Dimensions

2011 "A Line, A Loop, A Tangle of Threads"
Dimensions
5.8| 1h39m| en| More Info
Released: 20 September 2011 Released
Producted By: Sculptures of Dazzling Complexity
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Budget: 0
Revenue: 0
Official Website: http://dimensionsthemovie.com/
Synopsis

Stephen is a brilliant young boy who lives in England, in what appears to be the 1920s—but nothing in Stephen’s life is quite as it seems. His world is turned upside down upon meeting a charismatic and inspirational professor at a garden party, who demonstrates to Stephen and his friends what life would be like if they themselves were merely one, or two, dimensional beings. He then proceeds to explain that by manipulating other dimensions, time travel may actually be possible. As Stephen’s life unfolds, events lead him to dedicate himself to turning the Professor’s theories of time travel into reality. Jealousy, love, obsession, temptation and greed surround him, influencing his fragile mind and the direction of his work.

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torontofred Science fiction is a finicky thing. Depending on your approach and your tastes and background, this flick can either be 1 to 10. I encourage the reader to read the reviews as a form of entertainment in itself, I would also ask the reader to refrain from critiquing this movie as if it had a limitless budget and was hell bent on employing the best special effects possible. In other words, a Hollywood movie. Sadly, too many of our young are trapped there. It has been my experience that the best SciFi allows you to use your imagination. You read SciFi and imagine great things that Hollywood couldn't begin to portray. "The Time Machine", 1960, must be one of the greatest movies in this subject. It has roots in H.G.Wells' 1895 "The Time Machine" novel. Interesting point, the character in the movie shares a similar name with the author of the book. The acting may not be the best, the special effects not out of this world and the script could use more "airing". Your imagination, however, takes over and fills in the blanks to make it a very interesting movie to this date. If the script and story line can allow your imagination to flourish, then at the end of the movie you find yourself thinking. Although the movie ended.... you're still going.It's nice to see special effects to replace your imagination every now and then but I find it's best when it is left to the imagination. This is why most stories that try to make the transition from book to movie fail. On acting.... you may have an idea how a soldier would reacted when facing a platoon of the enemy on his own. We can draw from our limited experience. But has anyone ever met an alien? How does one act when stepping into a time machine? How does one act when they fall in love with someone who wishes to step into a time machine. You can have a whole movie on that alone. Acting in this instance should allow some leeway for the viewer to fill in with their imagination. On the other hand, acting may be what saves the scene such as the end scene to Casablanca with a fake aircraft with little people or La Marseillaise scene sung in defiance to the Germans. In this movie, although the genre was SciFi, the secondary theme was love. Another, loss. Yet another, jealousy. This requires fine acting, not supper acting, and I think it was done adequately well. Not great but well. To tell you the truth, my heart broke for one of the characters. Lets use our imagination on one angle of the movie.... sound. If you wish to employ frequencies in your experiment and need a fundamental series of frequencies, the piano is an interesting choice. And it's calibrated to some standard. Believe it or not, there are a few established standards in piano calibration and tuning. The piano can be a scientific instrument in every sense of the word. So it wasn't a screwball idea to use a piano. But a piano is also musical. It has Rhythm and beats and bars. Now, imagine an infinite number of future threads to an event. In a song, we may have four beats to a bar. Every four beats you repeat. And repeat. And repeat. Almost as if it is infinite. It generates a Rhythm that explores a theme, or event. Changing notes in one bar with just four beats (4/4 for example) could change the entire theme of the song. Mapping out the future of Victoria's event in the well and navigating it successfully with a sound signature (so may beats to a bar) is an interesting connection to the piano. We can now layer other life experiences to music, such as falling in love, as was the case when they danced through the time map to music, expanding the parallelism to a theme or song. Interesting? How about dancing to music when the old man removed their masks in the beginning of the movie? How about our young hero dancing with the blindfold on in front of the well after removing the welded well cap at the start? In my experience, I have found that the best attributes to enjoying good SciFi is the person's ability to imagine. Overload the person with special effects and at the end of the movie the person may experience relief (and to beat the crowd out of the theater) instead of thought provocative mesmorization as your view the credits. Enjoy this movie and see what happens to you at the end.
bjon1452 I came upon this film by accident. I thought I'd chosen something else on Amazon Prime, but I must have clicked this movie by mistake. The music reeled me in first. Then the time frame reeled me in; I love re-creations of the 1920's. After that, the subject matter piqued my interest. For once there was a screenplay that was cleverly written, without robots, blood, gore and violence.(Well, there was a touch.)The music had a haunting quality that I loved. It was a smattering of classical pieces, especially by Fredrick Chopin, done in modern fashion, interspersed with the Gramophone effect. I then was wondering how they'd pull off the time travel, and that's where it gets interesting: The mechanism consisted of some steam-punk props, electrical gadgets and an old upright piano. The story line was more or less a romantic novel, but it didn't go too overboard. It's a picture that was a bit difficult to understand, yet very clever. Coming from a family whose father figure was an engineer, it made me think, and I'm still thinking about it. No special effects were necessary. I added my own imagination to it, and there you have it, a very entertaining movie-but you had to work your brain for it!Very refreshing indeed!
selena-71096 Just like someone had already said the first 15 min. were somewhat watchable, minus pretense of the "era" and sub-par performances including children. From 15 years forward it is all downhill. I stopped watching on 57th min. into the film, just could not take it any longer. An absurd in every boring sleepy scene. They aged a mother too much. She could not have looked totally gray and old just after 15 years when she was very young in the beginning. Did women go to bars in early 40s to drink alone? The "bartender" cracked me up, or was it a waitress that said "One of those days?". Yeah a woman stole some tools from University? Give me a break. In short, all you will see in this movie is a couple of guys and a woman with screwdrivers in a so called lab and some absurd characters and meaningless dialogues in between.
rosencharlie935 Note: This review contains mild spoilers - but nothing that would affect your enjoyment of the film.I saw Dimensions at the Cambridge Film Festival and ended up going to see it twice. It is a beautiful, thoughtful and interesting piece of work and evidently shot on a micro-budget. At the Q&A afterwards the filmmakers mentioned someone had said it is as if 'Merchant Ivory had made Primer'. I think that is a fair description.The acting is superb throughout, with some extremely emotional scenes and I found myself quickly falling into this strange little world 'Cambridge, 1921 - one of many'.On first viewing, I primarily watched the story unfold without really exploring the concepts that are woven into the film. As the film progresses (mild spoiler alert) it is unveiled that it is set in a parallel universe, that is almost identical to ours, save a few differences. This doesn't change the plot - it is almost as if it is just a bit of background information, another layer. I like that.This is definitely the sort of film that you need to engage with, and the group I was with discussed it in length after the first screening. One of my friends mentioned that (spoiler alert) she thought that the events in the film were all the product of the lead characters imagination. On second viewing, I must admit I think she has a point - but I like that the filmmakers leave it up to the audience to decide!The key is Stephen's (the lead characters) conversation with Dr Schmidt (a University lecturer). Throughout the film the two characters discuss 'reality'. Is it possible that we imagine our own reality, to fit with what surrounds us?I don't want to give the impression that the film is overly philosophical. I think it perfectly possible to ignore all the parallel universe / reality questions and just watch the characters interact and the plot develop in beautiful surroundings. The film is at heart a love story, albeit it one set in a sci-fi environment.Highly recommended.