billcurry-1 Maybe I'm stupid, but I had little to no idea what was going on during the first half of the movie. It sort of reminded me of the presumably spaghetti Western, My Name is Nobody. In that film I also kept telling myself, "Oh, this is where I'm supposed to laugh." There is nothing subtle or intellectual about this movie. It's just one slapstick gag after another. If I want that I'll watch The Three Stooges on TV. At least there, the context is clear, I guess this is what you get w 4-5 countries involved, each w its own tastes. Whenever anyone gets in trouble here he gets sent to the desert, apparently just a few minutes away, to be whipped into pushing a wheel that pulls water from the ground, for some guy on the other end to drink up. Ho, ho, is that funny or what? And the mistaken-identity bit. What originality! Like we've never seen that before. I didn't even begin to laugh through the whole thing. I kept thinking, there must be more. Then it ended. How a respectable actor like Yves Montand got involved in this silly, absurd slapstick is beyond me.

MartinHafer This film appears to be set in late 17th century Spain, but it is NOT just another costume drama. That's because it has a bizarre and often cartoony style about it--and as I knew nothing about the film, I was taken by surprise. In some ways, the cartoony ways reminded me of the dumb but very funny "The Villain".The film is about the inept and evil Don Salluste (Louis de Funès) and his valet, Blaze (Yves Montand). It's obvious that Salluste is an idiot and Blaze is the brains of the operation--much like Jeeves & Wooster. However, after Salluste robs the poor and behaves like a boorish jerk for the first half hour, he is caught in an indiscretion and all his many titles and riches are stripped from him. In a very funny twist of fate, these are all then rewarded to Blaze--who now becomes the trusted adviser to the King! Ultimately, this creates problems, as although Salluste was thoroughly hated by the other nobles, at least he knew the rules--mistreat and over-tax the poor. A group, almost like the 'anti-Three Musketeers' decide that they should stop trying to kill the King and concentrate on Blaze, as now, Blaze is encouraging the King to do insane things like curtail the abuse of the poor (such as the rule that when a nobleman kills one of their servants they now have to at least report it...how unfair!).This film achieved something difficult--very difficult. While a film can be extremely silly and cartoony, making it ALSO funny is a tough order. It could have just been a stupid film--but was in fact quite clever. If you like this sort of silliness, other than "The VIllain", you might also want to try watching "Start The Revolution Without Me"--an even sillier costume drama that is set in France during the time of the impending French Revolution.Finally a few observations. It really is Montand doing the singing, as he had a marvelous voice and was actually a very popular pop singer as well as an actor. Also, while some might take offense at or think the many midgets in the king's court was dumb, this actually WAS accurate. During this time, courts often were littered with such small people, as they were a popular fad at the time! Truly a case of the truth being stranger than fiction. And, finally, why did this movie have a spaghetti western style score? Weird.

Galina I've seen many comedies with Luis De Funes and have been his fan as long as I can remember. His participation in a movie promises good time, plenty of physical comedy, funny mess of grandiose proportions and up roaring laughs. He was "The man with the forty faces per minute", the little volcano or small but powerful dynamo machine whose energy could supply electricity to a town of the average size , whose hilarious hyperactivity, perfect for a comic ever-changing face, and the ego of gigantic size in such miniature frame always produced a highly comic effect. All his trademarks are in full display in the updated version of the tragedy by Victor Hugo Ruy Blas, La folie des grandeurs (1971) or Delusions of Grandeur. Ruy Blas has been adapted to the screen several times including 1948 film with Jean Mairet and 2002 version with Gerard Depardieu. Oury's film formally follows the Hugo's story but with De Funes in the cast, you would not expect it to be a serious political drama, and you will be absolutely right. The film takes place in 17th century Spain and centers around a practical joke played on the queen of Spain by Don Salluste de Bazan, the rich, greedy and backstabbing tax collector for revenge. Don Salluste disguises his servant Blaze (Ives Montand) as a nobleman and takes him to the king's court. Attractive, funny, and suave, Blaze saves the king from the bomb, becomes popular, is appointed a tax collector instead of Salluste, and conquers the queen's heart. Don Salluste returns to take his revenge by notifying the king with the anonymous letter about queen's infidelity. The final act that brings together Salluste, Blaze, Salluste's nephew Don Cesar de Bazan whom his loving uncle sold as a slave to the Sahara barbarians, the furious jealous king, the queen who is in love with Blaze and her Cerberus like dueña, old virgin Donna Juana (very funny Alice Sapritch) who is also passionately in love with Blaze is non-stopping laugh that left me in stitches. La folie des grandeurs, directed by Gérard Oury, adapted by Oury's daughter Danièle Thomson, and starring Louis de Funès (Don Salluste) and Yves Montand (Blaze) is based on the serious drama but it is so deliciously silly, dizzyingly fast, absurd, and hilarious that you would laugh even when you know how silly it is. Ives Montand replaced Bourvil who was initially meant to play Blaze, and who had a great chemistry with De Funes on the screen nicely balancing latter's super activity and aggressiveness with his gentle naiveté and kindness. But as Bourvil died in 1970, Yves Montand ultimately got the role and proved to be quite good in a comedy even though the viewers were used to see him playing the cool and cynic characters in the thrillers and dramas.As always with De Funes, he practically owns the movie. While watching " La folie des grandeurs" for the first time last night I could not help laughing hard and loud even knowing how silly and over the top the movie was but laughing even more because of it. This morning, I began laughing again just recalling De Funes' face and him losing his voice and making some impossible quacking and squeaking noises when caught by surprise in the most hilarious scene of the film. "La folie des grandeurs hold the record as the most successful French film of 1971, the fact that does not surprise me at all.

Phroggy Let's not forget that this movie is a wonderful retelling of Victor Hugo's social drama "Ruy Blas", featuring social themes he used in other fictions - Montand uses the beginning of Ruy Blas' long speech, "Bon appétit, messieurs" at one time. But this retelling is madxe for laughs and succeeds without forgetting the social comments and, if crude at times, it actually works. A classic of its times - but try Hugo's writings, you IMDB folks, you might be surprised by his power and before-his-time awareness and c