Hamlet at Elsinore

1964
Hamlet at Elsinore
7.9| 2h50m| en| More Info
Released: 15 April 1964 Released
Producted By: DR
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website: https://www.bbc.com/historyofthebbc/anniversaries/april/hamlet-at-elsinore/
Synopsis

The ghost of the King of Denmark tells his son Hamlet to avenge his murder by killing the new king, Hamlet's uncle. Hamlet feigns madness, contemplates life and death, and seeks revenge. His uncle, fearing for his life, also devises plots to kill Hamlet. An historic BBC production taped on location in and around Kronborg castle in Elsinore (Denmark), in which the play is set.

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Maurice Robson I saw this performance of Hamlet on TV in the mid 60's. It is the Hamlet that I compare to all others. In 1948 Lawrence Olivier won the Academy Award for his production, but I find it too theatrical and dramatic. Richard Chamberlain played the role in the worst Hamlet production I ever saw - he spat the words out like machine gun bullets. Christopher Plummer's own character has exactly the correct diffidence and uncertainty that is required to play the role of Hamlet. It is a disservice to the public that this production is not available.Robert Shaw played The uncle King Claudius and put on a fine performance, and if I remember correctly, that was Micheal Caine as Horatio, so there was an excellent supporting cast.
proteus6847 Christopher Plummer's Hamlet is so fine that it redeems a bad film and goes a long way towards redeeming Plummer's career. Here is a man whose gifts might have placed him among the great classical actors, but it was not to be. The fault, dear Brutus, lay in his wayward commitment, a matinée-idol fecklessness that frequently opted for the easy or thoughtless way out. His Iago (1982) was a palimpsest of clashing interpretations; his ashen Macbeth (1988) died before the play began; and his Lear's (2004) admonition that nothing can come from nothing was self-referential. But his Cyrano (1973) was marvelous: romantic and contemporary, eloquent and neurotic, febrile and edgy yet flamboyant, it synthesized centuries of acting styles in a manner reminiscent of Olivier. I am happy to add Hamlet to the list of his achievements.Plummer gives us the complete Prince where others have given us parcels. He has looks, presence, breeding, charm, athleticism, wit and consummate grace. He also has a touch of the feminine (which works well for Hamlet), yet is incontestably virile. This is important: one mustn't feel that Hamlet's fitful misogyny springs from congenital attraction to his own sex. There is no doubt that Plummer could have happily married Ophelia in a better world than Denmark. Nor is there any doubt of his capacity for martial exploits if his mind could deem them authentic. "Hamlet does not think too much but too well," and Plummer has the capacity (lacking in Gibson, Branagh and Hawke) to convey a subtle and probing mind. Michael Pennington (1980) was more intellectual, Derek Jacobi quirkier in his line-readings, but neither combined thought and surprise with sexual incandescence as Plummer does. He is a bright particular Star who has been wounded into inwardness, which is merely to say that he is Hamlet.The movie serves as foil to Plummer: its badness makes his talent stick fiery off indeed. Filmed at Kronberg Castle in Elsinore, it struggles to work new interiors and grounds into every frame. At times, this pays dividends: The Players' first scene takes place in an open-air courtyard, conveying an exhilarating sense of freedom. Alas, most of the locations are derivative, distracting or nugatory. Repeated shots of waves crashing upon rocks look backwards to Olivier's Hamlet (1948) and sideways at Kozintsev's (1964). One stony corridor is much like another. The Nunnery Scene is filmed in the castle's chapel (acceptable) with Hamlet standing above and beyond Ophelia in the pulpit (not). A minister exhorting a sinful parishioner may seem like an apt metaphor, but the actors do not play the scene that way, and the distance between them prevents dramatic synapses from connecting. It's an ominous portent of postmodern decadence.There are unkind cuts, bizarre compositions and moments of painful misdirection--one can count the infelicities like sheep vaulting a stile. The Mousetrap is reduced to its Dumb Show, making nonsense of Gertrude's "The lady doth protest too much." Ophelia loses her second Mad Scene and all her unsettling flowers. Polonius, Gertrude and Claudius speak in a single-file diagonal bisecting the screen, which is perfect for a conga-line but awkward for a conversation. Plummer is so tender, quiet and lucid with Ophelia that her "O what a noble mind is here o'erthrown!" seems crazier than anything Hamlet has said.The tally increases with a crupperful of bad performances. Alec Clunes' Polonius is so fulsome and cute that one can hardly wait for Hamlet to kill him. Jo Muller plays Ophelia as though she were 13, while Laertes (Dyson Lovell) is a cipher to a great account. Subtextual Gertrude must be brought to the surface; June Tobin leaves her placidly submerged ("drown'd, drown'd"). As Fortinbras, Donald Sutherland looks and sounds like an extraterrestrial. The young Michael Caine is a beautiful creature, but beauty is wasted on Horatio, and Caine is so busy avoiding cockney vowels that he neglects to create a character. The biggest disappointment is Robert Shaw, whose distracted, head-rubbing Claudius seems to be suffering from recurrent migraines. Philip Locke, of blessed memory, brings more camp viciousness to Osric than I have ever seen, but it's too little, too late.Plummer must salvage the proceedings, and so he does, seizing his plum role and plumbing it to its depths. With him in the lead, at least one thing is healthy in the state of Denmark. Sometimes there is no reason at all to see a Shakespeare production; sometimes there is only one. Hamlet at Elsinore is out of joint, but Christopher Plummer was born to set it right.
Ray Harp Even though I saw this program only twice 45 years ago, the quality of the acting and the high production standards made this HAMLET a very memorable experience. I was a drama student in high school at that time, and very much into Shakespeare and classical theater. I am now a semi-retired actor, director, and author; I have seen over 35 movie, television, and stage productions of HAMLET, and still remember Mr. Plummer's interpretation of HAMLET with clear distinction. The fine acting, the atmosphere, and the authentic staging created by filming at the actual Elsinore Castle in Denmark make this HAMLET the benchmark to which most other productions have aspired. In addition to Christopher Plummer, the cast included Robert Shaw, Michael Caine, Roy Kinnear, and Donald Sutherland. However, the most amazing thing about this HAMLET is that it has never become available in either VHS or DVD. THAT is the REAL tragedy... indeed, something does seem rotten in the State of Denmark.
skoyles The contrast with Olivier's version was stunning to viewers: a non-bombastic thoughtful Hamlet with none of the perverse undertones of Olivier's Prince of Denmark. Honest indecision oozed from this Hamlet. Further the text was less butchered than in Olivier's movie; here we at least get to see Rozenkrantz and Guildenstern. [Footnote: I am frequently surprised at people who will rave over Olivier's Hamlet and fail to notice the severely edited script.]