Scott LeBrun "Daughters of Satan" is nothing special, but is still hard to resist on the level of an entertaining "late show" feature. It *is* irresistible to see a young and studly Tom Selleck in a horror film, a Tom Selleck who's already sporting that famous moustache.He plays James Robertson, an art expert working in the Philippines who purchases a painting for himself depicting the burning of three witches. One of the witches bears an uncanny resemblance to his wife Chris (Barra Grant). And that's just the beginning of the weirdness to follow, as both James and Chris start to encounter strange individuals, including Kitty (Tani Guthrie) and Juana (Paraluman). Also on hand is eternally jolly Filipino icon Vic Diaz as an art dealer as well as Vic Silayan as helpful doctor Dr. Dangal...not to mention a Rottweiler who's friendly to Chris but who always gives cat man James a hard time.The opening sequence very much lets us know right from the start where this is heading, so suspense is limited. This film, produced by Aubrey Schenck ("Frankenstein - 1970", "Robinson Crusoe on Mars") and directed by TV veteran Hollingsworth Morse (now *there's* a name for you), is more about enveloping the audience in an appropriately odd and dreamy ambiance. It has some violence here and there and voyeurs will appreciate the breast shots from our leading lady. There's a lot of great scenery to enjoy, and a very '70s but effective music score by Richard LaSalle.The movie is an acceptable diversion, as far as it goes, but it does rather get bogged down in talk sometimes. Still, some of the actors, especially Guthrie and Paraluman, are fun to watch, and Selleck is good as the frustrated, puzzled hero. Grant is less satisfactory (although she does look fine). Plus, the movie is worth sticking with just for the kind of downbeat ending common to cinema of the 1970s.If you're a genre fan who loves seeking out obscurities such as this one, you should have a fairly good time with it.Six out of 10.

Ben Larson Vic Diaz was so good in The Big Bird Cage that I just had to see him again to see if he was as funny in all his films. He was in 112 films and is considered the jolly evil fat man of Filipino exploitation cinema. It may take a while to track them all down.As a bonus, this is Tom Selleck's (Magnum P.I., Blue Bloods, Jesse Stone series) third film. He even has a mustache then.Jim (Selleck) finds a painting of a witch burning, and the with looks like a dead ringer for his wife Chris (Barra Grant). Suspicious things start occurring. She blurts out the exact date of the burning, and a dog in the painting disappears after she sees it for real. Things just get stranger from there.It's all about revenge for a 16th century crime. Very interesting.

rosscinema Early Tom Selleck film where he and his wife encounter a coven of witches. The coven think that Selleck's wife is a reincarnated witch from a painting. It is always good to see the great character actor Vic Diaz but even he can't help with the fact that the material here just isn't that compelling. Some good exploitation like when Barra Grant as his wife is strapped down naked and whipped. But there are too many slow scenes that drag on agonizingly and I think the film could have been boosted with more shots of the exotic Philippine locale. Not terrible but story needed some sort of adrenaline shot somewhere in the middle.

simon-118 A very rarely seen little oddity this but I like it. The unusual location of the Philippines is pleasing and there a couple of very creepy sequences. The Robertsons seem positively crazy about each other which is a sure sign she'll end up doing very nasty things to him, but they were both quite believeable and the supporting cast were all adequate. The painting that is the centre of the whole mystery is very chilling, especially in the scenes where Jim meets the new housekeeper and then glances at the picture and sees her in it. The death of the Doctor is very eerie but best of all has to be the very simple scene of Chris lying in bed and hearing a voice in the night calling out "Christina..." Very creepy especially if you are watching this movie for the first time on late night television and wonder if the sound is on the screen or not! There is also an extraordinary sequence where Jim sees movement outside the house at night and investigates only to be attacked. When he returns to the house the incident is almost forgotten in his bemusement..just like a sort of "was it a dream?" sleepy kind of unreality. My main reason for liking this movie is that compared to what Hammer were churning out it is different and scary, unlike most of Hammer's films, and doesn't need to rely on gore. It also predates The Omen and The Exorcist and yet deals with the subject matter intelligently, so in a sense it is ahead of it's time. Good stuff...not exactly the greatest movie ever made but effective and successful in its clearly limited ambitions.