Gordon-11 This film is a series of snapshot of London viewed through the eyes of a British band, Saint Etienne.I am a Saint Etienne fan. I remember "Finisterre" being released on DVD back in 2003, and it was on the shelves for 17 pounds. I thought the price was steep so I did not buy it. After seven years, I finally got to watch the film. And, wow, I am so disappointed by it."Finisterre" is a collection of shots filmed in London. It can hardly be called a film. There is no plot. I find it so boring to sit through minutes of graffiti, bicycles and uninspiring council blocks of London. It does nothing to promote London, actually people might get put off by it. I don't understand, why would Saint Etienne present London's unglamourous side when they are obsessed with it? "Finisterre" seems to be a self indulgent project. I guess the meanings behind the shots can only be comprehended by the filmmakers and the band. I am so glad I did not buy it when it first came out.

clivey6 As others have noted, it's the narration that bogs this down. I know Saint Etienne make nods to the 1960s, but it's that fruity male voice that seems to belong to the kind of Government-funded supporting feature you sat through in the cinema as a kid while you waited for the Bond film to start. Your main course before you're allowed dessert. Question is, were the makers doing in this deliberately? Is it meant to be ironic? Many of the shots in this piece are timeless; Primrose Hill, the canal in Camden, which do add to the feeling that this could have been done in the 1960s. Again, maybe this is deliberate but it does seem a bit pointless; it's hardly a time capsule. Some of the visuals are lovely, the sort you see in the C4 show Skins, but without any drama, you may as well be clicking through photos on your laptop machine, nice as they are. Backed by the band's rather tinny, bloodless music, they succeed for the first half in making London about as exciting as Saint Etienne's hometown, Croydon.It does pick up a bit from Primrose Hill onwards but this is overall a strangely distant, antiseptic treatment of the capital. Recalling it the next day is more enjoyable than sitting through it at the time.

TheLester Being a fan of Saint Etienne and the City of London, I was very excited to see this movie on the list of the Vancouver International Film Festival. This movie has great shots, an absolutely excellent soundtrack and interesting insights into a 'not so well known' London.The movie is held completely in 'dark' colours, which I personally don't like too much. Furthermore the narration was a little too British and the comments sometimes got a little flat. Other than that, there are some great comments by Londoners and excellent shots. FINISTERRE doesn't glorify London by showing all the great attractions of the city, but rather gives deep insights in what London is really like. From the East end to the vibrant centre with its music scene as well as the 'special little retreats' for Londoners.All in all:+Great Soundtrack +Nice shots +great insights-Narration -Tiering to watch at times -Very dark pictureWorth watching! I give it a 7/10

faster1974 Anyone familiar with the music of Saint Etienne (who provided the soundtrack, and whose Bob Stanley co-wrote the script) will instantly recognize their input into this film: the referencing of classic pop lyrics, the obsession with London, at once mythologising and yet very honest. A documentary about London- its buildings its people and the magic it holds, Finisterre can draw comparions with the films of Patrick Keiller. This, however more accessible and has some lovely (albeit rather brief) interviews and reflections from artist Julian Opie, recording studio owner Liam Watson, and musicians Lawrence (from Felt) and Vic Godard (from Subway Sect).Never shying away from showing uglier sides of the city, but managing to find beauty in them, Finisterre is a very entertaining and quite magical documentary.