digitalcool This is yet another of a group of early R&R films with the same moral...."Parents, don't judge the music of your kids harshly...after all, you were a bunch of flappers back in your day, screaming '23 Skiddoo' while jitterbugging like crazy..." This film would have been better, MUCH better, if they actually had a Rock N Roll guy as the lead. But they had a Bing Crosby type, moaning out some pretty awful tunes. I'm sure there were some very restless teenagers in the theater when this film was released. They probably couldn't wait 'till the REAL rockers came on screen. Once that happened, the film came into it's own. As has been pointed out in earlier posts, these performances are the centerpiece of the film.In addition to the musical numbers by Haley & the Comets, the Treniers and Little Richard, the dancing was pretty amazing in this movie. Young people of the past could really move, unlike today (also check out YouTube clips of Ronnie Spector dancing at the Pepppermint Lounge during The Beatles '64 tour; clips from the early 70's Soul Train line; and clips from the 80's film "Breakin'" to see what young folks could do during the past decades).Another bright spot was the performance of Jana Lund as the bratty, teenage nymphet. She did an amazingly sultry dance when first spotted, and you just knew this kitten would be trouble. On top of that, Ms. Lund was wearing the most blatant example of a 50's "Balistic Missle Bra" since Janet Leigh in "Jet Pilot".All in all, not a bad film, but not as good or as much fun as "Rock Around The Clock".

JoeKarlosi New York singer Arnie Haines (Alan Dale) is tired of his career as a famous recording star so he takes a break by visiting his old tiny home town. When he arrives he discovers that he's now despised by all the crotchety adults who feel that rock music is ruining their kids' lives. Haines decides to stage a big rock and roll show in the next town to prove to the parents that rock can be a good influence for their children. Arnie Haines himself is more of a crooner and not a joy to listen to, but we do get to hear several numbers by Bill Haley and His Comets, as well as the great Little Richard, who belts out his awesome killer renditions of "Long Tall Sally" and "Tutti Frutti". The movie is a good relic for rock 'n roll history, and also manages to take a shot at modern-day (1950s) parents to make them realize how their old music of the 20s and 30s was just as "wild" as their kids'. While the movie makes a valid point there in showing those generational similarities, the truth is that 1950s rock music was always pretty innocent enough, but the same case for a meeting of the generations couldn't be made for 2007 parents weaned on '50s music as compared to today's Gangsta cRap. *** out of ****

django-1 The second film featuring Bill Haley and the Comets, DON'T KNOCK THE ROCK, features a lot of great music from Haley's Comets, Little Richard, and the Treniers, and this is probably the biggest dramatic role that Alan Freed had in any of his 1950's rock and roll epics, a role that he handles quite well. Bill Haley also seems more relaxed here in his dialogue scenes than he was in ROCK AROUND THE CLOCk, although Bill and band are really not the stars of the film. The character of Arnie Haines, played by Alan Dale, is the protagonist of the film, and Haines' story is the one told here. Dale sings three songs--a ballad that could have come from the big band era, a Johnnie Ray-style emotion-filled number, and a semi rock and roll number in the Bobby Darin vein. Dale is a fine actor and he has the dramatic ability and charisma to carry a film on his own. I was unfamiliar with him and wondered why he got the role in the film, since he was not playing himself. It seems Mr. Dale made his mark as a singer late in the big band era, and had his own television show in 1948. He had a number of hit records in the late 40s and early 50s produced by Bob Thiele (later of Flying Dutchman records fame, for those of us under 50). He was evidently a very talented man, as well as a courageous (standing up to the mob) and intelligent (published author) one. However, he is really not a rock and roll performer. If you can get past that, the rest of the movie is a lot of fun, the performances are exciting, and the show even gives away some of the phony tricks and staged events of the music promotion world. Haley never starred in a third film (although he and the band were in others, both here and abroad), and despite a half dozen hot songs in this one, he and band are basically guest stars in their own film. Little Richard does two of his best-known numbers in classic style (playing the piano while standing with his back to it, playing the piano while one leg is over the top of the piano, etc.), and the Treniers do two numbers that give some hint about why they were so legendary for their live act (although I'm sure this is a VERY watered down version of what they did live). I like Dave Appell's music, in the Philadelphia jive-rock style, but the number he does here is not that impressive. Overall, this is a nice window into 1950's rock and roll and a good opportunity to see some of the best artists of the period performing (or should I say miming). Worth finding for the 50's fan.

unclerussie I always liked this film. Not a bad plot, the acting is better than average and there is, of course, some great music. Bill Haley and Little Richard provide some real excitement, plus here's a chance to see the great Treniers and talented pop singer Alan Dale in rare screen appearances. The legendary Alan Freed plays a sometimes over zealous manager and is terrific in the role. Rock and Roll fans should not pass this one by!