davideo-2 STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning Paul (Felix de Givry) is a young man living in a Paris suburb in the early 90s, who has an amazing ability to produce catchy dance tunes on electronic synthesizers that are catching the attention of his local community. These are skills that take him to dizzying heights as the dance music craze takes off, taking him on a journey around the world DJ'ing at the top venues and making a name for himself, only to go crashing down into a self destructive cycle.There is a tendency to measure a music movement or scene only by the mainstream element, rather than focusing on a more cult segment that is arguably more active and has more followers. To those who followed the dance music scene throughout the 90s and into the 00s, looking back it's eye opening to see what a scene it was, and the impression it left on those who followed it. Certainly, to those who were frequenting the clubs at the time or, like me (being too young to get in!) collected the various compilations of the tracks released on CD, Eden will bring back many happy memories, and most likely have them up and dancing throughout, like a modern day Saturday Night Fever! Happily, it's also a success on an artistic level as well. While at first it feels slightly over laborious, throughout the course of the film it truly develops into an engrossing, absorbing tale over the course of a young man's life, following him from humble beginnings, personal tragedies, hitting the big time, before coming full circle and crashing down spectacularly. And better yet, lead star de Givry carries the lead role perfectly, turning in a multi-layered performance and conveying a wide range of emotions that capture the psychological escalation of the character perfectly.This foreign language effort shines a light wonderfully on a magical little scene in music that had a big impact on those who followed it, who will appreciate it even more after seeing this film. And, if all that's not enough, you can marvel as a central character transforms Showgirls into a misunderstood American art piece. *****

Rendanlovell Eden is a French film about an up and coming DJ named Paul. Sounds like 'We Are Your Friends' doesn't it? Well, it's unlike any other film like this. It isn't a underdog story or a catastrophic failure type of movie. No, this is a film about what it may cost to follow your dreams. So often these days we are prompted to blindly follow our dreams in life. This film shows what could come of following this passion. This is why 'Eden' is so unique. It seems to effortlessly break the mold of films in this genre. And it does it so easily. It may be to slow and unconventional for some but it's real. We helplessly watch as Paul slips slowly into drugs and debt that seems to come with this profession. There is a lot else that this film does right. For example, cinematography. It's a beautifully shot and stylized film. The clubs that our main character bounces between teem with life and color. While the outside world is dark and dull. This subtly shows how our main character subconsciously feels to the world around him. It's an impressive detail that so many other films disregard showing. Granted, this works better for other films but still. Again, the biggest highlight of this film is in it's story. It is able to show, in a realistic way, what toll "following your heart" may have. Not only that, but it also displays how simple it can be to lose yourself into a lifestyle that you may not even be able to afford. It's an impressively constructed story that offers a timely message. Using the 1990's as a backdrop, 'Eden' is able to create a story that feels prefect for our generation. Like, most films that stray from the beaten path, 'Eden' does have some drawbacks. Most specifically in its characters. It never really digs into what makes these people click. Instead it uses them only to progress the message that it is trying to get across. If the film needs someone to have a break down then someone will. Never does it feel like a natural progression for its characters. Things just happen to them if the film feels like they need to happen. This makes the film come off stiff. This makes the dialogue and performances a bit off. Is it good when you really think about it? Sure. But if you are just watching and listening without any thought of criticism then you'll notice that it isn't quite right. Again, this is because it never takes the time to flesh out its characters. 'Eden' is one of the more intriguing films of the year. It offers compelling insight into just how costly life can be. It's a timeless message that anyone can relate to. This coupled with great direction and beautiful cinematography make for a satisfying experience. Yet, it never quite becomes more than just satisfying. Its lackluster characters and stiff all around feel hold 'Eden' back from greatness.

www.ramascreen.com I hear what other critics have been saying in praise of this movie, calling it sublime, rich, complex, and bittersweet, and yes, to a certain degree, EDEN is all of that and then some. This isn't the first movie to ever tackle sex, drugs, and aimless life in the music industry, about artists who dream of hitting it big VS. following everybody else's regular plan, this isn't the first movie to do it, but why it has to be 131 minutes long is beyond me. I understand that it's a music honoring the electronic rave party music of the '90s, but I can honestly say that 85% of EDEN is not necessary story-related, it's just the film bombarding you with what rave nightclubs look and feel like.The story is about this character named Paul, played by Felix de Givry who forms a DJ collective named Cheers and together they immerse themselves in the life of sex, drugs and endless music, while Paul also finds himself going from one relationship to another. I respect the efforts that director Mia Hansen-Løve's did to depict this life, the side of the world that perhaps a lot of us don't get to see or didn't grow up experiencing. All the lights, the colors, the partying, the attitude, the ecstasy and the energy. But I can go to a nightclub nearby and get the same thing. When I come to watch a movie, I expect some story to be told in it, and the only story I could get from Eden that's worth watching is that familiar story about how some folks feel like they need to follow their artistic dream instead of going to college and getting a regular job like everybody else. Following your own dream, especially in the world of art is always a big gamble, much riskier than others, because most of the time it doesn't pay off and you're left with your family and friends pointing fingers at you saying, 'I told you so.' There are many moments where EDEN could've trimmed down its runtime and narrowed its focus more, because then we would've received a compelling film.

amhc168 I went to see this movie at TIFF, and quite honestly, we were all disappointed. Let me start with the positives: the acting was good, the images were good and there are some really great shots in the film. Also, it is undeniable that the music was great. For the not so good: it seemed like they filmed pages of a guy's diary and that was all. Now, no one said a story based on someone's personal experiences can't be good. However, many of the scenes seemed disconnected and no effort was made to bring them together (how did he meet Margot? All of a sudden he's saying he tried to sleep with her for three years, but she was never introduced to the audience really). The "Margot" example wasn't the only situation where we were all a bit lost. Another problem with the film was that basically that there was no climax. We were all left waiting for the big moment, the big something, and it never came. Basically it is the story about a boy with a dream who never really quite gets there, and due to his own stubbornness (and delusion of grandeur) doesn't know when to give it up, while letting friends, lovers and family (not to mention his real career) go by, and while he gets deeper and deeper into trouble regardless of consequences (chasing after a delusion). The ending was also quite unsatisfying as there was no resolution. We see him at that moment hitting rock bottom, (never know what happened with Jasmine), and then the movie ends. I'm not sure I would recommend it, it seemed (honestly) a bit pointless. Maybe opening to a second part with a resolution?