John austin Holiday Inn crosses my mind at least once during every major holiday, and even some of the more minor ones as well. In fact, it's the first thing that pops into my head on Washington's birthday, (even though they call that President's Day now).It's a great musical that uses the talents of Bing Crosby and Fred Astaire to the fullest, as Bing Crosby tries to run an inn that's only open on holidays. Fred Astaire plays his romantic rival, as they both try to romance Marjorie Reynolds. There's terrific chemistry between the two stars and the other players as well. The songs are great. This movie took an Oscar for White Christmas, and that song has remained a standard to this day. If you've never seen it, make a point to watch it when it pops up around Christmastime. It's wartime Hollywood at its creative peak. If you wonder why they can't make them like this anymore, this movie will show you why there's no substitute for the talent of Crosby, Astaire, Berlin and the rest of the folks behind this movie and the other classics of the 1940s.

lasttimeisaw A vintage Crosby-Astaire musical directed by studio old hand Mark Sandrich, who is a stable purveyor of ace Astaire-Rogers collaborations, such as TOP HAT (1934), THE GAY Divorcée (1934) and SHALL WE DANCE (1937), and would sadly pass away from a heart attack at a young age of 44 in 1946. HOLIDAY INN traverses through all sort of American holidays and starts with a triad of musical act - Jim (Crosby), Ted (Astaire) and Lila (Dale), embroils themselves into a love triangle, both Jim, an enchanting crooner and Ted, a magnificent hoofer, are smitten with Lila and she loves both (almost) equally, and in the eleventh hour she chooses Ted because a retired rural life with Jim isn't really what she craves for. Jim departs alone and beavers away in the countryside, eventually comes up with an idea of opening a holiday inn there which literally only opens during holidays, approximately 15 days a year, to entertain guests with specifically themed performances. Meanwhile Ted and Lila continue their hot streak as a dancing duo in high demand, but soon she abruptly jolts him to marry with a Texan millionaire. (As if that is what every showbiz gal wants!)A disconsolate and well-oiled Ted arrives in the inn during one evening gathering and dances with Jim's protégée Linda (Reynolds), but cannot remember what she looks like the morning after, except that she is the new dancing partner he is intent on finding to revive his stalled career. To forestall a similar denouement as he loses Lila to Ted, Jim painstakingly tries to hide Linda from Ted and their agent Danny (Abel), the farcical trope, including one reactionary blackface act celebrating Lincoln's birthday, runs dry quickly and Linda is miffed by Jim's self-serving manoeuvre which doesn't trust her to make the decision and throws herself to Ted, then both go to Hollywood when a movie deal of transposing the story of Holiday Inn onto the celluloid is available. So it is up to Jim to win her back, in an old-fashioned, classic and romantic fashion just before Ted and Linda tight their knot.Quintessentially a perfect holiday movie in honor of Americana heritage, HOLIDAY INN makes great play of the dualistic fun of Crosby's soul-soothing singing and Astaire's pyrotechnic tap-dancing, choreographed by Danny Dare, at the expense of the storyline, which ruefully takes a back seat. Irving Berlin's WHITE Christmas, Crosby's signature song debuts here and is sung thrice, meanwhile Astaire's firecracker solo is an honest-to-goodness splendor to behold, along with his old soak dancing sequences, both Reynolds and Dale knuckle down the task of being a commensurate partner for him, but it is suffice to say they are no Ginger Rogers, although petticoat artistes are legitimately given the short end of the stick under the shadow of two male superstars of the time. Nevertheless, Louise Beavers' black housekeeper is permitted to hurl out an awakening speech to precipitate Jim into action is something we can only refer as "guilty compensation for racial stereotype". A patriotic reverie at the point of WWII (Pearl Harbor attack happened when the film was in production), HOLIDAY INN wears better than its peers owing to its sheer exuberance of songs and dances, one just cannot badmouth it too harshly after such a lavish feast, however bland its backbone is.

gavin6942 At an inn which is only open on holidays, a crooner (Bing Crosby) and a hoofer (Fred Astaire) vie for the affections of a beautiful up-and-coming performer (Marjorie Reynolds).This film was the precursor to "White Christmas", and today is certainly the lesser-known of the two. How that happened is unclear. While many may think "White Christmas" is the better film, it is hard to deny some of the great dance sequences with Fred Astaire. This film does have the wider variety of song and dance numbers, as well as an appearance from Irving Berlin himself.Although it really has relatively little to do with Christmas, this is a great film for the season. Maybe not something to revisit every year, but definitely worth returning to time and time again. Bing Crosby was the master of the Christmas film in the 1940s and 1950s.

daviddaphneredding This movie, which is something of a Christmas tradition, has a magnetic appeal about it. Bing Crosby's singing is as melodious as ever, Fred Astaire is superb in his dancing. And who would not fall in love with Marjorie Reynolds in this movie? The Connecticut scenery and the snow, though all are fake, are beautiful and appealing. (I've seen both the updated version and the original B&W version.) There is a sense of escapism in this movie, retreating from NYC to go to an unforgettable inn in a provincial area. Who wouldn't want to get away from the hustle and bustle of the big city and go to a place where happiness and serenity are found? It is hilarious in places, and thus is decorative in more ways than one. Some of the songs are favorites, such as "White Christmas", "Abraham", and "Happy Holiday". In the love story aspect of this movie, there seems to be great chemistry 'twixt Crosby and Reynolds. It is one which I will add to my Christmas repertoire, because it is such a wonderful movie.