Curse of the Puppet Master

1998 "...The Human Experiment"
Curse of the Puppet Master
4| 1h18m| R| en| More Info
Released: 26 May 1998 Released
Producted By: Full Moon Entertainment
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Andre Toulon's diminutive assassins take up residence at The House of Marvels, a traveling doll circus run by Dr. Magrew, who has been trying to create a living doll of his own with little success.

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udar55 Dr. Magrew (George Peck) and his daughter Jane (Emily Harrison) run Magrew's Marvels, a sideshow that features the puppets of Andre Tulon (Magrew simply states that he bought Tulon's trunk of puppets at an auction; we're never shown what happened to them post-parts 4 & 5). They hire a guy named Robert (Josh Green) to work the show and carve some new puppets for Magrew. Naturally, the doc has more nefarious plans for his new hire. CURSE OF THE PUPPTER MASTER finds the series back in the hands of David DeCoteau, who previously made the good part III. Without the help of Paramount's funds though, the difference is quite noticeable. This is the first entry to not feature any original stop motion by David Allen. Even worse, 90% of the footage of the puppets is stolen from the previous 5 entries. There is one genuinely creepy scene where Jane discovers the burnt remains of a human-puppet hybrid in the woods and DeCoteau does have two surreal dream sequences where Robert thinks he is made of wood. But it isn't enough to salvage such a cheap production. It literally just ends with the characters never heard from again as the team went old school with RETRO PUPPET MASTER (1999) after this.
skybrick736 Curse is probably the loosest movie if you're following the Puppet Master series chronologically being somewhere jumbled up between the original and the second movie. Being a fan of continuity I struggle liking the film as much as I could have. I have a guiltily liking for two of the main leads being Dr. Magrew and his daughter Jane. The movie had a potentially strong story if it remained a little dark and cheesy instead of being flat out silly at points. There weren't enough puppet scenes either seemingly they recycled some old footage they didn't use for previous films in this one to save a few bucks. A lot of fans gripe about the movies end but in my opinion I thought it tied the story together nicely like a bow and it made a legit cool cliffhanger. As far as it goes with the other Puppet Master films I saw it's pretty much on par for the course, not terrible but not good by any means.
atinder (I was going to skip this one)This movie is a stand alone movie in the series, is not connected to the last two movies or the others,Is brand new master and this as a New plot, A scientist attempts to master the art of transferring people's souls into puppets.I didn't think it was too bad but i liked the Idea of the plot, it's brought some freshness to the series, it felt like the Puppet as some of Creep factor back.There were some very bloody moment in this, which was not bad, I felt same as all the other in this series, another Average movieThe acting was not that good at all from some of the cast and some were bearable5 out of 10
lost-in-limbo After not being terribly impressed by the last two additions to the franchise, I wasn't expecting all that much from "Curse" and this was a blessing disguise. I found David DeCoteau's sequel somewhat a step-down in quality (which at times looked very second-rate), but probably a little more enjoyable if a tad creative in its story (despite a silly script, unintentionally humorous plotting and an abrupt ending). While still being one of the weakest, it skipped that childish feel of the recent ventures… to only deliver on the nasty and gory quota with its nightmarish details (resembling the tone of the original features), but while the jolts and cruelty is there it seemed to meander on its characters interactions and the constant mystery surrounding a disappearance, which is rather predictable to figure out. The puppets have always been the stars and that's nothing new here, as the creations are well-used despite some obvious stock footage from other features. The uncanny appearances and personalities come through, although some are underused; The Jester and especially Leech woman. However there are plenty of images of the puppets cementing how they are best of pals. DeCoteau's practical direction is raw and threadbare, but there's a lyrical guidance that shows in some atmospheric visuals. Most of the performances are particularly lousy and over-enthusiastic, but Emily Harrison seems to be an exception to the trend.