Joe M Destiny of a Man is an extremely genuine exploration of a Russian soldier's experience during the "Great Patriotic War," that strips him of everything he loves. Director Sergei Bondarchuk portrays a character whose struggles, sadness, and heroism feel astonishingly real. His acting brings audiences through a series of scenarios that demonstrate the pain and suffering caused by the conflict at home and on the front.The film is a continuation of the departure in the late 1950s from the Stalin Era's socialist realism into the postwar period of actual realism, in which characters act based on believable motives whether or not they follow the party line. Sokolov survives innumerable atrocities, bravely facing his Nazi tormentors, not for Mother Russia, but for the love of his family. In fact, the state plays very little role in the film at all, and it is very much the story of its protagonist, a story that is emotionally relevant in a very universal way.The film is honest and humble, but proceeds with a powerful style that underscores its raw humanity. It is marked by a motif of elevation, with Sokolov's emotions manifested in the highs and lows of shots and locations throughout his ordeal. He meets his wife while building a house, standing high above the ground. In scenes of suffering, including one in which he must lie on the ground in a Nazi detention camp, he is low to the ground, looking up at the imagined members of the family he so wishes to see. Likewise he ascends through his village to be reunited with his family, he reaches the depths of despair as he descends into the crater where his house stood. In the end, the message is a positive one. Much like Veronika in the earlier film The Cranes are Flying, Sokolov begins to rebuild his life around an adopted son who has also lost everything in the war. Troubles continue to plague the man and his country, but he is not alone, a simple message that matches the humanity woven throughout the film.

Claudio Carvalho After the Russian Civil War, the Russian worker Andrei Sokolov (Sergei Bondarchuk) marries his beloved Irina (Zinaida Kirienko) and seventeen years later, the couple has a son and two daughters. The family man Andrei is summoned by the Red Army as truck driver in the World War II and he promises to Irina that he will return to his family. Andrei drives through a road that is bombed and he is captured by the Germans and suffers in the prisoner camps. He finds strength to resist the maltreatment of the German soldiers thinking in Irina and his children. Andrei succeeds to escape from the Germans and finds that Irina and their daughters were killed during the bombing of their house and his son Anatoly is a Captain of the Russian Army. Near to the end of the war, Anatoly dies and Andrei does not see any motive to live. Until the day that she sees the starving orphan Vanja begging on the streets of Uryupinsk."Sudba Cheloveka" is a magnificent Russian anti-war film with the nightmarish saga of a survivor of World War II. The narrative is perfect, with top-notch screenplay, direction, performances, cinematography and scenarios. The film gives the sensation of documentary and I am not sure whether the director Sergei Bondarchuk used in his debut inserted footages to give more realism to the movie. The sequence when Andrei meets the orphan boy is touching and never corny and closes this little masterpiece with golden key. My vote is nine.Title (Brazil):"O Destino de um Homem" ("The Destiny of a Man")

info-108 At first I thought this film would be the usual war film in total line with the politburo's view on The Great War. But after 15 minutes in the film, something changes. First we have a scene in which Sokolof (the main character played by director Bondarcuk)) comes home drunk - something I have never seen in an older Soviet movie, than the war breaks out and after a slightly over the top scene in which Sokolof says goodbye to his family all hell breaks loose. The scene where Sokolof drives his car filled with ammunition across the frontline is incredible, and this is only the beginning of the war. Although the story sometimes is quit melodramatic, the photography of the film is exceptional modern for a film made in 1959. In beautiful black and white the viewer witnesses the whole damn thing called war. The film is not as heartbreaking and in-your-face as Come And See by Klimov, but Klimov must have seen this film and used it as an inspiration. Russia lost 20 million people during the second world war (some because of Stalin) but what it meant for and how it changed the life of ordinary people is all to clear in this story. This man's fate as he calls it. Although the film, I suppose, is rare, see it if you ever have a chance.

tom neal This first directorial effort from actor Bondarchuk (mainly known for his monumental War and Peace) shouldn't have starred the director. His ruddy countenance didn't convince me one bit he suffered through all the mishaps in his life during the Great War. Furthermore I found it very hard to believe the Germans went to so much effort to save the lives of these Untermenschen. There were good performances though and it is shot beautifully.Watch instead Come and See (Idi i Smotri) for a shattering experience of the Great War.