Rich Wright Films that give away the end right at the start better have a good excuse for doing so. Devil's bridge doesn't even have one for existing. The whole 'getting stranded in the midst of rural Wales' schnik has already been done in Inbred, and there it was a whole village of cannibals up against the out-of-towners. Here, it's just some bearded drunk with a gun hunting down three cheeky chappies from Essex... there's just no comparison.Particularly as in the other movie, the daft scenario is treated with the levity it deserved... whereas in this effort, it's played as serious as you could imagine. Only trouble is, this permanently soused gentleman with his habit of mumbling to himself and rubbish aim would not be a threat to anyone with a brain. And yet, the film has pretensions of being a classic cat-and-mouse type thriller. Nope. Not with these idiotic losers as our 'heroes', and certainly not with this joke of a villain.And to add insult to injury, the camera movement is so jerky throughout you'll probably need sea sickness tablets just to last the course. It it too much to ask to keep it stationary so we can understand what the hell's going on? Or are you trying to be all 'artistic' and 'gritty'? Epic FAIL on both counts there. Chris Crow is a great name for a director... can we give it to someone else?Oh silly me I forgot, there is a final, FINAL twist which a) is complete rubbish and b) I'd already figured out based on one line of dialogue early on. Now either I'm a genius, or the movie didn't hide it very well. Okay, both statements are probably true. Regardless, this is a complete non-starter by any definition, and a waste of a perfectly good coaster. 3/10

anorthunbloke Just watched this in my hotel room. What a terrible film. The camera work is awful and the plot is predictable. A British Deliverance with so much potential, wasted. It's a low budget film, I get that, but that's the perfect reason to spend more time and effort developing the plot! Three English guys go to Wales for business. They end up on the wrong side of a mad Welsh guy called Bill. He is the best character in the film and gives the best performance. But that's where the positives end. Essentially, Bill ends up chasing these three guys through the woods. He catches one and kills him. Meanwhile, the other two have been running away for ages yet Bill somehow continues to WALK after them and is just behind them all the time! This happens throughout. Bill just walks, the guys leg it but Bill is always within shooting distance. Fast forward to the end (there's nothing else worth mentioning) when one of the three guys finally kills Bill. Bill is tough. He can take a few shots before a head shot kills him. The guy is at some police station where instantly you can tell the copper is just a weird as Bill. "He's bound to be Bills brother" I thought. I was right. Bills police man brother then shoots him. The. End. Give me back the last hour and a bit of my life! So frustrating was this film. ARRRGGHHH!!!

trashgang The British Deliverance it is called, in some way I agree. But I was left with a hunger here. It never becomes rather brutal or messy. There are of course tough situations but some things are done off-camera due the shoe-string budget. The story itself you have seen a thousand times.When 3 friends go to Wales for business they come across William Parry (David Schofield). He's a bit of a weirdo were even the locals are afraid of. But when the 3 friends go to the local pub guess who's coming in for a drink. Parry of course. When he's out for trouble one of the friends call him a w*nker and from there on they are in deep trouble. Survive or die. But it also bring in the shaky camera and it annoyed me sometimes. It isn't that bad at all but rather low on blood except for the final I have seen better UK flicks concerning such stories. The acting was okay and the language for outsiders is sometimes hard to understand. The title refers to the place the friends wanted to go but never got there due William. As this was Chris Crow's first attempt I can dig it but I do understand that some will be left with a bitter feeling.Gore 1/5 Nudity 0/5 Effects 2/5 Story 3/5 Comedy 0/5

chaugnurfaugn-269-83012 Deliverance and The Hills Have Eyes comes to Wales with outlandish and unlikely consequences with only a few redeeming features.The plot is as basic as it comes. A group of little Englanders head to Wales for some reason. Something about the lead role, Sean, requiring the help of a dodgy wheeler dealer to save his ailing business. To be honest, the reason is peripheral, barely explored and fairly pointless.On the way to their holiday spot in the depths of the Welsh countryside the English group encounter local psychopath Bill and things progress from there. The Devil's Bridge in the title is a local landmark which the lads visit for less than one minute of the film. Thereafter it is never mentioned nor featured again, rendering the title as pointless as much of the pre-violence plot.If there is a message here it's ambiguous. I suspect there is one, however, since much of the senseless violence centres around Welsh nationalism and looks suspiciously indulgent coming from Cardiff born writer/director Chris Crow. Whatever the underlying subtext, the resulting movie is an ugly mish mash with little distinction between villain and victim. Certainly too little for us to give a damn who goes under the knife and who doesn't.The characters are one dimensional, but uncomfortably true to life. It may be for this reason that I, an Englishman with a close Welsh heritage, found the whole thing to be too grim and gritty to be anything other than disturbing. For a US audience the change of locale and the perpetuated stereotype of Brits as backwards, brainless and nationalistic thugs will probably make for a fun ride, though I doubt there's enough gore to satisfy the usual crowd.In the end, this is little more than a redneck-gone-mad slasher plucked out of the southern states and dropped into the backwaters of Wales.