Death Game

1977 "The object is to stay alive."
5.6| 1h27m| R| en| More Info
Released: 01 May 1977 Released
Producted By: First American Films
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

George Manning is a well-to-do businessman, husband, and father. While his family is away on his birthday, he invites a pair of rain-soaked young women into his house to wait out an evening thunderstorm. The two girls seduce Manning and ultimately kidnap and torture him in his own home.

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BA_Harrison I really must thank Eli Roth: Knock Knock, his diabolically bad remake of '70s thriller Death Game, has given me an appreciation of the original that I might otherwise not have had. Compared to the utterly abysmal performances in Roth's film, the acting in Death Game is actually pretty good, while the original shows just how lame Knock Knock is in terms of shock value, delivering at least two scenes that easily outdo the self-proclaimed modern master of horror.Directed by Peter S. Traynor, Death Game stars Seymour Cassel as loving husband and father George Manning, whose wife leaves for a few days after their son is struck down with appendicitis at his grandparents. While enjoying a rainy evening in his own company, two young girls call at George's home, claiming to be lost; being a kind Samaritan, he invites the girls, Donna (sexy Colleen Camp) and Jackson (not-so-sexy Sondra Locke), in out of the rain, and allows them to stay while a friend comes to pick them up. They repay his kindness by seducing him, luring him into a threesome in his jacuzzi, after which they carry out a campaign of terror, torturing and humiliating their host.While no means perfect—the second act is drawn out for far too long and the repetition of its theme song is guaranteed to irritate—this trashy slice of exploitation still unfolds in a far more satisfying manner than Knock Knock, with the girls even going so far as to kill, something they never did in Roth's movie. The pair also prove their psycho credentials with a little animal cruelty, launching the family cat through a closed window. The purely psychological torture in Roth's film (as suffered by a totally unconvincing Keanu Reeves) is pathetic by comparison.My advice: if you've already suffered through Knock Knock, give this one a try. Like me, you'll probably find yourself enjoying it more as a result.5.5/10, rounded up to 6 for IMDb.
JoeB131 I think there was this period in the 1970's when film makers decided that films didn't actually have to make sense if they had nudity in them.The plot line is a wealthy businessman's wife leaves for a medical emergency, so he's left alone on his 40th birthday. He lets in two drifters who happen to be hot blonds and bat-guano crazy.Except only one of them was hot. The other was Sondra Locke. (Shudder) After sex in a ridiculously large bathtub, they spend the rest of the movie torturing him and us. Just watching it was painful.Grainy film work, bad sound, bad lighting, annoying music. I almost wonder if this was some kind of horrid prank played on someone. More surprisingly, the leads actually had careers after this. Even Sondra, although she had to latch on to Clint Eastwood to do it.
rachelcronin I've been trying to track down this film just by googling bad phrases about "teenagers seduce and kill man in his house" and such. I think I first saw parts of this film when I was about 10 years old when it was running on cable. It made quite an impression! It's the kind of film that kids know they shouldn't be watching, and switch the channel when their parents come in. When I saw who the cast was, I couldn't believe that some of these good actors were in such a horrible movie. Then again, if you like to see men who cheat on their wives get murdered, then this is an interesting film. Also, if I recall, there's some pretty interesting pseudo-lesbian moments. Probably the dumbest ending of all time, but still...memorable.
Nikolaus Maack It's a bad movie from the 70s about killer lesbian hippies taking on the establishment. Sort of like a "Thelma & Louise" without any feminism. Both painful and compelling, the film had tense and giddy, while also wishing it would just end.And then the end came and I was utterly baffled and amused. The final 10 seconds of the movie over, I blurted over and over, "What the hell was that?" I backed up, watched it again.Then I forced my girlfriend (who had not seen the movie) to watch it."That is pretty weird," she said.Pretty weird? It makes no sense at all! Wow! If you enjoy odd, bad film, I think you'll love this movie. Even when it's at its worst, it's fun. There's the 1970's moustache "wakka-chikka" aspect. Then there's the campy screaming semi-naked young women. And then there's the goofy, straight-faced, comical horror movie aspect.Given the ending, I assume the people making this film knew they were joking. They had to know. Or else they thought the ending was deep. I don't know. But I am forced to admit that I really, really enjoyed this film a lot.