christopher-underwood Well, this is one of those movies you watch without any preconceptions because you have never heard of it before and it creeps up and socks you in the jaw. Starts, seemingly simply enough with Robert Ryan as the old school cowboy coming up against the more conservative farmers and settlers. There is the added ingredient of sexy Tina Louise, married to one of the new boys but clearly still having the hots for old flame, Ryan. Just when we think we have the measure of it and Ryan has picked his fight and the bottle is rolling down the bar, its crash to signal the start, the door bursts open. Knowing that Burl Ives was in the film and having mixed feelings about his acting abilities, i had wondered whether the miserable and bearded drunken side-kick to Ryan was he, but there was no doubting anymore as Ives and his crew of degenerates tumble in. Tensions abound throughout, the incredible barnyard type dance without liquor but plenty of vigour and barely disguised rape fantasies, is probably the most dramatic but there is an effective fist fight, various confrontations with the sexy lady and all this before the sublime and so very snowy last section as beauty and good intentions clash with cruelty and betrayal. Very fine and essential quirky western with solid dialogue and fine cinematography.

classicsoncall Interesting to speculate what might have happened if the Jack Bruhn gang never showed up. Blaise Starrett (Robert Ryan) was creating a lot of resentment with his insistence on putting a stop to the fencing on open range land. Given his demeanor, the thought occurred to me that the town of Bitters might have been named after him. Had it gone that way, the story might have been just as grim as the one we got to see.I'm still not used to seeing Burl Ives in a Western setting, even though he's appeared in a number of them. Often as a villain too, as in 1958's "The Big Country". I guess I was too conditioned as a kid by his voicing Sam the Snowman in the TV movie "Rudolph the Red Nosed Reindeer"; that's where I think I first became aware of him. I think the story could have used a better explained rationale for the hold he had over his fellow band of thugs and cutthroats. They all stood down when he made it a point, but after a while I began to question why they were so afraid of him.The one casting surprise in the story for me was that of David Nelson as the young outlaw Gene who had an eye for town girl Ernine (Venetia Stevenson). Brother Rick appeared in a few but this is the first time I've seen David in any vehicle other than his parents' TV series.Where the film departs from a more conventional dynamic occurs in the latter part of the story when Ryan's character leads the outlaw bunch on a death march with the complicity of their leader Bruhn, who at that point pretty much knew that he was dying of a bullet wound. Starrett's only hope of making it out alive is borne out when the gang members start taking each other out in an expanded take on "The Treasure of the Sierra Madre".With as many Westerns as I've seen, this is the first one that graphically depicts what a difficult time a horse can have trying to walk through a couple feet of snow. It's obviously not that easy, and something Blaise Starrett might have considered when he stated to Bruhn at one point while on the trek - "None of us are gonna make it".

zardoz-13 Robert Ryan and Burl Ives circle each other like hungry wolves in director André De Toth's grim, rugged western "Day of the Outlaw" that takes place in the middle of snow-swept wilderness. Initially, this horse opera starts out with a cattleman feuding with a farmer who is about to enclose his land with barbed wire. Long-time rancher Blaise Starrett (Robert Ryan) promises to burn the wagon load of barbed wire and kill the farmer, Hal Crane (Alan Marshal), before he allows him to fence off his land. The woman between the two men is Crane's wife Helen Crane (Tina Louise) who made the mistake of having an affair with Blaise. She wants peace between the two men.Just as trouble between the two fractions is rising, Jack Bruhn (Burl Ives) and six gunmen appear in town ahead of a cavalry patrol searching for them. They disarm the citizen of the small town and take up residence long enough for the mortally wounded Bruhn to have an animal doctor extract a bullet from his chest. Bruhn rules his desperate evil henchmen with an iron fist. He refuses to let them get drunk and party with the women. Eventually, Bruhn relents enough to let them dance with the women. One of Crane's men tries to resist and he dies for his insubordination. Later, another tries to ride out of town but he is shot down. Blaise assures Bruhn that he knows a way that nobody can follow them and convinces Bruhn who has recovered sufficiently to ride a horse to follow him. Basically, with the cavalry closing in on them, the villains have no alternative but to follow Blaise."Day of the Outlaw" struggles to be a different kind of survivalist western with a hero who never fires a single bullet from his gun. The performances are strong and the wilderness setting is spectacular, but scenarist Philip Yordan doesn't build in enough tension. The last twenty minutes take place on the snowy trail as the villains are eliminated gradually by between greed or death. One young villain who hasn't gone completely bad is sent packing when he must relinquish his horse to another companion. If you like offbeat westerns that don't rely on the usual clichés, "Day of the Outlaw" is a refreshing change of pace. Burl Ives makes a good villain and Robert Ryan is quietly confident as the tough-as-nails hero.

Terrell-4 "Now listen," says Jack Bruhn (Burl Ives), renegade former captain in the U. S. Army, to the frightened men and women of Bitters, population about 20, four of them women. It's deep winter and Bruhn and his men have just barged into the saloon as rancher Blaise Starrett (Robert Ryan) was about to gun down farmer Hal Crane. "Do as you're told and you can go about your business just like we're not here, almost. But we are here so it's best you know with what you're dealing. Pace here gets pleasure out of hurting people. Tex, rile him and you're going to hear some screaming in this town today. Denver, half Cheyenne. Him hate white man. He doesn't feel half so badly about white women. Vause, bones covered with dirty skin but even half drunk he's the fastest draw in Wyoming Territory. And Shorty. We soldiered together. The young fella, well, he's a fresh recruit but he's learning fast." For the rest of the day and through the night Bruhn by force of will is going to control his motley, dangerous gang. He'll deny them liquor, deny them the town's women, and undergo an excruciating operation by the town vet to extract a bullet from a lung. They're on the run with $40,000 in gold in their saddlebags. The U.S. Cavalry is on their trail. Bruhn is a complex man with an odd sense of honor. He was responsible for a massacre by soldiers under his command. His justice is ruthless. His authority is complete...as long as he lives. Right now he is the only one capable of keeping his gang of killers from tearing up Bitters by its roots. And that includes Blaise Starrett, an angry rancher...angry at being rejected by Hal Crane's wife, Helen (Tina Louise), angry with Crane for the barbed wire that Crane will be putting up next to his land, angry at the farmers moving into the town and the territory that he cleaned up and made safe. That showdown with Crane that Bruhn interrupted would have been no more than murder. Crane wore a gun but couldn't use it well, and Starrett was purposely goading him. And in this complex, austere western both Starrett and Bruhn are going to find in themselves a capacity for surprising decisions. For Starrett, it will mean the realization that killing Crane won't solve anything, the realization that Helen Crane will not leave her husband for him, and the realization that the only one capable of outfoxing Bruhn is Starrett, himself...by leading Bruhn and his killers through a way out of town in the deep winter that will most likely kill them all. For Bruhn, he survives the operation. He's given a little morphine. He's back on his feet...and he's starting to cough. Let's just say Bruhn knows what's going to happen All the while in this achingly cold western, snow is on the ground and the weather is frigid. When Starrett leads the gang out of town there is freezing white mist in the air and the snow is nearly up to the horses' bellies. The last 30 minutes of the movie are exhausting, with the horses struggling through the deep snow, with the wind blowing too hard to start a fire, and with men dying. It's no spoiler to say that Blaise Starrett survives. It might be a spoiler to say that while he may no longer be the angry man we met at the start of the movie, he'll probably be just as lonely. You could flip a coin to decide who holds this movie together more impressively, Robert Ryan or Burl Ives. Ryan brings all his impressive presence to his role. Ives, however, by force of acting and authenticity, makes his ability to impose his will on this gang believable. It's a first-rate performance. But, oh, if only this movie could have been made without the women. Two of the four actresses can't act, and those two are ones the story lingers on. Tina Louise as Helen Crane is completely out of her skill range. Her lack of acting ability severely undercuts the notion that a man like Blaise Starrett, especially when played by such a fine actor as Ryan, would ever carry a torch for her. Tina Louise's Helen Crane is too dull to lust after. And while all the men look like they seldom see a bar of soap more often than once a week (and in the case of Bruhn's gang, once a month, maybe), all the women look as clean and groomed as if they'd stepped out of a Sears Roebuck catalogue. Some of their tidy polish gets rubbed off, however, at one of the most ominous dances in a western. Bruhn has decided that the women will dance with his men to lower their resentment over being denied whiskey and assault. Bruhn keeps control during the dance, but these leering, groping villains take advantage of the four women every chance they get, and the women dare not do anything about it. It's a nasty, uncomfortable, well-staged scene. Day of the Outlaw is a corny title, but even with its flaws the movie is engrossing. I almost put on a sweater while I watched it. It's one of the bleakest, coldest looking movies I've ever seen.