Karl Self This is not a good movie in the strictest sense of that term, but ... I don't know what it is. The only thing that I can safely say, it certainly isn't bad; it's very strange and has a lot of things going for it. A very waifish Lemmy (from Motörhead), for example, and everyone who was going to amount to anything in acting in the next years, and their mums. And the Beatles. The only thing I'd like to know is how they got this drug-addled phantasmagoria of a movie financed. The movie doesn't really follow a plot but plays along the lines of "I wonder what comes next". And especially along the lines of "I wonder where my next square meal will come from". Like they had shot the scenes during the day and written the script for the next day at night.Don't get me wrong. This movie was meant to have a better script, and they obviously fubbed it up. Don't tell me that they were well capable of telling an intriguing and coherent story but opted for cinematic surrealism instead. I've made movies myself, and I know fully well how they got to be so intriguingly offbeat and charmingly eccentric. But fortunately this movie here has many other things going for it.I'd like to big one up for the little people now: Kevin Allen (I think that's him) as "revolutionary gay waiter #1" and Nosher Powell as "Nosher" both give excellent dramatic performances. If you're after an evening of mutually assured distraction, then stay well clear. If you harbour an interest for the bizarre, then buy the golden bleeding collector's box.

daniel-mooney I remember seeing a trailer for this film back up in Buffalo, NY, and then never seeing it come to a theater. At the time my first two thoughts were, "What the Hell is this?" and then, "This looks like something to watch!" Three years later, I stumbled across a VHS copy of it in a bargain bin of Record Theater, and snapped it up for $2. Being cheap, it's one of those rare occasions where I figured that I got more than my money's worth. This film is truly different. It constantly flips between well constructed and paced scenes, to a variety of cheap countryside scenes that connected a lot of the main characters. It feels like they ran short of money and spent a day filming a lot of quick scenes to try and make the movie fit together. Now don't let that stop you from watching it, and many of the scenes are unforgettable, but the film does slow down every time the action shifts out of London. If you can get through that, and Jimmy's annoying jokes, then you'll see a film that really is unlike any other I've come across.

warrentaylor-2 This is one of the most wittiest films made that covers everything ,eg: Religion ,Politics ,Social Classes etc, and the best part ITS A COMEDY. With just about every decent British comedian present,Too many to mention and the soundtrack is by MOTORHEAD. This film takes the p*** out of almost everything, so if your offended by unpolitically correct comments, don't watch this.If you not offended by the words (Poof,Black B**tard or F***king then you will love it.

Mort & Spunky the awesome cat You'll need to be in the right mood (something like "the entire world is on my last nerve") to fully appreciate this one. Better than most John Waters' films; same genre, if it is a genre. Capitalists may not get it, but for the rest of us it's a rare treat.