie can be heard in a completely different. The young rebel Ana is a true symbol of the spanish youth who can't stand anymore the military oppression, and who wanna be free to see the outside world (the song is reggae !). and the final scene with the hope of a new era coming (when the kids are arriving at school as a new year is beginning) is the reflection of what was about to happen in Spain (Franco died the same year). Anyway, whether you want to see its political message or not, it's just a wonderful movie, one of my favorite.