Dalaw

2010
Dalaw
5.2| 1h40m| en| More Info
Released: 25 December 2010 Released
Producted By: Star Cinema – ABS-CBN Film Productions
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Budget: 0
Revenue: 0
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Synopsis

For the sake of her son, Paolo, Stella is re-married to another man, Anton, in the hopes of a having a whole and peaceful family life. However, after the wedding, she experiences major haunting that endangers her life and the people around her. All the clues are pointing to her dead husband. Feeling guilty of her ex-husband’s death, Stella tries to save her family from the ghost’s wrath. Along the way, secrets start to unravel and Stella is now unsure of who is haunting her and why she is being haunted.

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Reviews

Sirfaro11 This is the story of Stella (Kris Aquino) haunted by a ghost, after she re marries Anton (Diether Ocampo). The "scary" scenes that followed are predictable, if not laughable. And the acting especially of Kris is laughable, if not horrible. In fact, her voice and facial expression almost did not change throughout the whole movie. I almost felt like rooting for the muddy ghost towards the end, I really didn't care about her character. The story tried to build up the tension at the beginning, but it lost its grip towards the end. The whole premise did not feel scary at all. If you think this was bad enough that they will stop hiring Kris, then you are mistaken. The following year, they did Segunda Mano. Watch this only if you are a Kris fan.
Boloxxxi **This is a "NON-SPOILER" alert!! I feel I have no choice but to give this alert since spoiler alerts were placed in at least 3 of my reviews at IMDb's discretion even though there were no spoilers in them. I doubt if they even saw the movie or they would know. I complained (nicely) once and one of them was changed but I can't be bothered any more. Okay. To business. This movie is about a woman who was in an abusive relationship which came to an end when her husband dies in a car accident due to an argument the two of them were having in the car at the time. The woman was now free of her husband in terms of his actual physical presence in her life. However, for a time, she was haunted by him --or thought that she was-- because she "saw things". A friend reintroduces her to her first love whose heart she broke when she entered into a marriage of convenience with an abusive man. At this point, the "haunting" she experienced after his death have ceased and it now seems she was completely free to start a new relationship. Eventually they get married --but not uneventfully, since something happens. Later she and her child (a boy) move into her new husband's home where he lives with his mother (something her new mother-in-law had insisted on). Things begin to happen, starting with the woman's son, who is seeing and experiencing things. It shortly becomes clear that the haunting has restarted; a fact the woman assumes to be the result of her deceased former husband's displeasure with her new marriage. The best thing about this movie is that it has a interesting story with a nice plot twist about the haunting. Unfortunately the whole thing gets blown to hell --I think-- at the end (the last 10-12 mins, or so). I guess they wanted to end with a big bang but I believe they misfired since the result was an over-the-top, non-scary cliché (things flying all over the place and an ineffectual priest) and a ghost that appeared as just a deranged person and not "ghostly creepy" at all. So a nice story ruined by the ending like a gymnast who does some nice twists and turns in the air but then lands on their face. Too bad. Love, Boloxxxi.
Paul Magne Haakonsen Having only seen a single Pinoy horror movies prior to this, I don't really have much to compare it with. But in comparison to Hong Kong, Korean and Japanese horror movies, then this was a weak bowl of broth. It was fairly far away from being scary (from a Westerner's point of view), but I am sure that it must be semi-scary to Asian viewers.What wondered me about the movie, was why nearly all of it was shot in the dark or in dim lighting. The lack of illumination really brought down the movie enjoyment, because most of the time it was hard to make out what was going on in the scenes.The story told in "Dalaw" was actually good and interesting enough, making you want to sit and see what happens next. They managed to build up a lot of suspense in the movie, and that was a good thing. The movie did turn out to be as predictable as I had anticipated. The actual story, quickly summarized, goes something like this: Stella gets married to Anton, and move in together in a new home, together with her son Paolo. But something stirs and is wrong, there is some dark presence in the family. And the caretaker Olga have the ability to see "visitors". So what is it that is haunting the family...?As for the cast in "Dalaw", then I am not familiar with any of the actors or actresses here. But the movie was carried by Kris Aquino (who played Stella) and Gina Pareño (playing Olga). The rest of the cast was mediocre and didn't really stand out.I didn't find the ghost scary at all. And once you see it, you will immediately figure out the plot of the story. Trust me. I will not reveal it here, but it is quite predictable.Being a big fan of Asian movies and Asian horror in general, I found this movie rather weak and far from scary. But all together, this isn't a bad movie at all. There were some really nice aspects to the movie, and a really good story. It could just have used more scare moments. And the effects used in the movie, though fairly simple, actually worked quite well. I especially liked the scene with the furniture moving about in the living room.I suppose this movie is for die hard Pinoy fans. I however, wasn't overly impressed with it...
3xHCCH Being a fan of Pinoy horror films, particularly those starring Ms. Kris Aquino (like "Feng Shui" and "Sukob"), of course I was not about to miss "Dalaw." It was just strange how this was the only film which did not receive any nomination from the Metro Manila Film Fest 2010 judges. That did not weaken my resolve to watch this film."Dalaw" is the story of Stella (Kris Aquino), a widow of four years whose violent husband died in a car accident while they were quarreling. She is now set to marry her high school sweetheart Anton (Diether Ocampo) with whom she has recently reconnected. From then however, Stella's life becomes a living hell when a mud-coated ghost haunts her dreams. After their wedding, the torment escalates as actual deaths began to occur among the people around her. Stella, with the help of a spooky neighbor with a "third eye" Aling Olga (Ms. Gina Pareno), needs to discover how to stop the malevolent terror from destroying her life.Kris Aquino just had her signature pained look plastered throughout the whole movie. She has not really progressed in her facial expressions through all these horror films she had. The way she shouts her son's name Paolo and her anguished harsh screams were so over-the-top. A very big problem of the film was that Kris and Diether had absolutely NO chemistry. Their whole relationship as high school sweethearts was not believable at all. Their kissing scenes were very awkward-looking. This made the central premise of the story very shaky indeed. Come to think of it, Kris looked ill at ease with all the other actors as well. But hey, Kris is fun to watch, so there! Haha!A lot of the scary scenes were derivative. Some of the death scenes have already been done in previous films of the same genre, like the one in the sauna. The supporting character of Gina Pareno was written and executed in a comic horror style. Her Aling Olga looked like Mrs. Ganush of "Drag Me To Hell." She likes quoting classic lines from Filipino movies when she makes her ominous pronouncements, which can be funny, but some of the humor is forced. Her exit was also very poorly written and realized. Among the other supporting actors, only Karylle made any kind of impact.The movie was shot in very poor light. It seemed like most of the movie happened during the twilight to evening hours, which made a lot of scenes very hard to see. It was very strange that no one seemed to need to turn on the house lights at night! The director Dondon Santos depended heavily on typical horror effects like sudden camera shifts, dreary funereal music and too much darkness to achieve his scares. The final resolution had a corny feel to it because Kris was obviously fighting a solid "ghost". Overall this movie was a disappointment in the list of Kris Aquino horror films.