Bezenby Django's Cut Price Western more like! I don't know why Demofilo Fidani gets the label of 'the Italian Ed Wood' when folks like Luigi Batzella were producing crap like this. At one point a stagecoach rides right past a modern car! Every single thing about this film screams 'cheap and half-arsed'. Plus, this is from the director who would give us nazisploitation films Achtung! The Desert Tigers and The Beast In Heat, so if you've watched them (unlikely) you'll know what to expect here. Django arrives in town just as the most terrible bar fight committed to film is taking place at a local taverna. Some big fellow is throwing people around and while the only other customer is sitting at a table playing cards, Django pitches in and helps the guy. I think most people would have let the bad editing, terrible acting and even worse stunt work help them decide that this film was kack and switch it off, but not me. I'm too dumb for that.Django is trying to track down the Cortez brothers for reasons known only to himself while the other guy is also trying to track them down to retrieve gold that has been stolen, not ten seconds after this one of the Cortez brothers turns up, only it's obvious to all that the dude is a lady (even though this is revealed later, no clear explanation is made for why this is happening in the first place). More crap happens and… etc…Pish poor in every department, from the aforementioned car in the background to it all looking like it was filmed in someone's back garden, to the crappy editing to characters seemingly changing position between shots, to the deplorable acting of the captive gringo lady, and worst of all the almost complete lack of gunfights for the entire duration of the film, this is about as bad as spaghetti Westerns get. It's still better than the Beast in Heat though!

Leofwine_draca DJANGO'S CUT PRICE CORPSES has the advantage of being a genuine DJANGO sequel but that doesn't make it much good. Instead this is one of the cheapest spaghetti westerns that I can remember seeing; it doesn't have that over-bright, sun-scorched feel to it, instead simply filmed in the lush green Italian countryside with various farm buildings visible in the background.The plot is some hackneyed piece of writing about Django's girlfriend being taken by a gang of bandits which leads him on a rescue mission. He's aided in his progress by two characters who are far more interesting than he is: Fulton, a cadaverous card shark played with sinister relish by Gengher Gatti, and Pickwick, a brawling, larger-than-life character played by the bear-like John Desmont. By comparison, Jeff Cameron is wooden as the protagonist, and his character has no depth at all.There are some routine shoot-outs that take place in this picture, and a stagecoach chase that feels very slow and stately. Some of the actresses give better performances than their male counterparts. In the end, the general humdrum feel comes down to director Luigi Batzella, whose heart simply doesn't seem to be in it.

Woodyanders Rugged fast-on-the-draw bounty hunter Django (smoothly played by Jeff Cameron) hunts down notorious bank-robbing outlaws the Cortez brothers. He's assisted by shrewd card sharp Fulton (an engaging performance by Gengher Gatti) and hale'n'hearty hombre Pickwick (robustly essayed with amiable scruffy charm by John Desmont), who just wants to get his saddle back (and beats people up with said saddle!). Meanwhile, several other folks plot to get their greedy hands on the stolen loot. Director Luigi Batzella, who also co-wrote the straightforward script with Mari De Rosa and Gaetano Dell 'Era, relates the fun story at a snappy pace, stages the shoot-outs and fisticuffs with considerable aplomb, and further spruces things up with a few amusing touches of goofy humor. Cameron and Desmont display a winning chemistry in the leads, Edilio Kim makes for a perfectly hissable villain as ruthless bandito gang leader Ramon, gorgeous brunette knockout Angela Portaluri supplies lots of sizzle as sexy'n'scheming saloon gal Donna Dolores, and the fetching Esmeralda Barros likewise provides extra spark as the spunky Pillar. Giorgio Montagnani's crisp and lively cinematography injects an additional rip-snorting energy. Vasili Kojucharov's twangy score hits the rousing spot. Best of all, there are a few neat surprise twists at the very end. An enjoyable oater.

spider89119 This is really not a bad little western. It may make you scratch your head a little in a couple of parts, but even some of the great spaghetti westerns do that sometimes. The overall story is easy to follow if you just sit back and enjoy it for what it is- mindless escapist fun.The music is generically suitable for a spaghetti western. The acting is bad, but after a while it just seems like part of the personality of the characters. The main bad guy has a couple of unintentionally funny lines that made me chuckle. There's also an oddball character who laughs at things that aren't funny and likes to bludgeon people with his saddle when he gets into fights.Being a fan of spaghetti westerns, I thoroughly enjoyed this movie. If you aren't a spaghetti western lover, you might not like it so much.