Woodyanders Headstrong rich gal Paula Powers (a winningly spunky portrayal by the fetching Nancy Morgan) steals the family Rolls Royce and heads off to Las Vegas to marry her amiable working class boyfriend Sam Freeman (a likable turn by Ron Howard, who also made his directorial debut with this film). A motley slew of folks give chase. Director Howard, who also co-wrote the simple script with his dad Rance, tells the entertaining story at a zippy pace, maintains an engaging light-hearted and good-natured tone throughout, and stages the assorted wild'n'wacky vehicular carnage with considerable go-for-it brio. Moreover, this picture benefits tremendously from being so straightforward and unpretentious: After a few initial minutes of basic plot set-up, the rest is essentially one lengthy car chase that culminates in one hysterical doozy of a demolition derby climax. Better yet, the enthusiastic cast attack the material with infectious aplomb, with especially energetic contributions from Marion Ross as the disapproving Vivian Hedgeworth, Peter Isacksen and Clint Howard as a pair of loony hot-rodders, Rance Howard as no-no0nsense private eye Ned Slinker, Paul Linke as pompous preppy Collins, Don Steele as obnoxious disc jockey Curly Q. Brown, and Barry Cahill as huffy millionaire Bigby Powers. The jaunty score by Peter Ivers hits the stirring spot. The always dependable Gary Graver does his usual ace job with the glossy cinematography. An immensely fun flick.

MARIO GAUCI I've never considered Howard much of a director - and I only rented this, his debut feature, because I've been on a 'grindhouse' kick ever since I watched the recent Robert Rodriguez/Quentin Tarantino homage! Made for Roger Corman's low-budget outfit (he explains how it all came about in the accompanying interview), this road movie on the lines of VANISHING POINT (1971) and THE SUGARLAND EXPRESS (1974) evolves into one uninterrupted chase along the American midwest. It's undeniably enjoyable on a non-think level, relying on an endless stream of energetic stunts (mostly gratuitous car crashes and explosions) to carry its thin plot as far as it can go. Howard also took the lead role and co-wrote the script with his father Rance; fellow cast members from Howard's popular HAPPY DAYS TV series also put in appearances…and there's even a cameo by director Paul Bartel! The technical crew holds some surprise: Allan Arkush (who later helmed the Corman-produced ROCK 'N' ROLL HIGH SCHOOL [1979]) served as second-unit director, Gary Graver (best-known for his collaborations with Orson Welles) was the cinematographer, and Joe Dante (even after having started his own directorial career) edited the film!

Anthony Bannon (bannonanthony) I've always had a soft spot for car chase movies, so naturally this one interested me. I wasn't disappointed. It has the usual elements of a film of it's type, the most prominent being the cast of eccentric characters constantly trying to get the better of each other. SPOILER WARNINGS:In his directorial debut, Ron Howard plays high school kid Sam who is in love with rich girl Paula. Needless to say, Paula's Ma and Pa, rich snobs who care only about their reputations (Her jogging-suit clad dad is running for Governor of California), disapprove. Her dad wants her to marry rich kid Collins Hedgeworth, whom Paula denounces as a 'flake'. Her dad tries to get the better of her by confiscating her car keys, but then she gets the last laugh as she purloins her old man's Rolls-Royce and picks up Sam. The two then set off for Las Vegas to get married.Polo-playing wimp Collins tries to give chase, as does his mother, who is trying to get him back before he hurts himself. Collins calls DJ Don Steele and offers a $25,000 reward for Paula's safe return. His mother then calls up and offers another $25,000 for his return. At this point, the fun begins as a bunch of assorted nutcases join the chase. They include: a pair of horny mechanics, a bunch of bumbling private eyes hired by Paula's dad, a money-hungry preacher, a group of dynamite toting rednecks, a group of Hispanic low-riders and an LA cop looking to bust most of the group for grand theft auto. The pace is frantic, and at times, you forget about certain characters because of the amount of time being focused on certain groups of them. The performances are rather good. Nancy Morgan as Paula seems to be the dominant one in their couple as she does most of the talking. The late Don Steele is great in his role as DJ Curly Q. Brown, which is essentially a reprise of his role of Junior Bruce in DEATH RACE 2000 (also produced by Roger Corman. DEATH RACE director Paul Bartel has a cameo here.). Ron's brother Clint of course appears here as one of the mechanics. He and his partner Pete Isacksen are both great as the sex-mad mechanics. The car wrecks sometimes happen for no real reason, but they are all brilliantly done. Appropriately, the action reaches it's climax at a demolition derby outside Vegas. This film is brilliant and is a must for car chase fans, like me!

Grégoire "Freak" Dubost This would definitely be it. The only point of the film is to show car chase after one another, on highways and in the desert. Oh yes, they are a few helicopters too. So if you take it for what it is, the film is rather good. Lots of gags, irony, ... And a number of stunts amazing considering it's a Corman-produced movie.. how did they find the money ?