Comeuppance Reviews Jeff (Yun-Fat) is a bouncer at a nightclub and one of the coolest dudes ever. He and his friend Sam (Wong) get mixed up with a gang of three unhinged criminals: the flamboyant and amoral Judge (Yam), his mohawked meathead sidekick Dino (Frankie Chan) and Virgin (Fu), the overheated female member of the group. While Jeff is after the money a potential heist might bring so he can help Sam with his gambling debts, not to mention to improve his own life and the life of his girlfriend Mona (Bridgewater), things naturally get out of hand and Judge gets very close to killing Jeff, but Jeff narrowly escapes. Jeff then spends his time in Thailand training to get back into fighting shape so he can take on Judge and his buddies once and for all. And the final showdown will be an epic one for the ages. So get ready because this is going to be some FULL CONTACT revenge! In our estimation, Full Contact is among the finest action product - or any product - produced in the fertile 90's in Hong Kong. It's a crown jewel of the genre, a shining example of what action could be and should be. It's just an awesome movie, directed with energy and verve to spare, that's gigantically entertaining and holds up to multiple viewings easily. From the opening guitar lick forward, you know you're in for something special.Chow Yun-Fat has never been better. As Jeff, the seemingly indestructible bouncer who coasts along on his motorcycle while wearing sunglasses and smoking a cigarette while shooting baddies with two guns, he defines the word "cool". This is the role he should be known for. Every great action movie needs a super-evil baddie, and Simon Yam as Judge is perfect. He's deceptively fey one minute, and deadly the next. His charisma is of a completely different sort than Jeff's, and the contrast is noticeable and they make perfect rivals.Adding to the excellence of this movie are the time-honored training sequences and disco scenes. The song used, "The World Has Gone Insane", by Alan Tam, perfectly captures the spirit of not just the movie but the time in which it was produced. As do the songs by Extreme. Full Contact is also Ringo Lam at his best. He fashioned a powerful, intense and fast-paced ride of a movie that's directed slickly and confidently. It's filled with the violence and stunts we've come to know and love, but somehow this movie is on a higher level than most. There's even subtle themes to look out for, such as Jeff getting shot in the middle of his hands and bleeding, possibly a reference to the stigmata of Jesus? Regardless, Full Contact delivers the goods in spades and at this point in time is in a "much imitated, never equaled" sort of situation.

rdoyle29 Another entry into the "cheer for the most likeable bad guy" series of Hong Kong action flicks. "Full Contact" tells the oft-told tale of betrayal and revenge, served up as a potent cocktail of Western convention mixed with the trademarked Hong Kong style. When Jeff's (Hong Kong superstar Chow Yun Fat in true hard-case form) friend Sam (Anthony Wong) steps on the feet of a local loan shark, Jeff comes to his rescue, creating a powerful enemy in the vengeful gangster. Seeking to skip town and make good, the two hatch a plan to hijack an arms shipment with the help of Sam's flamboyant and malicious cousin Judge (a delightfully sleazy Simon Yam) and his gang of dysfunctional thugs. What Jeff doesn't know is that he's being double-crossed by the wild group of brutal killers, who plan to bury him as they make their getaway. Judge forces Sam to off his loyal friend Jeff, but Sam botches the job, leaving Jeff to return for bitter revenge after dealing with an emotionally painful betrayal and a physically challenging rehabilitation. Lam foregoes the melodrama of Hong Kong counterpart John Woo and goes straight for the jugular with unremittingly stark and graphic violence. At the same time, the characters retain a certain amount of sympathy. Frequently outrageous and over the top, "Full Contact" is nonetheless a well made film suffering from a fairly weak script. Though comparisons to Woo are inevitable, especially because of Chow Yun-Fat in the lead role, Lam is a different kind of director and, accordingly, "Full Contact" is a different sort of beast. Although it opens with a robbery that rapidly turns into a shoot-'em-up, there's none of the balletic, elegant violence that characterizes Woo and his imitators. When the camera lingers over the carnage, it's not a lovingly choreographed sweep. Unlike in Chow's films for Woo, for which he is best known in the West, there's little that's noble about Chow's character in this one. He's heroic only by comparison to the psychotic gangsters he takes down one by one. Fortunately, Chow is up to the challenge of portraying a character of questionable morals in an honorable light, and Anthony Wong and Ann Bridgewater, respectively playing his best friend and wife, are equally top-notch. Lam's direction is excellent as well. His fine control of the action and pacing keeps the film from peaking too soon, and even a bullet's-eye view during a climactic shoot-out in a nightclub works in the movie's favor. The level of violence makes most of what Hollywood produces tame by comparison.

Stofft Saw this one last nightwhen living in sweden it is hard to lay the hands on asian movies.. also there is very little facts to get on films. Though this place helps out and I deicided to give it a try.Must say this was a good HongKong Action movie. Chow Yun Fat is as always playing his part really well.. and most of the other actors did their jobs well. The films has some really cool camera effects in it, fitting the actions scenes nicley.A good film to lay your hands on if you like good HK action films.

gridoon Let's be honest here: if this exact same flick had been made in America, it wouldn't have been given a second look, but it's a Hong Kong production and, inevitably, a hyped-up "cult classic". Go figure. Anyway, the revenge plot is familiar, and the film, lacking the emotional power of "The Killer" (the only other Chow Yun-Fat flick I've seen; both it and he were much better), becomes an empty display of pyrotechnics. And a very long one, too. (*1/2)