Foxy Brown

1974 "A chick with drive who don't take no jive!"
6.5| 1h34m| R| en| More Info
Released: 05 April 1974 Released
Producted By: American International Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

A voluptuous black woman takes a job as a high-class prostitute in order to get revenge on the mobsters who murdered her boyfriend.

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BA_Harrison Director Jack Hill's Foxy Brown was originally intended as a sequel to his cult classic Coffy (1973), which also starred voluptuous black babe Pam Grier in serious revenge mode. Which film you prefer will depend entirely on what you expect most from the blaxploitation genre—gritty violence or shameless fun—with Foxy Brown leaning towards the lighter side of things, while Coffy is a much rougher affair. Since I like my blaxploitation films to have a more raw, exploitative edge, I rate Coffy higher than Foxy, but that's not to say I didn't have a good time with this funky follow-up.The film opens as Foxy (Grier) is about to start a new life with her supposedly dead undercover cop boyfriend Dalton (Terry Carter), who has just undergone face-change surgery to complete his new identity as Michael Anderson. Unfortunately, Foxy's drug-pusher brother Link (Antonio Fargas) realises the truth about Dalton/Michael and sells him out to the mobsters, who proceed to gun him down. More than a little upset, Foxy goes undercover as an escort girl to seek revenge. What follows is shameless trash, complete with a kitschy lesbian bar brawl, a redneck rapist, an evil honky mobster bitch (Kathryn Loder), a bit-part for Hill regular Sid Haig, and a fair amount of nudity from its beautiful buxom star.6.5 out of 10, rounded up to 7 for the airplane propeller death scene.
grantss Okay...but Coffy was better.A woman's boyfriend is murdered by a drug gang. She, Foxy Brown (played by Pam Grier), then sets out to avenge his death.Interesting and action-packed but, if you've already seen Coffy, the previous Jack Hill-Pam Grier collaboration (Hill being the writer and director), it seems largely second-hand. Very similar main plot to Coffy, with less plausible twists and escapes. Characters are less well developed and there's less engagement. It all just feels like Coffy Lite.However, still entertaining and Pam Grier, as before, puts in a great performance in the lead role.
tomgillespie2002 After the huge success of Coffy (1973), American International Pictures wanted more blaxploitation, namely in the form of Pam Grier's sexy, female empowered ass-kicker. Coffy made Grier an overnight star, but not wanting to make a sequel after seeing a few sequels of other franchises fail at the box-office, they hastily re-wrote the script for Burn, Coffy, Burn!, and created Foxy Brown. They kept writer and director Jack Hill, and made a film about basically the same character. Yet Coffy and Foxy Brown are arguably as popular and as iconic as each other - Foxy maybe even more so - and this is mainly due to Foxy Brown being a pretty decent film, despite familiar plotting and genre tropes.When her boyfriend is gunned down by a bunch of gangsters, Foxy Brown goes undercover to infiltrate a prostitute ring posing as a modelling agency. Her dead-beat brother Link (the amazing Antonio Fargas) tells Foxy that the group - led by strange and kinky couple Steve (Peter Brown) and Miss Katherine (Kathryn Loder) - are the people responsible. Violence, drugs and explosions soon follow as Foxy pursues her thirst for vengeance, and helps fellow black woman Claudia (Juanita Brown) to escape a life on the game,It's a revenge premise seen a thousand times before, but Foxy Brown is often a blast. Grindhouse trailers often dazzle and confuse us with endless action scenes and violence promising a wonderful experience, only to submit us to 90 torturous minutes of amateurish crap. Yet Foxy Brown certainly delivers on its promises. It's noticeably more violent than other blaxploitation films, with Jack Hill's wit surprisingly shining through moments of forced heroin addiction and pickled cock. But it's Pam Grier that steals the movie, pulling guns out of her 'afro and simply being 'a whooooole lotta woman!' (as recognised by her own brother) throughout, displaying the charisma that would make her a 70's icon. It doesn't break any boundaries, even by action standards, and there are certain plot holes you have to try and ignore (what does Foxy Brown actually do?), but it's 95 minutes of solid exploitation fare.www.the-wrath-of-blog.blogspot.com
MartinHafer My score of 5 is indicative of the quality of the production--not the entertainment value. Sure, the film is silly, occasionally poorly directed and produced and it sure would never win any accolades for its artistic merits. But on the other hand, it is very entertaining and is a definite "guilty pleasure"--you know, a film that you love but isn't a particularly good film. While it was not as exciting as Pam Grier's prior film, COFFY, it was a little better aesthetically--with less of the cheesy violence (no exploding heads in this one) , but it still packs a mean punch and it's nice to see Grier's acting has improved.Like COFFY, FOXY BROWN is about a one-woman demolition team out to destroy a drug syndicate. In this sense, the film isn't so original and at times it's more like a sequel than a stand-alone film. This isn't all bad, as the action is still there as well as all the excitement. But this time it's all a bit more tame and not quite as shocking. Also, sadly, FOXY BROWN ended rather poorly in my opinion. By the end of COFFY, every drug dealer was stone cold dead--but in FOXY BROWN, she oddly left a couple of them beaten (and in one case BADLY damaged) but alive. To me, this just wasn't as satisfying--I wanted to see them all bite the dust! Like most so-called "Blaxploitation" films, this one is super-violent and full of nudity. It's a film you best not show your kids or to a nun!