Red_Identity It seems to me that quite a lot of people really dislike this film, when in reality, it's not very warranted. Oh sure, it's very weird, sexual, very "artsy" in the way you know will annoy a quite large number of people. I found it fascinating, though. I found it unpredictable and fun (until the pretty heavy final 15 minutes) and most importantly, I was able to see the glorious, best- actress-alive Tilda Swinton in a very different sort of role, a sort of role that I had never seen her do before but which she nails. She's very seductive and cold here, very unlikable and Swinton manages to make it all work gloriously, along with an impressive Amy Madigan as the most important secondary character.

stereoron Tilda Swenton blew me away. her raw sexuality was over the top. her white flawless skin, beautiful hair, long thin shapely legs,big eyes and how she uses her body in the sex scenes, were among the hottest i have seen by a main stream actress. 9 out of 10 i couldn't take my eyes off her. i never thought of her as hot until i saw this movie,wow,wow,wow. in most of her other movies i have seen she is underplaying her great looks .but in this film she looks like a high end fashion model for Vogue. but she acts like a girl who knows how hot she really is and how to use her great body to its best. it just made me watch every scene she was in.

alexandru_popp I just watched this film on TV. No all of it. I didn't catch the beginning. But, I am still shaking. Low budget, feminism, exacerbated sexuality, irony. Remember the scene were the governor says something about his children? I think that is a clue there. Maybe the old values of family are praised here, in a glimpse. Maybe the sincerity is not neglected. This film is not a feminist lecture. But it have all the points of view inside. It is like a chamber with mirrors where an object reflects different in every of them.I give this film a well deserved 9 of 10. Very good.

George Parker "Female Perversions" is short on story and long on character as it peers into the life of an ambitious attorney (Swinton) who is far more confident in a courtroom than in her own insecure and sexually needy personal life. Apparently a sort of testament to the female condition, this flick by women about women surrounds Swinton with a conglomeration of neurotic females as it plods doggedly through a maze of peculiar behavior. On the upside, this deep character study offers some excellent performances as it explores its dark and aberrant landscape. On the downside, the film is a little over-the-top and glommed up with symbolism, dream sequences, and excursions into the surreal. Lacking in story, unpleasant in subject, and artsy-fartsy in execution, the common filmgoer may find this flick unsatisfying. However, for those into deep character studies and psychodramas, an interesting watch awaits. (B)