krishnapreethika I had always been amused by the fact that a whole lot of Indian movies, focusing on organized crimes, aims apparently at a soft side of a cold-blooded killer for women and romance. I am not sure why Shankar must be a Hero or even an anti-hero, just because he loves the lead woman dearly? This needs sorting from the fraternity of directors. And all the terrorists and mafia-men shown are very good-looking menfolk invariably? Is there any specific reason?PS. Why is the poster lacking (Shankar) Ahuja and showing Grover? The story is a predictable one as far as Shankar is concerned. The twist came with the introduction of Akash, more so, of his profession. The greater twist was he was not in love with the lead woman as is usually typecast in many other movies. For a 17-something, Ranaut was a pro! Ahuja had some intense scenes to play but Emraan being Emraan, had to play out the scenes of intimacy. One has to wait and watch Ahuja for further performances.

Vivek Don Gangster is one of the finest films in bollywood........Its basically a thriller presented in a different manner........Story of a woman caught in a dilemma......As the tagline suggests,She betrayed him the day she loved him.......Simran is always in a state of turmoil....she has nothing going for her....no friends,no relatives because she loved Daya who is a gangster.Akash is a singer in a bar who is interested in Simran.He cares for her.Simran has to chose between one of these men........and who she chooses becomes the rest of the story....Kangana Ranaut is stunning......She portrayed the role of Simran brilliantly.....her acting reminds me of the best heroines of bollywood industry but you have to keep in mind that it was her first film......The Bhatts have donated a great actress to the bollywood through her......her presence in the movie is the main positive feature of the movie......Emraan Hashmi does a decent job as Akash.A different role for him from his previous movies.He did well........Shiny Ahuja is another actor to look out for.He plays Daya,The dreadful gangster.His portrayal of emotions was good......He plays a strong and important role in this movie......Pritam's music is simply awesome.....All the songs are equally good and Sueprhits.......It kept the pace of the movie......Altogether,Its one of the best movies from the Bhatts camp and also in bollywood.....Must watch for movie lovers........My rating 10/10......

rsa5387 One of the best Bollywood films of 2006, Gangster is an emotionally charged gritty love story that takes its place as one of the best Indian gangster films ever made, and one of the finest films of 2006, Bollywood or not. On the surface, the film fol...(read more) lows a simple story of a woman (Kangana Ranaut) who falls in love with a man who turns out to be a notorious criminal (Shiny Ahuja), and the consequences of that decision inadvertently lead to a lifestyle she grows to discern. Frustrated with her current situation, she eventually falls into the arms of another man (Emraan Hashmi). Beyond this simple story, what happens next through the narratives many twists and turns makes Gangster a film that will not only entertain, but touch your heart as well. While the film possesses a powerful story, its trump card is the films emotionally charged performances. Kangana Ranaut makes her debut as Simran, and is a revelation. She deserved a best debut win and an actress nod for this, if no t for her other release last year, Woh Lamhe. Emraan Hashmi is excellent but underused as Aakash. This is primarily because he doesn't have too much to do for the first half. He shines in the second half. His best acting stint too date. But the real star of the film is Shiny Ahuja. He is absolutely outstanding as the gangster. The flashback scene, the scene where he breaks down in Kanganas lap, and his violent outburst towards the end of the first half are highlights of the film. This role was definitely award-worthy, its criminal he didn't garner any for it. Shiny has proved, in a short time, that he is an actor of enormous caliber. One of the finest performances of 2006, India or not. Beyond acting, the other star is the soundtrack. A massive hit when it released, its a pity the film wasn't as well received as its haunting score. All the songs are shot well (especially Lamhe Lamhe) and are well placed in the film. As always, the direction is well done by Anurag Basu. He proves hes a director of substance after 2003's moving Saaya. The cinematography is well done. Seoul's photogenic locations are put too good use. Overall, Gangster is one of the strongest Hindi films of 2006, and its well worth checking out.

maverick-671 It doesn't get more haunting than this. . .When I started with Gangster I dint know that I was perhaps watching one of the brilliant directions ever. Immaculate sound tracks,intense characters and above all a piercing direction leaves such an impact that makes one wonder if any other movie will be able to fill the void. If there is any such thing as chemistry, then movie buffs would do themselves a great favor if they watch Kangna and Shiny sailing effortlessly through the realm of silence, and heartbreaks. Bheegi Bheegi runs through your veins as you wonder what has happened to bollywood!....By submitting this comment you are agreeing to the terms laid out in our Copyright Statement. Your submission must be your own original work. Your comments will normally be posted on the site within 2-3 business days. Comments that do not meet the guidelines will not be posted. Please write in English only. HTML or boards mark-up is not supported though paragraph breaks will be inserted if you leave a blank line between paragraph.By submitting this comment you are agreeing to the terms laid out in our Copyright Statement. Your submission must be your own original work. Your comments will normally be posted on the site within 2-3 business days. Comments that do not meet the guidelines will not be posted. Please write in English only. HTML or boards mark-up is not supported though paragraph breaks will be inserted if you leave a blank line between paragraph.