MartinHafer If you would like a laugh, read through the reviews for this film. A couple of them describe the film like it's a masterpiece--calling it 'a hoot' and another guy gives it a 10. And, conversely, one described it as 'total ineptitude' and another 'dreadfully unfunny'!! Did they make two DIFFERENT versions of Wheeler and Woolsey's "Girl Crazy"?! All I know is that I felt the film was at neither extreme--neither a particularly distinguished film nor a bad one. And, that can be said about most Wheeler and Woolsey efforts.Wheeler and Woolsey leave the big city in search of adventure in modern day Arizona. Little do they know that the casino they are going to work in is also located in a lawless town where sheriffs rarely last a day on the job! Can these two boobs manage to survive? This film is a hybrid--originally a musical and now infused with comedy. That isn't a great thing, as much of the music was dropped and the play's original huge hit, "I Got Music", is a very poor rendition--with poor sound quality and a sub-par tune from Kitty Kelly (though I DID like seeing the cacti dancing as she sang). As for the comedy, it's decent but not hilarious. In other words, it has its moments but isn't great in the comedy department either. But, by far, the absolutely worst part of the film was young Mitzi Green's impressions. Painfully bad is the best way to describe them. Overall, a very mixed bag.

ilprofessore-1 As this is one of the projects that young David Selznick did as a producer for Radio pictures before moving on to MGM and his own production company, it's shocking to think that this man (somehow universally celebrated for his taste) could have taken the great 1930 Broadway musical featuring Ethel Merman and Ginger Rogers and reduced it to a Wheeler & Woolsey slapstick comedy; in the process, Selznick eliminated most of its great Gershwin songs among them "Bidin' My Time" and "Embraceable You" and treated the other immortal tunes like "But Not For Me" as novelty numbers. An appalling example of how old Hollywood didn't recognize genius when it stared it in the face.

jaykay-10 It is not easy to turn GIRL CRAZY into a disaster, given the Gershwin score and a somewhat serviceable plot - but the creators of this version have succeeded in doing just that. There were six writers given screen credit for this scenario: perhaps that was the problem, or maybe the screenplay was even worse until that number was reached.The gags (can I call them that if they are not funny?) are so forced, so weak, so juvenile as to make an audience squirm. Wheeler and Woolsey were never worse; at their best (it says here) they were second-raters, with a very limited assortment of poses, gestures, and facial expressions. No one in this cast offers demonstrable talent. An amateur cast (and director) could have done more with the material (I've seen it happen). And let us not overlook totally mindless rendering of "I Got Rhythm" in the film's big production number.Why did you tell me to watch this?

Ron Oliver A rich, GIRL CRAZY young playboy decides to transform an old family ranch in Arizona into a fancy entertainment hot spot. He turns to a gambler buddy to come West & operate the games of chance. Together, they trick a witless cabby into running for sheriff in nearby Custerville, a town notorious for the low life expectancy of its lawmen...Wheeler & Woolsey (Bert Wheeler is the little fellow with the curly hair; Robert Woolsey has the glasses & cigar) have fun in this transmogrified Gershwin musical. With their one-liners & physical comedy, they were always able to transcend their material, even in an excessively silly story such as this. It is a shame that the Boys are all but forgotten today...Eddie Quillan, as the playboy, provides his usual peppy puppy support; Dorothy Lee, Wheeler's perpetual flame, appears but is given little to do, probably as she must share plot time with 3 other young ladies: Kitty Kelly, Mitzi Green & Arline Judge. Stanley Fields makes a fine buffonish bad guy. That's Nat Pendleton, unbilled, as the motorcycle cop.With songs by the Gershwin Brothers, the Boys are in very fine musical company. Kelly sings a rousing `I Got Rhythm' - while Quillan & Judge deliver `But Not For Me'. Wheeler & Lee get to warble `You've Got What Gets Me'. Movie mavens will want to pay attention to the very end of this song; the female who gets throttled by Wheeler is none other than the monumental Margaret Dumont, apparently escaped from the Marx Bros., appearing here in an uncredited cameo.