SnoopyStyle Harry Block (Woody Allen) has angered his former sister-in-law Lucy (Judy Davis) with his latest semi-autobiographical novel. In it, her fictionalized character is having an affair with him while he's still married to her sister. She almost kills him for using the truth. He's quite successful but is having writer's block. He wants to take his son to an award ceremony but his ex-wife Joan (Kirstie Alley) won't allow it. His young girlfriend Fay (Elisabeth Shue) is getting married to his former best friend Larry (Billy Crystal). As Harry talks about his books, different actors play the fictionalized version of the people in his life.I love the meta of this movie. I'm not saying Woody Allen is actually this character in real life but he has played versions of this self-absorbed neurotic character. He's sex-obsessed, ugly and selfish. I also love the little vignettes depicting his novels. However, it does get overwhelming and tiring. Eventually I got sick of this character. Although I'm sure that's part of the point for Woody.

Steve Pulaski Harry Block (Woody Allen) is a neurotic, jittery, pill-popping author, condemned by those who known him well, and hailed by those who don't know him at all. Block has written lengthy, verbose novels that are thinly-disguised to hide the real relationships in his life, and for that reason, he has successfully alienated himself from all of his formers friends and family members. He often spends his days lonely, drinking, and hanging out with prostitutes, who he pays ample amounts of money to in order to get a quick-fix.The current silver-lining in Block's sad, dreary existence is that he will soon be recognized in a forthcoming ceremony by the university that kicked him out. He desperately wants company when he embarks on this trip, but because his novels have made it impossible for people to sympathize or like him on any level, he is left with quite a challenge. Even his ex-wife forbids him to spend the day with his young son so he can see his father may not be such a loser after all.Woody Allen's Deconstructing Harry is many things, but one of the most notable is it exists as an ode to the films of acclaimed Swedish director Ingmar Bergman. The film's plot alone mirrors that of Wild Strawberries, one of the man's most loved, which centered on a man and his pregnant daughter-in-law driving through the country so he could be granted with an award. The film made the tricky but probable analysis that a man can be loved by those who don't know him and simultaneously be hated by those who know him all too well. It was a tremendous achievement in foreign cinema and, in my opinion based on what I've seen thus far, Bergman's best film.Furthermore, this is one of Allen's darkest efforts to date. Not only is the film's protagonist almost remorseless in his treatment of others, but the way certain scenes are written and executed truly question how we're exactly supposed to respond. Take for example the scene when Block's panic attacks get the best of him and he needs to be consoled by a hooker he invited over the night before. While the relationship is nice - and without a doubt deeper than most prostitute/client relationships - it definitely shows just how depressing and almost broken Block's life is to the point where he needs to be reassured and comforted by a prostitute.The nihilism and cynicism of Allen's work shockingly doesn't become the detraction in the film, whereas the choppy narrative does and questionable ending does. The narrative, which continues to bounce between the current events in Block's life and the past events/relationships he held, is a bit too erratic and jumbled, quickly switching back and forth between the past and present with only a moderate amount of continuity. Not to mention the ending feels a bit put-on and unbelievable considering all that Block has put up with during the course of the film.Returning to the thought that the film is one giant homage to the works of Bergman, consider Allen's comically potent portrayal of the Devil here. Bergman made the Devil a living, breathing character in his film The Seventh Seal and made the film very existential and thought-provoking. Allen pays close attention-to-detail in terms of character relations and how one person after another is presented here. He animates the Devil character (played by Billy Crystal) terrifically here, using the right amount of black humor and comic-timing.Deconstructing Harry is a cynical delight of a film making exceptional use of Allen's writing/directing talents, but also the immensity and diversity of the cast at hand. Each star, whether it be Kirstie Alley, Julia Louise-Dreyfus, Tobey Maguire, Stanley Tucci, Billy Crystal, or Robin Williams, gets their own time to shine in the picture and all of them feel welcome and completely in-place in Allen's darkly funny world. It's once again apparent that Allen can make deeply personal, intriguing pictures, yet still be so foreign to his audience as a whole.Starring: Woody Allen, Caroline Aaron, Kirstie Alley, Bob Balaban, Richard Benjamin, Eric Bogosian, Billy Crystal, Judy Davis, Hazelle Goodman, Mariel Hemingway, Amy Irving, Julie Kavner, Eric Lloyd, Julia Louis-Dreyfus, Tobey Maguire, Demi Moore, Elisabeth Shue, Stanley Tucci, and Robin Williams. Directed by: Woody Allen.

runamokprods I recently re-watched this on DVD and was surprised to find I liked it much more than on seeing it in the theater on it's initial release. (Something that's happened to me with a number of more recent Woody Allen films).I recalled it as misogynistic and self serving. While it still has moments of those qualities, it feels like Allen is toughest of all on himself. But is he tough enough? This is certainly the worst, most abrasive and selfish Allen has ever let himself look on screen, but there was still a feeling of pulling his self-aimed punches just a bit. Sort of an "All That Jazz" lite. The film has a good number of very funny lines, and creative ideas (Robin Williams as an out- of-focus actor is a brilliant concept), and its fun to see a filmmaker Allen's age pushing his style limits, with jump cuts and multi-layered construction. Still, it starts to repeat its own ideas after a while, both literally and thematically, and the ending feels a bit wimpy. While far from Allen's best, its still a dense, funny, thoughtful film, something increasingly rare in American cinema.

namashi_1 Woody Allen is a legend, his work goes down as remarkable efforts in Cinema. 'Deconstructing Harry' is a yet another classic from this person I love, it's such a riveting, hilarious and happening journey.Woody Allen is a highly confident person, his love for saying stories pack in tremendous confidence. 'Deconstructing Harry' is amongst his well-done works, mainly because Allen uses his characters and does justice to them. A set of highly talented actors are used in brief roles, but each has something to do, each contributes in the goings-on. The culmination is the main stay of the film, it's fantastic and wonderfully executed.Allen's writing and direction are perfect, as always. Carlo Di Palma's Camera-Work, in my opinion, is fantastic. In acting, Allen is the show stealer. Kirstie Alley is incredible. Robin Williams is invisible. Stanley Tucci is superb. Billy Crystal is good. Demi Moore is very good, she stands out. Tobey Maguire does a fine cameo. Julia Louis-Dreyfus gets a hilarious scene to her kitty and she does full justice to it. Judy Davis is alright.'Deconstructing Harry' is truly a yet another classic from this film legend. Must Watch! Two Thumbs Up!