Martin Bradley Even the director of "The Godfather" and "Apocalypse Now" had to start somewhere and here you have it. This early Coppola, (he wrote it as well as directing), was produced by Roger Corman and was filmed in Ireland. Despite being a cheapo it's quite a smart little horror picture. The acting is mostly terrible despite the presence in the cast of those fine Irish actors Patrick Magee and Eithne Dunne. The leads, shipped from America, were William Campbell and Luana Anders though their names would hardly boost the films box-office appeal so it's left to a fledgling Coppola to jizz things up which he does quite effectively. The creepy black and white photography of Charles Hannawalt also helps.

dbergendorf Another of those creeping b&w snooze fests from the golden age of schlock. Creeping as "does anything except the fat husband dying of a heart attack" (five seconds after he predicts it) happen? Oh, wasn't it brilliant casting Luana Anders and Mary Mitchell (nearly twins) in the same film? Of course any fool can tell the difference because Mary (or is it Luana) has a slight curl in her hair. But the director went on to real movies, didn't he? Learned a bit from these early efforts.

Leofwine_draca This is an impressive black and white film in the classic late '50s gimmicky tradition. The poster for this film proclaimed "Are you afraid of death by drowning? Have you ever attempted suicide? Have you ever thought of committing murder? These are some of the questions you will be asked in the unprecedented "D-13 Test" to prepare you for the horrifying experience of DEMENTIA 13. If you fail the test... you will be asked to leave the theatre!" This obvious copying of the "shock" gimmicks used in William Castle's films has nothing to really do with the film, which is an atmospheric thriller sparing little time for laughs (except those of the macabre variety).Director Francis Ford Coppola creates a very powerful and frightening film by using crisp black and white photography and including strangely surreal images prevalent throughout, such as the moving toys, or the drowning itself. The film is also produced by Roger Corman, which lends it a dubious distinction. The plot is complex and frequently twists, but basically keeps to the murder mystery genre (unknown killer, all the cast come under suspicion). The latter half of the film, which follows the usual (and occasionally tiresome) build up which introduces the characters, contains a string of axe murders which were extremely graphic for their time. So much so that this could be classed as an early 'slasher' film, coming decades before later classics like BLACK Christmas. The music is very memorable and spine chilling, almost like that of HALLOWEEN.The film also has some horrific images, such as the girl hanging on a hook (shades of THE Texas CHAIN SAW MASSACRE here). There's a gory decapitation, where the victim's head rolls into a pond. The acting is fairly good all round, from Luana Anders as a woman obsessed by greed, to the suspicious brothers. However, the best actor of the lot is Patrick Magee, who shines as the hard, initially unlikable doctor. He puts in a brilliant performance in what is an overlooked film in the genre, rarely seen or talked about, but certainly something of a minor classic. Seek it out if you're interested in seeing an early atmospheric chiller with some true moments of screen horror.

SnoopyStyle John and his wife Louise Haloran (Luana Anders) have an unpleasant time together rowing a boat. He dies of a heart attack and she dumps his body in the water. She stands to lose everything because of his and his mother's Wills. So she tells everybody that he's away on a business trip. She must take care of his mother-in-law before she dies leaving everything to a charity for her daughter Kathleen dead for 7 years. Louise fakes an invite to the annual family remembrance for Kathleen.The plot is confusing. The motivation of Louise is barely decipherable. The movie is a bit of a mess. It's disappointing considering that it is both written and directed by Francis Ford Coppola in one of his earlier efforts. Although one must remember that this is a Roger Corman production. He's even copying Psycho in killing off the blonde female lead halfway through the movie. There is an attempt at spooky atmosphere with filming in and around an English manor. It never builds anything close to that. It's mostly a low-budget boring ax-murdering slasher horror. The kills aren't scary but there is some blood-splattering head-rolling fun.