rodrig58 It's really a masterpiece but Daniela Rocca is not at all ugly, like another guy wrote, watch her well in the movie. And, she's a great actress. I would have liked to start with Marcello or Stefania, who are more beautiful than ever and do some extraordinary roles. There are no words to express how wonderful they are. Margherita Girelli is really delicious in the role of Sisina. And Angela Cardile, gorgeous in the role of Agnese. Leopoldo Trieste, Lando Buzzanca and everyone else, are not at all inferior. Germi's direction is brilliant. The story is more than captivating. Carlo Rustichelli's music is tremendous. A film worth seeing at any time, is one of the absolute masterpieces of the 7th art. Me, I've seen it so many times that I do not know exactly how many...

jacobs-greenwood This is a very fun film starring Marcello Mastroianni by director Pietro Germi (both received Oscar nominations) which received the Best Writing, Story and Screenplay - Written Directly for the Screen Oscar in 1963, as well as numerous other awards.Ferdinando Cefalú (Mastroianni) is married to Rosalia (Daniela Rocca), a woman who is suffocating him with her love. They live in a large Italian family villa such that his beautiful 16 year old niece Angela (Stefania Sandrelli), to whom he is irresistibly drawn, lives across the courtyard from him.He witnesses a court case about a woman who has murdered her philandering husband and fantasizes about ridding himself of his own wife. However, he must figure out how to get away with it so that he will only have to serve a short time behind bars ... in order to be young enough to pursue his comely niece. When he learns of his niece's attraction to him, he plots to find a lover for his wife to justify her murder.You can almost watch the entire thing without sound. Of course, it's in Italian with English subtitles. Funny, slapstick humor abounds.

talisencrw As a bizarre tribute to my mom on her 75th birthday and her 46-year-marriage to her only love, my father, who died in 2011, and to her subsequent loyalty and devotion, with stubborn refusal to even contemplate having another relationship, I decided to watch 'Divorce Italian Style'. It was hilarious and highly enjoyable. It certainly deserved its Oscar win for Best Screenplay, as well as its nominations that year both for Best Actor (Marcello Mastroianni) and Best Director (Pietro Germi).The latter tends to get thrown under the bus and ignored altogether when it comes to mentioning pivotal Italian directors of the period. Not so. Though this is thus far the only film of his I have seen, the guy--both in terms of script writing this comedy and behind the camera--is a sheer genius. Do yourself a favour and watch it today!

pauliebleeker Definitely a classic film, but not just an Italian classic! "Divorzio all'italiana" centers itself around Ferdinando Cefalù (Mastroianni), a 37 year old baron in a small town. Although he's a baron, his life is not completely perfect as his father has squandered much of their money, and his extremely clingy wife Rosalia stands between him and the only thing he loves, his 16 year old cousin Angela. To add salt to the wound, 1960's Italy does not allow couples to divorce, which leads Ferdinando to seek desperate measures. After a town scandal erupts, when a woman murders her cheating husband to protect her honor, Ferdinando is inspired to set up his wife with a lover in order to kill her and "protect his honor." The rest of the movie chronicles Ferdinando's attempts to find someone who would fit the bill."Divorzio all'italiana" is a satirical look at Italian society and its seemingly backward laws which force people to do stupid things and its fallibility at justice. In its social commentary of Italian laws/society, Concini, Germi, and Giannetti (the writers) create well fitted, stereotypical characters that are much needed in order for the message of the film to get across. Ferdinando plays the evil nobleman, Rosalia as the annoying wife, Angela as the desirable secret teen lover, etc. The beauty of the story not only lies in it's scathingly funny humor, with Ferdinando's clever plotting and hallucinations of killing his wife, but also in its ability to transcend time. Nowadays there are no laws that forbid divorce in most societies, but even though that crucial point does not relate to modern audiences, the film is still able to conjure emotions for the characters' plight. Another great thing about the film, is the idea of a protagonist character with typically antagonist characteristics. Ferdinando is definitely a bad man, but the story plays with the audience in making them want Ferdinando to succeed in his plot. To add to the underlying theme of the film, the failure of Italian laws, is the theme of "justice" whether it be from the law or from a simple reversal of fate. Definitely watch the film up to the very end, as it closes with an ironic yet justified twist of fate for the characters involved.