Double Dynamite

1951 "Double Fun! Double Joy! Double Everything!"
5.9| 1h20m| NR| en| More Info
Released: 25 December 1951 Released
Producted By: RKO Radio Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

An innocent bank teller, suspected of embezzlement, is aided by an eccentric, wisecracking waiter.

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RKO Radio Pictures

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tavm Just watched this on a Netflix disc. It's the only teaming of Frank Sinatra, Jane Russell, and Groucho Marx. It's largely because of the last name that I had in interest in seeing this and I wasn't disappointed as he's as funny as you expect him to be with all those wisecracks that cracks me up the way he does them. Sinatra shows his vocal chops to good effect when he duets with both Marx and Ms. Russell on their numbers. The supporting cast is also good of which one of them, William Edmonds, is one of the players from my favorite movie, It's a Wonderful Life-he played Mr. Martini there. Here, he has a much bigger role of a restaurateur who's Groucho's boss as Groucho is a waiter here. The plot-about an embezzlement-gambling mixup-gets partially confusing but the way it's performed here, at least it wasn't boring, that's for sure! So on that note, I say Double Dynamite is worth a look.
museumofdave Deadly. Jane Russell, Frank Sinatra and Groucho: how anybody could assemble three such talented people and do almost nothing of value with them singly or together boggles the mind; they look as if they are waiting in a Motel 6 lobby for paychecks.Although he didn't direct this film, Howard Hughes was a force behind much of it, hence the title, which refers mainly to his lady friend Russell's well-advertised physical attributes--that's about the level of humor here, given the year 1951. The great Groucho looks tired, worn-out and put upon, and Frank sings his big number to a blank wall while lying in bed; he and Groucho have a weird musical number together that is completely forgettable, as is the tepid plot--it isn't a real stinker, but for early Frank, rent the zippy STEP LIVELY, which is really a delight, a farce full of charm and fun, and for Jane Russell at her best, rent GENTLEMEN PREFER BLONDES or one of the crime noir she made with Robert Mitchum.Groucho Marx is better in almost anything you can find, and was just waiting around for his quiz show "You Bet Your Life;" any five minutes of of that is better than all of this. I am usually not such a curmudgeon with early films, but this one never achieves lift-off.
Lawson Groucho Marx and Jane Russell (and Frank Sinatra)... ah what a movie this could've been. But it wasn't. I'm a huge Groucho fan and I thought Jane Russell sassed as good as Barbara Stanwyck could in Gentlemen Prefer Blondes, so I had high hopes for a comedy with the two, but no, it wasn't to be. Instead, the two are featured tag-alongs in what appears to be a Frank Sinatra B-vehicle that he was probably contracted to do while still at the nadir of his career (right before his reinvigoration with his Oscar win for From Here to Eternity).So, harpooned by a poor script, the stars never really got a chance to shine, though Groucho managed a couple of good one-liners and as always, it's a joy to watch him on screen.
dgz78 then you should check this movie out. First, it might be the best movie Groucho did without his brothers. I know that's not saying much, but he really does a good job without Chico or Harpo. I thought he would be able to get off more double entendres with Jane Russell. I mean the movie is named Double Dynamite because of her.Sinatra seems out of place playing a meek bank cashier that can't make a commitment to Russell. He's not a guy that would ever be invited to join the Rat Pack. Heck, Jerry Lewis could take on this Sinatra. And Russell probably would want to marry Lewis instead of Frank. How could he have taken this role? Russell does a pretty good job of playing off Sinatra and Groucho. She had a nice comic side that she didn't get to show often enough.This was the last movie directed by Irving Cummings. Cummings, who started out as an actor in the silent era, doe a good job of keeping the story moving along. He's no Hitchcock or Ford, but he does a pretty good job with a pretty thin story.I give it 7 out of 10 stars - a passing grade but not enough to make the honor roll.