okurogluselo The title consist of an expresion about history, so it had to be loyal to the reality. But it seems that the crew preferred to reflect their illusions on the curtain. But distortion is much more ugly than illusion. I will not condemn Muslim's stereotypes during the scene, these were disgusting enough for any audience with sanity. There are worse things about this movie. Nobody talks about hundreds of thousands protestants slaughtered by Habsburg tyranny during 17th century. And their despair appeals to Ottomans, which seemed to be the only humanitarian power in Europe during cruel times. Visit an empty Lutheran Church of sorrow, in today's Slovakia, maybe the walls tell you who were the good men during the campaign. If we could, might ask Tökoly Imra, the real hero of the subject and the prominent figure of Hungarian history. It was not a surprise that such a weak production line could'nt find financial support. Even governments dont prefer wasting money. Anyway, the weakness of the movie cannot be explained by the lack of finance. Any real professional could find a studio to prepare better effects. These are all like cheap video games. Only it was pitty that Murray Abraham's appearance on this time-killer of hours.

CelluloidDog Really I would give a 5.5 since the ratings are 3.4 which is lower than it should. It's clear people want gory battles but this historical drama lacks that. Like some, I just saw it on netflix and that's where it belongs, quite an average film. Most epics are good films and few go wrong but this one falls short. Acting is average. F. Murray Abraham is overbearing as Marco D'Aviano. He just spends a bit too much time shouting. Did the real Marco D'Aviano shout? I doubt it since he was revered as a skill negotiator. Enrico Lo Verso plays Kara Mustafa which is fine since the real Mustafa was Albanian. A pleasant surprise appearance was Jerzy Skolimowski as Jan Sobieski, the King of Poland. He wrote the screenplay for Knife in the Water, a 1962 Polish gem by Roman Polanski. He also directed some unusual cult films like Moonlighting and Torrents of Spring. Personally I take a liking to his bizarre King, Queen, Knave and Adventures of Gerard (mostly due to Gina Lollobrigida and Claudia Cardinale). But yes, you get the point. Day of the Siege is an Italian-Polish production that falls into a sort of cult-like realm. A more religious cult-like realm.So complaints by modern standards: No blood, special effects do look like a war video game at times, the sky never seems to be real, dialogue is stiff and formal, acting is over the top or stiff except a few moments where Lo Verso and Skoliminowski shine. Direction is very average, nothing special and predictable. The low ratings may be due to expectations that this would be a gory film about the battle. Battle choreography falls short by today's standards. Polish nationals might be disappointed that King Jan Sobieski's appearances are limited. People are not going to cheer for a monk unless it's Sean Connery in The Name of the Rose. Some of the low ratings may be due to turn- off with a religious tone. Some don't like the references to September 11 and the concept of defending the faith. So some complain about historical inaccuracy.But actually, in researching this interesting siege of Vienna, the film could focus on King Jan Sobieski but Marco D'Aviano was a real key character. Perhaps he was made too zealous in the film with a weak script and direction - how could a monk win a battle? This part of the film was a bit fictional. But in reality Marco was a key diplomat who was a skilled negotiator in bringing the remnants of the Holy Roman Empire back together against the encroaching Ottomans. The real Marco had quite high standards and even several hundred captured Turks went to him to beg for mercy knowing his skills in helping others. But in terms of filmmaking, it's not that interesting and may involve deeper character development. Another person complained that Kara Mustafa prostrated before the Sultan and in Islam, one never prostrates unless before God. Actually that is incorrect, as it is traditional to prostrate before very high rank. And it is tradition that a failed Grand Vizier is executed by strangulation by a silk cloth. So some feel it makes the Ottomans look evil or inhuman. But on the other hand, the only family we see in the movie is Kara Mustafa's. Therefore he is a central figure who has a human touch.It is an average film but below average for an epic. It lacks the excitement that a bloodier epic might have, such as Braveheart or the Last Samurai. But it is far more accurate than people suggest especially compared to most epics.The strengths of the film was as some say, soundtrack was fairly strong, costume design was good. Just a bit too glorious and shallow. Like a nice piece of cake that looks good but a bit bland.

gpbach This movie show mostly charismatic Marco d'Aviano and his role during siege of Vienna and the IMDb storyline didn't talk about this movie and you need put "September Eleven 1683" to the box with all Italian catholic films. Remember you can't confront it with high budget Hollywood productions. As catholics low budget movie for catholics audience is good. Also if you know history of Poland and expect historical film about the siege of Vienna REMEMBER this is NOT a film about the great victory of Sobieski, the Polish cavalry, or about the political intrigues of European sovereigns in the 17th century.From other hand matteo-cortigiani-1 are totally right about this movie. Now if any movie has positive view of Christians(especially Catholic) must be bed. Sad but true :-(

matteo-cortigiani-1 I know, the movie is bad. All the critics hit the nail. But...This movie is, how do they call them? Indie. this movie is the real "V for Vendetta". This movie did not receive any funding from the state, from the EU, from anyone, because it is not politically correct. It has no lesbian scenes, no incest, no sex among clergypersons, and tackles a topic too many European politicians would better seen buried under the thickest and farthest away carpet.After "masterpieces" of the like of "Kingdom of Heaven", or that Turkish movie on the siege of Constantinopolis (at least, righteously bashed by everyone), this movie was at least something to root for.I am still waiting for a decent movie on the siege of Malta, but I know I'll die without seeing it - so be it, one can't have everything in this life.Why 7 out of 10? That's why: I sympathize with all the Polish reviewers who killed this movie. You deserved a lot, but an awful lot, better. But really, at least this movie's heart is on the right side, and I am giving my 7 to its heart.Ciao