gridoon2018 This genuinely strange endeavor is a minor technical achievement for its time, but suffers from an unexciting, talky script. Richard Harris does an admirable job reacting to people that aren't really there. Recommended mostly to kids with warped tastes, or adults in need of a weird trip (the fact that "real" miniatures and animated things seem to be interchangeable in Lilliput only enhances the weirdness). **1/2 out of 4.

MARIO GAUCI I had watched this on Italian TV as a kid and recall being fond of it – in view of its mixing live-action with animation; however, it was universally panned at the time…and, catching up with it again after all these years, I have to admit that the critics were right! What must have seemed wondrous to a child's eyes is actually very poorly done, not to mention boring for a fantasy-adventure; fatally, both star (ex-'Angry Young Man' Richard Harris) and director (action expert Hunt) are ill-suited to the material! At least, Michel Legrand's score (with lyrics provided by scriptwriter Don Black) is serviceable – if not exactly inspired. By the way, a number of well-known personalities are featured among the voice artists on this British-Belgian co-production (Julian Glover, Bessie Love, Murray Melvin, Robert Rietty, Vladek Sheybal, Graham Stark and, this being his last film work, Michael Bates).While the essential plot points of Jonathan Swift's classic novel ('giant' Gulliver becomes the pawn in a war between the little people of two neighboring countries and, on escaping, ends up in a land of real giants) do emerge here, it's done on a strictly kiddie level (with stereotyped characters though, thankfully, little intrusion of the comic/romantic variety) – which renders the whole venture somewhat pointless, outside of its intrinsically experimental nature, since Max and Dave Fleischer had already done a splendid feature-length cartoon version of the book way back in 1939!

Jonathon Dabell Peter Hunt started out as a very gifted film editor and got his first stab at directing when he helmed the James Bond film "On Her Majesty's Secret Service" (considered by many Bond fans to be the best of the series). Other titles in his filmography include epic scale adventure movies like "Gold" and "Shout At The Devil", both adapted from Wilbur Smith novels. "Gulliver's Travels" is an odd one on his list of films; it seems strange that a director of Hunt's style and expertise would choose to direct a film of this kind. A half-live action/half-animated retelling of Jonathan Swift's classic satire, the film looked twenty years out of date even when it was made, and in all honesty it simply doesn't work. And there's not a damn thing that Hunt (with his usual eye for fast-paced action), or star Richard Harris (who can usually enliven the most stilted of roles) can do to rescue this one.Lemuel Gulliver (Richard Harris) is a brilliant medical student living in 17th Century Bristol. His father (Norman Shelley) wants him to go to London to make his fortune; but Gulliver prefers the idea of receiving rather less pay but a heck of a lot more adventure as a ship's surgeon aboard a ship called the 'Antelope'. During a voyage, the 'Antelope' is blown off course during a storm and hits a reef. The ship sinks and everyone is lost, apart from Gulliver…. who finds himself washed ashore in the kingdom of Lilliput. When he comes round, Gulliver finds that the strange land where he has washed ashore is populated by incredibly small humans, no taller than his toe. To them, he looks like a giant. They persuade Gulliver to help them in a war against another race of tiny people who live on an adjacent island. But Gulliver doesn't like being manipulated for purposes of war and devastation, so he makes plans to escape….Harris is left to carry the entire film here. His first couple of scenes involve other actors, but once he is shipwrecked in Lilliput he spends the rest of the film striding over knee-high sets and acting alongside his animated counterparts. The idea of mixing live action and animation was not new at the time, but it certainly hadn't been done a lot. A few Disney movies like Song Of The South, So Dear To My Heart and Pete's Dragon had tampered with the idea, but it was still pretty much in its infancy. "Gulliver's Travels" is not an especially well-animated film, but the scenes showing interaction between Harris and his cartoon co-stars are at least competently done. Occasionally the film tries to be true to its satirical origins (there's one scene where we learn that Lilliput has gone to war with its neighbour because of eggs !?! - and the point seems to be that wars can begin over the most ridiculous of things). But at its heart, this is very much a kids' film and the satirical overtones are barely dwelled upon. Everyone involved has done better things during their career – "Gulliver's Travels" might fill an otherwise empty afternoon, but apart from that it is a forgettable and underwhelming experience.

paulgeaf I have to disagree with the only comment listed. This movie is not the best adaptation of the novel by any means though it is significant in that it was one of the early movies to use animation to the effect seen in this move; that is, mixing real life actors with animated characters. It pulls this off spectacularly. The problem is more to do with the dialogue and pace which is, at times, tiring. I watched this as a child and always had a soft spot for it, as I now know other children to have the same. This isn't a horrible movie, it should certainly not be overlooked in my opinion. It certainly should be bought at a car-boot sale though!