SnoopyStyle Brian Weathersby (Paul Dano) sells insanely high price mattresses in NYC. It's an indie of his life with all kinds of random quirky characters. Happy Lolly (Zooey Deschanel) is the daughter of Al (John Goodman) who purchased a mattress for $14k. He wants to adopt a Chinese baby. She's flaky. They hit it off.This is filled with great actors I love. They seem to be doing good work. I should like this, but the story is a series of meandering scenes that drives aimlessly. They crawl along without any sense of drama. It's a battle of the quirky characters, and nobody really wins in this.

Kevin Hudson This decent faux-indie film is ruined by pro-capitalist & anti-poor propaganda. Some of which is implicit (even subliminal) & some of which is overtly explicit.Firstly, one message of this film seems to be that capitalism is good, in fact it gets you laid. Secondly, another message is that homeless & working people are bad, they attack you in the street for no reason! This is evidenced in one scene where the guy says to the other that he got laid with a girl who's father bought a mattress from him & the other guy's reply is "God bless capitalism". To me, a blatant association of our elitist political system with sex.At certain points in the film the lead is attacked by someone whom he describes as a homeless guy, but is at times dressed as a worker. Whether the guy is a figment of the lead's imagination or not, the negative subliminal association of poor/working person & uninitiated violence is made.Later, they crack open a piñata & he says he has them made to look like dictators. Now it's very easy to point at the crimes of others. Why didn't he have some evil American politicians made like Nixon or Kissinger (who helped killed 5 million+ in Vietnam, Cambodia & Laos) or some figures of British Imperialism (who killed just as many as Stalin)? No, only non-capitalist murderers are worthy of our attention & that is the type of blatant propaganda you expect from Hollywood Blockbusters.Where is the anti-consumerist, anti-materialist, anti-elitist & anti-status quo message I expect from productions with a supposedly individualistic non-conformist perspective?

freedommac A stunning performance by Paul Dano and a very believable by Zooey Deschannel. Some might say bits of this film are mundane and were not needed, but that's what makes this film a sensation, to be able to relate to these so called scenes can in fact bring you deeper into the film.However, my only criticism would be the ending, I think it leaves us wondering about too many things.Overall, this is a great film which explores the life of a salesman with a very unique life, not seen very much in many films these days, who falls in love with a customer who leads a very strange life too. The violent attacks by an unknown figure played by Zach Galifianakis make the film more mysterious and makes the viewer curious to who this figure is.All in all a fine film.

okieindian Sometimes a movie comes along that makes the worst movie I've ever seen previously seem to have been not so bad. Gigantic is one of those movies. Lousy acting, lousy dialog, lousy plot, stupid throughout, with no rhyme, or reason. I've heard that if we were to put a hundred monkeys in a room full of typewriters, that they would eventually produce a screen play. Too bad that the folks behind this piece of dung did not use more monkeys. While it is obvious that the current crowd in the film-making business are attempting to excel in garbage and foist if off on the general public as art, it is equally obvious that nobody with half a brain can find even one redeeming quality in this movie... (Except for those who produced it who have sold it to the rental for big bucks and will receive praises from other film-making idiots who think that praising garbage is the thing to do. th vomiting in the film pretty much describes my feelings about Gigantic! Aaarrgghhh!!!