Laraine Elizabeth Turner OK--so the name turned me off too--and I thought--Mr. Rock and Roll and Colonel--what in tarnation are you shaking here?? Yet--as I succumbed to watch this silly modern-day "Road to Scarum" film--I began enjoying it. OK--I admit, I'm biased. As I listened to so many of "the King of Rock and Roll's" songs--I couldn't help falling in love with Elvis--as imperfect as he was. What I read about him--he seemed like such a nice guy--caring about others and a phenomenal talent! Mary Anne Mobley is a beautiful sight to see in this film (I'm biased towards her also!)--the movie is cute and has a lot of funny action. I like "feel good" movies, which I don't think you see nowadays--that the whole family can watch--and Elvis did alot of them, even if he didn't get to showcase his great acting range--which he definitely had. But it's still a cute movie. Good humor--action and romance--is underrated.

Hotwok2013 With a couple of exceptions any Elvis Presley movie was merely a vehicle to display his singing talent. Movie executives thought that because he was such a colossal pop-star that any movie they put him in, no matter how trashy, was bound to sell. They were right, of course, & Elvis fans watched his movies in their droves. Harum Scarum is definitely one of his worst & pure hokum. It is so bad that it has the distinction of being listed in John Wilson's book of "The 100 Most Enjoyably Bad Movies Ever Made". It definitely fits into the "so bad that it's good" category of movie. It is enjoyable mainly because it is so utterly nonsensical & because, for us lads anyway, it showcases a number of gorgeous hot babes. Former beauty queen Mary Ann Mobley (who sadly died last December 9 aged 77) plays Princess Shalimar. Her talents as an actress are hardly called upon at all so she doesn't have much to do except look gorgeous & she never had any problem doing that. Pretty much the same goes for Fran Jeffries playing Aishah. It also contains a very enjoyable Arabian dance routine done by three more glamorous ladies played by Wilda Taylor (Amethyst), Gail Gilmore (Sapphire) & Brenda Benet (Emerald).

Bjorn (ODDBear) Perhaps I was in a very forgiving frame of mind but "Harum Scarum" went down pretty well. Widely regarded as one of the King's worst offenders and he was disappointed with the results as he thought (before reading the finished script) that this would be a welcome change of pace from his established formula. The scenery is a breath of fresh air (though we all know it's MGM's back lot for the most part) and the film has a bit more of a plot than usual; although it's very clumsily handled. The comedy bits are fairly lackluster and the action is rather stiff but the film moves along well with few to no lulls. Elvis has a strong presence but he really doesn't strain himself too much and he receives little support from his fellow co-stars; though Billy Barty (most memorable as J.J. MacKuen from "Foul Play") does induce a few chuckles without a line of dialog. The songs range from pedestrian to very good ("Kismet" and "So Close (Yet So Far) From Paradise") and the girls, as almost always is the case with Presley films, are quite the eye candy. "Harum Scarum" is not good but it's breezy enough entertainment for fans of Elvis that's not quite as bad as it's reputation suggests. I'd choose this over "Stay Away, Joe" any day of the week.

MARIO GAUCI Usually, I am partial to Arabian Nights-type romps but, unfortunately, Elvis had better stuck to karate as the few, weak swashbuckling scenes he has in this film show that he is clearly no fencer and, what’s worse, this is undoubtedly the silliest vehicle I’ve seen of his so far, with a meaningless title to boot (no wonder it was changed to HAREM HOLIDAY – also the name of one of the tunes Presley sings in the film – in the U.K.); I guess the fact that the same writer-producer-director team who brought us the dismal KISSIN’ COUSINS (1964) was also behind this one should have been fair warning...The songs are all below-par and, lazily, there isn’t any attempt to give them the expected ethnic touch; one of them even has the star singing as a reflection in a pool imagined by the heroine – a Sultan’s daughter, naturally! As usual with this type of film, the villainess is far more interesting than the heroine but the sheer obviousness of the true identity of the duplicitous villain (Michael Ansara as the Sultan’s brother) is no help either. The would-be jokes involving the clash of cultures generally fall flat and Elvis’ annoying cohorts – a smarmy beggar and ubiquitous dwarf-thief Billy Barty – offer little respite from the generally desperate air of the whole production.