megoobee Rather than the abomination that was released in 2010, this is what the A-Team movie should have been like. The necessary pieces are all there, desperate situation, chase scenes with vehicles jumping/flipping over or crashing through things, people falling or being flung through the air, thousands of rounds of ammunition expended and last but not least, big explosions.Even with all that going on, this feature is only marginally entertaining. It is ham and cheese at it's best (or worse depending on your viewpoint). The dialog is bad and the plot is so formulaic that you know what will happen well before it happens. The buddy-buddy bonding scene in the beginning is not believable and adds no real value other than to give the audience a quick introduction to the team and their "We are bad ass" attitude/history.There is a fair amount of violence which includes a graphic torture scene. The story, what little of it lacks cohesiveness and as a result jumps around more than a Mexican jumping bean on a pogo stick.For those looking for mindless entertainment with gun play and explosions, they will probably be satisfied. For those wanting a good story to go along with the violence, probably not.

Woodyanders Rugged U.S. Marine Jack Burns (Fred Dryer in excellent hard-nosed form) defies the orders of his commanding officers by going after a band of savage terrorists who have abducted his beloved superior officer Col. Halloran (a sturdy and engagingly gruff portrayal by Brian Keith). Director Terry Leonard, working from a compact script by Jon Gatliff and Lawrence Kubik, keeps the mean'n'lean narrative hurtling along at a brisk pace, maintains a serious gritty tone throughout, really lays on the gung-ho patriotism and testosterone-soaked machismo something thick, and stages the thrilling action set pieces with rip-roaring brio. The sound acting by the capable cast keeps this movie humming: The gorgeous Joanna Pacula as crusading photo journalist Elli, Paul Winfield as a stuffy by-the-book ambassador, Peter Parros as the eager James, Rockne Tarkington as the ferocious Jihad, Daniel Chodos as the wormy Amin, Mohammad Bakri as the vicious Gavril, and Kacey Walker as the ruthless Maude Winter. The jolting moments of brutal violence pack quite a harsh punch while the picture's fiercely jingoistic sensibility radiates a certain lovably crude 80's period charm. Brian May's lively score hits the rousing spot. The polished cinematography by Don Burgess supplies a pleasing crisp look. A fun flick.

janus-20 Cardinal Richelieu said: "War is one of the scourges with which it has pleased God to afflict men."The scourge who afflicts men in this wheeze is Gunnery Sgt. Burns (Fred Dryer). Burns is a career soldier, battle hardened and grizzled. He has his own interpretation of American foreign military policy, all foreigners are suspect by default and therefore subject to his military policy.Armed only with this simple misunderstanding (and highly powered automatic weaponry), Burns' ire is aroused when his superior and friend, Col. Halloran (Brian Keith) is bushwacked and spirited away by babbling, machine gun toting "types". Burns' initial bafflement with his superiors reluctance to blame and incacerate every non-American in a hundred mile radius soon gives way to righteous indignation. Bullets are soon being chambered, grenades are attached to bandoliers and rocket launchers hefted. Before you can say "United Nations peacekeeping envoy" Gunnery Sgt. Burns is (with the help of a few other people who don't stand on ceremony when there are asses to be kicked) laying siege to the desert fortress of a large man who looks like the product of an unholy union between Chewbacca and Dave Lee Travis (sorry, not funny if your not from the UK). After the smoke clears (and we have learnt that any combatant who has received a knife to the chest still has to be punched in the face really hard and fall from a terrace to ensure neutralisation), everyone who deserved to be (except the writers) is riddled with bullets, blown up and in one case has had a jeep dropped on them.Possibly you may think I don't care much for this film, based on the above, but you'd be wrong. This is a slightly above average actioner, decently edited action scenes and pushes all the politically wrong buttons to get any red blooded blockhead like me baying for blood. Its a shame Fred Dryer couldn't bring the same understated, laconic charm to this effort that he did to seven years of the excellent cop show Hunter, but he does make a pretty good action hero. Not a bad action pot boiler and I didn't even know it was Islamophobic until I looked it up on wiki.

udar55 I decided to dust this one off and give it another watch. I don't know if that was a good thing. DEATH BEFORE DISHONOR is the quintessential one-sided, "We're good, they're bad" action film. Not since John Wayne's THE GREEN BERETS (1968) have I seen a film so amazingly biased.The scariest thing about DEATH BEFORE DISHONOR is the film's politics. The film is so glaringly jingoistic that it landed itself on the "Worst List" of the book "Reed Bad Arabs: How Hollywood Vilifies a People." While set in the fictional country of Jemal, it is quite obvious who these guys fighting Israel are supposed to be. And who the good guys are. While discussing the complex problems in the Middle East, Ellie asks Burns, "Are you the kind of person who knows what is exactly right and what is wrong?" "Yes," replies Burns before he tells her "don't get us mad." DEATH BEFORE DISHONOR is the kind of film where multiple bad guys can't hit the hero (granted his underlings do die for the cause) with machine guns, but he can blow them up with a rocket launcher while driving a car. Where a "by the book" bureaucrat finds out the hard way (via car bomb) how "savage" these people really are. I think The Phantom of the Movies summed it up best in his review when he said, "it may well be the best 1943 war movie made in 1987." It would be funny, if it weren't so darn frightening.Actually, there is a bit of fun to be had with DEATH BEFORE DISHONOR. Director Leonard, a veteran stuntman, crafts some nice car chases with a rather nice car stunt at the film's end. The film definitely holds its own against its contemporaries such as THE DELTA FORCE (1986) in that regard. Dryer, with visions of Eastwood in HEARTBREAK RIDGE (1986) dancing in his head, is amazingly bland as the tough as nails Marine. Watching him drag around here, it is hard to believe he carried a TV series for so many seasons. You can tell he was hoping for a cross over opportunity into theatrical features, but failed miserably. But there is something inherently funny in his featureless performance. Finally, fans of "what in the world" moments should also keep an eye out for the scene where Brian Keith, being photographed by terrorists, gives them the finger…with his ring finger!